Discography

Discographies are never complete. They are always works in progress as new sessions and corrections to existing ones come along, sometimes months or even years after the original publication date. A recent example of this phenomenon occurred when my friend and collaborator Lynne Mueller brought to my attention an Art Farmer CD in her collection… Read more

I have begun work on a comprehensive Wes Montgomery discography that will deal with some errors and omissions in the information currently available regarding the guitarist’s recorded history. This is something of a departure from my general focus which involves artists in need of greater recognition and acclaim. One of the most influential and respected… Read more

In my article on compiling and displaying solo information in jazz discographies, I address the positioning and characterization of solos within a jazz performance using parameters such as the number of bars and/or choruses. An alternative involves using timings to indicate the location and duration of each solo. In the article, I only mention this… Read more

For many years I had considered compiling the discography of trumpeter, flugelhornist and flumpeter Art Farmer. One of the most lyrical of jazz soloists, he has been on my radar since I first became interested in jazz in the early 1950s. But his 50-year career and substantial recording output discouraged me from embarking upon such… Read more

I have now added solo information to my Frank Strozier discography. This includes many live sessions where he really stretches out. In the process of doing this, I was forced to analyze some of the original compositions recorded in the 1960s and 1970s and discovered that they often have very unusual structures. In certain instances, I… Read more

I have added a  table (pdf) that lists solos of Lucky Thompson by recording date and performance title between 1944 and 1973. The information, which includes solo duration, is also found in the discography, from which the data was extracted. Needless to say, this was an enormous amount of work, involving listening to every performance and using a lap counter in order… Read more