The following essay was written in the summer of 2020 to recognize the centennial of Charlie Parker, and was published in the November-December 2020 issue of The Duke Ellington Society (NY) Newsletter. The Charlie Parker Centennial – August 29, 2020 In late summer 2020, as we confront the health and economic consequences of a frightening… Read more
2020 Was a Rough Year for Jazz
2020 was certainly a challenging year, one that brought destructive weather, wildfires, acrimonious politics and a deadly pandemic that is not only killing hundreds of thousands worldwide but also causing vast economic dislocations. Many in the arts have suffered as venues have been forced to close temporarily or permanently and jazz musicians are among those… Read more
About Noal Cohen
Although an only child, I come from a musical family. My father played the violin and one of his sisters was a piano teacher. My maternal uncle is the late composer David Diamond who often lived with us in Rochester, NY, in the 1940s and 1950s. The clarinetist Z. Mitchell Weiss is my first cousin… Read more
The Birth of the Cool Legacy, Part 4: Gigi Gryce
As the evolution of bebop continued during the 1950s, the next chapter in the Birth of the Cool Legacy was written on the East Coast. The innovative approaches of Dave Brubeck, Gerry Mulligan, Shorty Rogers and other California-based artists were beginning to be challenged by a forward-looking group of composer/performers in New York City whose… Read more
Chris Byars: A Hundred Years from Today
Earlier this year, SteepleChase Records released a new CD by the New York City-based saxophonist, composer, arranger Chris Byars. Entitled A Hundred Years from Today, this album features 9 original compositions, each a tribute to one of his musical heroes. I was honored to be asked to write the liner notes for this CD which… Read more
The Birth of the Cool Legacy, Part 3: Gerry Mulligan
The tentette recordings that Gerry Mulligan (1927-1996) made for Capitol Records in January 1953 were an outgrowth of both the Miles Davis Birth of the Cool sessions of 1949 and 1950, to which he had contributed significantly, and the piano-less quartet featuring trumpeter Chet Baker that had brought the baritone saxophonist his first real recognition.… Read more