- Note 1: Reasons for duplication:
- There can be more than one Frank Strozier solo on a single track.
- There can be more that one Frank Strozier solo on a single title and date if the title was recorded in several takes.
- Note 2: Meter is assumed to be 4/4 unless otherwise noted.
- Note 3: Data source: The Frank Strozier Discography
Date | Song Title | Instrument | Duration |
01/30/1959 | Blue ‘n’ Boogie | Alto Sax | 180 bars (15 choruses) |
01/30/1959 | Star Eyes | Alto Sax | 108 bars (3 choruses) |
01/30/1959 | Star Eyes | Alto Sax | 36 bars (3 choruses) 4-bar exchanges with piano |
01/30/1959 | Star Eyes | Alto Sax | 12 bars coda |
01/30/1959 | Things Ain’t What They Used to Be | Alto Sax | 72 bars (6 choruses) |
06/17/1959 | Big Hands | Alto Sax | 32 bars (1 chorus) |
06/17/1959 | Big Hands | Alto Sax | 32 bars (1 chorus) 4- and 2-bar exchanges with Perkins alternating with Thomas |
06/17/1959 | Brother Spike | Alto Sax | 32 bars (1 chorus) |
06/17/1959 | Rochelle | Alto Sax | 64 bars (2 choruses) |
06/17/1959 | Rochelle | Alto Sax | 64 bars (2 choruses) 8-bar exchanges with Perkins alternating with Thomas |
06/17/1959 | Sleepy | Alto Sax | 36 bars (1 chorus) |
06/17/1959 | Whiffenpoof Song | Alto Sax | 64 bars (2 choruses) |
06/17/1959 | Whiffenpoof Song | Alto Sax | 32 bars (1 chorus) 4-bar exchanges with Perkins alternating with Thomas |
06/17/1959 | Whiffenpoof Song | Alto Sax | 20 bars coda |
12/09/1959 | Just in Time | Alto Sax | 96 bars (3 choruses) |
12/09/1959 | Just in Time | Alto Sax | 32 bars (1 chorus) 4-bar exchanges with Cobb alternating with Little |
12/09/1959 | Just in Time | Alto Sax | 64 bars (2 choruses) |
12/09/1959 | Just in Time | Alto Sax | 32 bars (1 chorus) 4-bar exchanges with Cobb alternating with Little |
12/09/1959 | Lucka Duce | Alto Sax | 36 bars (3 choruses) |
12/09/1959 | Lucka Duce | Alto Sax | 36 bars (3 choruses) |
12/09/1959 | Runnin’ | Alto Sax | 4 bars during head |
12/09/1959 | Runnin’ | Alto Sax | 8 bars bridge during head |
12/09/1959 | Runnin’ | Alto Sax | 64 bars (2 choruses) |
12/09/1959 | Runnin’ | Alto Sax | 32 bars (1 chorus) 4-bar exchanges with Cobb alternating with Little |
12/09/1959 | Runnin’ | Alto Sax | 4 bars during head |
12/09/1959 | Runnin’ | Alto Sax | 8 bars bridge during head |
12/09/1959 | A Starling’s Theme | Alto Sax | 64 bars (2 choruses) |
12/09/1959 | A Starling’s Theme | Alto Sax | 64 bars (2 choruses) |
12/09/1959 | Tibbit | Alto Sax | 84 bars (7 choruses) |
12/09/1959 | W.K. Blues | Alto Sax | 48 bars (4 choruses) |
02/03/1960 | I Don’t Know | Alto Sax | 72 bars (6 choruses) |
02/03/1960 | I Don’t Know | Alto Sax | 24 bars (2 choruses) 4-bar exchanges with Cobb alternating with Little and Kelly |
02/03/1960 | I Don’t Know | Alto Sax | 72 bars (6 choruses) |
02/03/1960 | I Don’t Know | Alto Sax | 24 bars (2 choruses) 4-bar exchanges with Cobb alternating with Little and Kelly |
02/03/1960 | Off Shore | Alto Sax | 64 bars (2 choruses) |
02/03/1960 | Off Shore | Alto Sax | 64 bars (2 choruses) |
02/03/1960 | Runnin’ | Alto Sax | 4 bars during head |
02/03/1960 | Runnin’ | Alto Sax | 8 bars bridge during head |
02/03/1960 | Runnin’ | Alto Sax | 160 bars (5 choruses) |
02/03/1960 | Runnin’ | Alto Sax | 4 bars during head |
02/03/1960 | Runnin’ | Alto Sax | 8 bars bridge during head |
02/03/1960 | Runnin’ | Alto Sax | 4 bars during head |
02/03/1960 | Runnin’ | Alto Sax | 8 bars bridge during head |
02/03/1960 | Runnin’ | Alto Sax | 96 bars (3 choruses) |
02/03/1960 | Runnin’ | Alto Sax | 4 bars during head |
02/03/1960 | Runnin’ | Alto Sax | 8 bars bridge during head |
02/03/1960 | Waltz of the Demons (The Grande Valse) | Alto Sax | 64 bars (2 choruses) in 3/4 |
02/03/1960 | Waltz of the Demons (The Grande Valse) | Alto Sax | 80 bars (2.5 choruses) in 3/4 |
02/05/1960 | Don’t Get Around Much Anymore (Never No Lament) | Alto Sax | 32 bars (1 chorus) |
02/05/1960 | Don’t Get Around Much Anymore (Never No Lament) | Alto Sax | 4 bars |
02/05/1960 | Don’t Get Around Much Anymore (Never No Lament) | Alto Sax | 4 bars |
02/05/1960 | Love Letters | Alto Sax | 2-bar break to 32 bars (1 chorus) |
02/05/1960 | Make Everybody Happy | Alto Sax | 24 bars (2 choruses) |
02/05/1960 | My Buddy | Alto Sax | 42 bars |
02/05/1960 | Richie’s Dilemma | Alto Sax | 32 bars (1 chorus) |
02/05/1960 | Richie’s Dilemma | Alto Sax | 16 bars (0.5 chorus) 1-bar exchanges with Perkins alternating with Thomas |
02/05/1960 | Richie’s Dilemma | Alto Sax | 6 bars 1-bar exchanges with Perkins alternating with Thomas |
02/05/1960 | Sweet Silver | Alto Sax | 48 bars (4 choruses) |
02/05/1960 | The Trolley Song | Alto Sax | 86 bars |
04/25/1960 | Fat Lady | Alto Sax | 32 bars (1 chorus) |
04/25/1960 | Fat Lady | Alto Sax | 4 bars |
04/25/1960 | Fat Lady | Alto Sax | 32 bars (1 chorus) |
04/25/1960 | Fat Lady | Alto Sax | 4 bars |
04/25/1960 | Peaches and Cream | Alto Sax | 44 bars (1 chorus) |
04/25/1960 | Scourin’ | Alto Sax | 50 bars (1 chorus) |
04/25/1960 | Scourin’ | Alto Sax | 50 bars (1 chorus) |
04/25/1960 | Seeds of Sin | Alto Sax | 32 bars |
04/25/1960 | Seeds of Sin | Alto Sax | 32 bars |
04/25/1960 | That’s Right | Alto Sax | 60 bars (5 choruses) |
05/12/1960 | Branching out | Alto Sax | 60 bars (5 choruses) |
05/12/1960 | Don’t Ever Throw My Love Away | Alto Sax | 32 bars (1 chorus) |
05/12/1960 | Lil’ Abner | Alto Sax | 64 bars (2 choruses) |
05/12/1960 | Lil’ Abner | Alto Sax | 64 bars (2 choruses) 4-bar exchanges with Perkins alternating with Thomas |
05/12/1960 | Raggity Man | Flute | 32 bars (1 chorus) |
05/12/1960 | To Sheila | Alto Sax | 32 bars (1 chorus) |
10/13/1960 | Chris | Alto Sax | 108 bars (3 choruses) |
10/13/1960 | Chris | Alto Sax | 108 bars (3 choruses) |
10/13/1960 | Chris | Alto Sax | 4 bars |
10/13/1960 | Chris | Alto Sax | 4 bars |
10/13/1960 | Cloudy and Cool | Alto Sax | 48 bars (4 choruses) |
10/13/1960 | Cloudy and Cool | Alto Sax | 24 bars (2 choruses) |
10/13/1960 | Cloudy and Cool | Alto Sax | 36 bars (3 choruses) |
10/13/1960 | Cloudy and Cool | Alto Sax | 12 bars (1 chorus) |
10/13/1960 | Cloudy and Cool | Alto Sax | 24 bars (2 choruses) |
10/13/1960 | Cloudy and Cool | Alto Sax | 12 bars (1 chorus) to fade |
10/13/1960 | Day In, Day Out | Alto Sax | 118 bars (6 bars + 2 choruses) |
10/13/1960 | Day In, Day Out | Alto Sax | 32 bars |
10/13/1960 | Day In, Day Out | Alto Sax | 4-bar coda |
10/13/1960 | Day In, Day Out | Alto Sax | 118 bars (6 bars + 2 choruses) |
10/13/1960 | Day In, Day Out | Alto Sax | 32 bars |
10/13/1960 | Day In, Day Out | Alto Sax | 4-bar coda |
10/13/1960 | Nice ‘n’ Easy | Alto Sax | 72 bars (2 choruses) |
10/13/1960 | Nice ‘n’ Easy | Alto Sax | cadenza |
10/13/1960 | Nice ‘n’ Easy | Alto Sax | 36 bars (1 chorus) |
10/13/1960 | Nice ‘n’ Easy | Alto Sax | cadenza |
10/13/1960 | Nice ‘n’ Easy | Alto Sax | 72 bars (2 choruses) |
10/13/1960 | Nice ‘n’ Easy | Alto Sax | cadenza |
10/13/1960 | No More | Alto Sax | 28 bars |
10/13/1960 | No More | Alto Sax | 10 bars |
10/13/1960 | No More | Alto Sax | 28 bars |
10/13/1960 | No More | Alto Sax | 10 bars |
10/13/1960 | She | Alto Sax | 32 bars (1 chorus) 8-bar exchanges with Fournier with Lee walking |
10/13/1960 | She | Alto Sax | 64 bars (2 choruses) |
10/13/1960 | She | Alto Sax | 32 bars (1 chorus) 8-bar exchanges with Fournier with Lee walking |
10/13/1960 | She | Alto Sax | 64 bars (2 choruses) |
10/13/1960 | Stairway to the Stars | Alto Sax | 30 bars and cadenza (1 chorus) |
10/20/1960 | Aon | Alto Sax | 56 bars (1 chorus) |
10/20/1960 | Aon | Alto Sax | 56 bars (1 chorus) |
10/20/1960 | Is-It | Alto Sax | 32 bars (1 chorus) |
10/20/1960 | Is-It | Alto Sax | 32 bars (1 chorus) 4-bar exchanges with Perkins alternating with Thomas |
10/20/1960 | Is-It | Alto Sax | 32 bars (1 chorus) |
10/20/1960 | Is-It | Alto Sax | 32 bars (1 chorus) 4-bar exchanges with Perkins alternating with Thomas |
10/20/1960 | Jerry Lee | Alto Sax | 32 bars (1 chorus) |
10/20/1960 | Jerry Lee | Alto Sax | 32 bars (1 chorus) |
10/20/1960 | No Land’s Man | Alto Sax | 32 bars (1 chorus) |
10/20/1960 | No Land’s Man | Alto Sax | 32 bars (1 chorus) |
10/20/1960 | Old Images | Alto Sax | 2 bar break + 34 bars (1 chorus) |
10/20/1960 | Old Images | Alto Sax | 2 bar break + 34 bars (1 chorus) |
10/20/1960 | On the Show | Alto Sax | 68 bars (1 chorus) |
10/20/1960 | On the Show | Alto Sax | 68 bars (1 chorus) |
09/12/1961 | The Crystal Ball (For Chris, Pacemaker Suite, Part 3) | Flute | 32 bars (1 chorus) |
09/12/1961 | The Crystal Ball (For Chris, Pacemaker Suite, Part 3) | Flute | 16 bars (0.5 chorus) |
09/12/1961 | Happiness Is a Thing Called Joe | Alto Sax | rubato intro |
09/12/1961 | Happiness Is a Thing Called Joe | Alto Sax | 36 bars |
09/12/1961 | Happiness Is a Thing Called Joe | Alto Sax | 18 bars and cadenza |
09/12/1961 | How Little We Know | Alto Sax | 64 bars (2 choruses) |
09/12/1961 | How Little We Know | Alto Sax | 6-bar coda |
09/12/1961 | Just Think It Over (Pacemaker Suite, Part 4) | Alto Sax | 44 bars (1 chorus) |
09/12/1961 | Long Night (Pacemaker Suite, Part 5) | Alto Sax | 24 bars (2 choruses) and cadenza |
09/12/1961 | The Man That Got Away | Alto Sax | 62 bars to fade |
09/12/1961 | The Need for Love (Pacemaker Suite, Part 2) | Alto Sax | 96 bars (3 choruses in 3/4) |
09/12/1961 | Pacemaker (Pacemaker Suite, Part 1) | Alto Sax | 108 bars (3 choruses) |
09/12/1961 | Pacemaker (Pacemaker Suite, Part 1) | Alto Sax | 72 bars (2 choruses) 4-bar exchanges with Perkins |
03/28/1962 | Don’t Follow the Crowd | Alto Sax | 64 bars (2 choruses) and cadenza |
03/28/1962 | Extension 27 | Alto Sax | 108 bars (2 choruses) |
03/28/1962 | Hey, Lee! | Alto Sax | 72 bars (2 choruses) |
03/28/1962 | Lap | Alto Sax | 8-bar intro |
03/28/1962 | Lap | Alto Sax | 120 bars (10 choruses) |
03/28/1962 | Lap | Alto Sax | 24 bars (2 choruses) |
03/28/1962 | March of the Siamese Children | Flute | 64 bars (1 chorus) |
03/28/1962 | March of the Siamese Children | Flute | 32 bars (0.5 chorus) |
03/28/1962 | Our Waltz | Alto Sax | 16-bar intro vamp in 3/4 |
03/28/1962 | Our Waltz | Alto Sax | 16 bars in 3/4 |
03/28/1962 | Our Waltz | Alto Sax | 16 bars in 3/4 |
03/28/1962 | Our Waltz | Alto Sax | 72 bars in 3/4 |
03/28/1962 | Our Waltz | Alto Sax | 8 bars in 3/4 |
03/28/1962 | Our Waltz | Alto Sax | 8 bars in 3/4 |
03/28/1962 | Our Waltz | Alto Sax | 8 bars in 3/4 |
03/28/1962 | Our Waltz | Alto Sax | 23 bars in 3/4 |
03/28/1962 | Something I Dreamed Last Night | Alto Sax | 56 bars (1 chorus) |
03/28/1962 | Will I Forget? | Flute | 64 bars (2 choruses) |
03/28/1962 | Will I Forget? | Flute | 16 bars (0.5 chorus) |
08/15/1962 | Come Rain or Come Shine | Alto Sax | 16 bars |
08/15/1962 | Come Rain or Come Shine | Alto Sax | 11 bars |
08/15/1962 | Strollin’ | Alto Sax | 16 bars |
08/17/1962 | Down Home | Flute | 36 bars (3 choruses) |
06/19/1963 | Black and Blue | Alto Sax | 16 bars starting at bridge |
06/19/1963 | Just in Time | Alto Sax | 2-bar break + 64 bars (2 choruses) |
06/19/1963 | Mooche Mooche | Alto Sax | 120 bars (5 choruses) |
06/19/1963 | Mour | Alto Sax | 32 bars (1 chorus) |
06/19/1963 | No Land’s Man | Alto Sax | 32 bars (1 chorus) |
06/19/1963 | Tune In | Alto Sax | 46 bars |
09/10/1963 | Cymbalism | Alto Sax | 36 bars (3 choruses) |
09/10/1963 | Cymbalism | Alto Sax | 36 bars (3 choruses) 6-bar exchanges with Haynes |
09/10/1963 | Go ‘N’ Git It | Alto Sax | 32 bars |
09/10/1963 | Hag | Alto Sax | 8 bars with Haynes |
09/10/1963 | Hag | Alto Sax | 144 bars (12 choruses) |
09/10/1963 | Hag | Alto Sax | 12 bars (1 chorus) |
09/10/1963 | Hag | Alto Sax | 12 bars (1 chorus) |
09/10/1963 | I’m Getting Sentimental over You | Alto Sax | 108 bars (3 choruses) piano out on third |
09/10/1963 | La Palomamein Ding (La Palomeinding) | Flute | extended cadenza |
09/10/1963 | Modette | Flute | 40 bars in 3/4 |
09/10/1963 | Modette | Flute | 212 bars in 3/4 |
09/10/1963 | Modette | Flute | 56 bars in 3/4 |
09/10/1963 | Modette | Flute | 32 bars in 3/4 |
09/10/1963 | Oleo | Alto Sax | 8 bars bridge |
02/04/1964 | Contemporary Focus | Alto Sax | 48 bars |
02/04/1964 | Three Flowers | Alto Sax | 82 bars in 3/4 |
05/01/1964 | Alone Together | Alto Sax | 16 bars vamp |
05/01/1964 | Alone Together | Alto Sax | 88 bars (2 choruses) |
05/01/1964 | In a Shanty in Old Shanty Town | Flute | 2-bar break + 32 bars (1 chorus) |
05/01/1964 | In a Shanty in Old Shanty Town | Flute | 32 bars (1 chorus) 8-bar exchanges with Haynes |
05/01/1964 | Invitation | Alto Sax | 8 bars |
05/01/1964 | Invitation | Alto Sax | 48 bars (1 chorus) |
05/01/1964 | Invitation | Alto Sax | 48 bars including coda |
05/01/1964 | Jamaica Farewell | Alto Sax | 24 bars |
05/01/1964 | Mr. Lucky | Alto Sax | 2-bar break + 64 bars (2 choruses) |
05/01/1964 | Mr. Lucky | Alto Sax | 8-bar coda |
05/01/1964 | The Party’s Over | Flute | 112 bars |
05/01/1964 | People | Alto Sax | 20 bars |
05/01/1964 | Softly, as in a Morning Sunrise | Alto Sax | 64 bars (2 choruses) |
05/01/1964 | Softly, as in a Morning Sunrise | Alto Sax | 64 bars (2 choruses) 8-bar exchanges with Haynes |
05/01/1964 | What Kind of Fool Am I? | Alto Sax | 64 bars (2 choruses) |
05/01/1964 | What Kind of Fool Am I? | Alto Sax | 16 bars (0.5 chorus) |
05/01/1964 | What Kind of Fool Am I? | Alto Sax | 16 bars coda to fade |
05/01/1964 | Wives and Lovers | Flute | 8-bar intro in 3/4 |
05/01/1964 | Wives and Lovers | Flute | 16 bars in 3/4 |
01/14/1965 | Comin’ Down | Alto Sax | 32 bars (1 chorus) |
01/14/1965 | Pamela’s Passion | Alto Sax | 64 bars (2 choruses) |
01/14/1965 | Pamela’s Passion | Alto Sax | 4 bars |
01/14/1965 | This Is the Thing | Alto Sax | 8 bars first chorus bridge |
01/14/1965 | This Is the Thing | Alto Sax | 64 bars (2 choruses) |
01/14/1965 | This Is the Thing | Alto Sax | 8 bars last chorus bridge |
02/24/1965 | Mine | Alto Sax | 40 bars |
02/24/1965 | Mine | Alto Sax | cadenza |
02/25/1965 | Summertime | Alto Sax | rubato |
02/25/1965 | Summertime | Alto Sax | 106 bars fast 3/4 |
02/25/1965 | Summertime | Alto Sax | rubato |
02/26/1965 | How Long Has This Been Going On | Alto Sax | 40 bars |
02/26/1965 | The Man I Love | Alto Sax | 32 bars fast starting at bridge |
02/26/1965 | The Man I Love | Alto Sax | 8 bars fast |
06/20/1966 | The Breeze and I | Alto Sax | 74 bars |
06/20/1966 | Frank’s Tune | Alto Sax | 112 bars (2 choruses) |
06/20/1966 | Idle One | Alto Sax | 32 bars (1 chorus) |
06/20/1966 | Margie | Alto Sax | 32 bars (1 chorus) |
06/20/1966 | Wandering | Alto Sax | 48 bars |
06/20/1966 | You Name It | Alto Sax | 64 bars (2 choruses) |
01/01/1967 | Alone Together | Alto Sax | 28 bars |
01/01/1967 | Frank’s Tune | Alto Sax | 16 bars |
01/01/1967 | Frank’s Tune | Alto Sax | 8 bars |
01/01/1967 | The Man I Love | Alto Sax | 16 bars fast |
01/01/1967 | March of the Siamese Children | Flute | 64 bars (1 chorus) |
06/03/1967 | Milestones (Miles) | Alto Sax | 200 bars (5 choruses) |
06/03/1967 | Milestones (Miles) | Alto Sax | 240 bars (6 choruses) simultaneous improvisation with Scott |
06/04/1967 | I Remember Bird | Alto Sax | 8-bar intro |
06/04/1967 | I Remember Bird | Alto Sax | 70 bars and cadenza |
06/19/1967 | A Bluish Bag | Alto Sax | 64 bars |
06/19/1967 | Night Owl | Flute | 64 bars in 3/4 |
06/19/1967 | Silver Tears | Alto Sax | 26 bars |
06/19/1967 | Sweet | Alto Sax | 64 bars |
06/20/1967 | Peter Gunn | Alto Sax | 8 bars |
06/20/1967 | A Quiet Happening | Alto Sax | 16 bars with Manne |
06/20/1967 | A Quiet Happening | Alto Sax | 32 bars |
06/21/1967 | Bird of Paradise | Alto Sax | 32 bars |
06/21/1967 | Drinkin’ and Drivin’ (502 Blues) | Alto Sax | 16 bars |
06/21/1967 | Seer | Alto Sax | 34 bars |
06/22/1967 | Bleep | Alto Sax | 32 bars (1 chorus) |
06/22/1967 | Comeback | Alto Sax | 96 bars (8 choruses) |
06/22/1967 | I Married an Angel | Alto Sax | 16-bar coda in 3/4 with Candoli |
06/22/1967 | I Married an Angel | Flute | 8-bar intro vamp in 3/4 |
06/22/1967 | I Married an Angel | Flute | 72 bars in 3/4 |
06/22/1967 | Yesterdays | Alto Sax | 32 bars (1 chorus) |
06/22/1967 | Yesterdays | Alto Sax | 8 bars |
07/17/1968 | K.C. Blues | Alto Sax | long rubato introduction |
07/17/1968 | K.C. Blues | Alto Sax | 60 bars (5 choruses) |
07/20/1968 | K.C. Blues | Alto Sax | long rubato introduction |
07/20/1968 | K.C. Blues | Alto Sax | 48 bars (4 choruses) |
07/22/1968 | Turkish Bath | Alto Sax | 48 bars (4 choruses) in 7/4 |
08/01/1968 | K.C. Blues | Alto Sax | long rubato intro |
08/01/1968 | K.C. Blues | Alto Sax | 48 bars (4 choruses) |
01/01/1969 | Self-Help Is Needed | Alto Sax | 32 bars (0.5 chorus) |
01/01/1969 | Self-Help Is Needed | Alto Sax | 8-bar coda and cadenza |
11/13/1973 | Children Are the Creator’s Messengers | Flute | 40 bars |
11/13/1973 | Hooray for the Children | Alto Sax | 12 bars |
11/13/1973 | Minority | Alto Sax | 32 bars (2 choruses) |
01/01/1974 | Bajan-Bajan | Flute | 38 bars |
01/01/1974 | D.R.T. | Alto Sax | 86 bars (2 choruses) |
01/01/1974 | Tibiron | Alto Sax | 192 bars (12 choruses) |
01/01/1974 | Too Late, Fall Back Baby | Alto Sax | 32 bars (1 chorus) |
03/08/1974 | Good Morning Mr. Sunshine | Alto Sax | 4-bar break in 3/4 |
03/08/1974 | Good Morning Mr. Sunshine | Alto Sax | 12 bars in 3/4 |
03/08/1974 | Good Morning Mr. Sunshine | Alto Sax | 28 bars in 3/4 |
03/08/1974 | Jesus Christ Superstar Medley | Alto Sax | 18 bars |
03/08/1974 | MacArthur Park | Alto Sax | 72+ bars (solo interrupted by tape dropout |
03/08/1974 | Open End | Alto Sax | 92 bars |
03/08/1974 | The Way You Look Tonight | Alto Sax | 2 bar break + 48 bars |
01/01/1975 | Chateau 12 | Alto Sax | 176 bars |
01/01/1975 | Crest of the Wave | Alto Sax | 64 bars (2 choruses) |
01/01/1975 | Dumpy Mama | Alto Sax | 60 bars (5 choruses) |
01/01/1975 | Jason | Alto Sax | 36 bars (3 choruses) |
01/01/1975 | Just Friends | Alto Sax | 32 bars (1 chorus) simultaneous improvisation with Stitt and Ellis over head + tag ending |
01/01/1975 | Little D | Alto Sax | simultaneous improvisation with Coleman |
01/01/1975 | My Father Knows | Alto Sax | 28 bars simultaneous improvisation with Coleman |
01/01/1975 | Some Other Time | Flute | 32 bars (1 chorus) |
01/01/1975 | Some Other Time | Flute | 16 bars simultaneous improvisation with Coleman |
01/01/1975 | Uschi I | Alto Sax | 72 bars (3 choruses) in 3/4 |
01/04/1976 | Blue Bossa | Alto Sax | 56-bar intro vamp |
01/04/1976 | Blue Bossa | Alto Sax | 208 bars (13 choruses) |
01/04/1976 | Blue Bossa | Alto Sax | 32 bars (2 choruses) |
01/04/1976 | Blue Bossa | Alto Sax | cadenza |
01/04/1976 | Feel Like Making Love | Alto Sax | 192 bar intro vamp |
01/04/1976 | Feel Like Making Love | Alto Sax | 376 bars |
01/04/1976 | Feel Like Making Love | Alto Sax | 134 bars |
01/04/1976 | The Girl from Ipanema | Alto Sax | 90 bars intro vamp |
01/04/1976 | The Girl from Ipanema | Alto Sax | 120 bars (3 choruses) |
01/04/1976 | The Girl from Ipanema | Alto Sax | 16 bars coda |
01/04/1976 | Impressions | Alto Sax | 648 bars (20.25 choruses) piano out |
01/04/1976 | Impressions | Alto Sax | 32 bars (1 chorus) |
01/04/1976 | Impressions | Alto Sax | cadenza |
01/04/1976 | Invitation | Alto Sax | rubato intro |
01/04/1976 | Invitation | Alto Sax | 192 bars (4 choruses) |
01/04/1976 | Invitation | Alto Sax | rubato |
01/04/1976 | K.C. Blues | Alto Sax | 276 bars (23 choruses) |
01/04/1976 | K.C. Blues | Alto Sax | 24 bars (2 choruses) |
01/04/1976 | My Funny Valentine | Alto Sax | 2-bar break + 180 bars (5 choruses) |
01/04/1976 | My Funny Valentine | Alto Sax | 72 bars (2 choruses) 8- and 4-bar exchanges with Jackson |
01/04/1976 | My Funny Valentine | Alto Sax | long cadenza |
01/04/1976 | Rhythm-A-Ning | Alto Sax | 8 bars first chorus bridge |
01/04/1976 | Rhythm-A-Ning | Alto Sax | 520 bars (16.25 choruses) mostly with piano out |
01/04/1976 | Rhythm-A-Ning | Alto Sax | 128 bars (4 choruses) 8-bar exchanges with Jackson |
01/04/1976 | Rhythm-A-Ning | Alto Sax | 8 bars last chorus brudge |
01/04/1976 | Witchcraft | Flute | 200 bars (5 choruses) |
01/04/1976 | Witchcraft | Flute | 40 bars (1 chorus) |
01/04/1976 | Witchcraft | Flute | 100 bars tag ending |
06/27/1976 | Sunny | Alto Sax | 128 bars (8 choruses) |
06/29/1976 | In Case You Haven’t Heard | Alto Sax | 64 bars (2 choruses) |
06/29/1976 | Jean Marie | Alto Sax | 64 bars (2 choruses) in 3/4 |
06/29/1976 | Jean Marie | Alto Sax | 24-bar coda in 3/4 simultaneous improvisation with Shaw and Mathews |
06/29/1976 | Sashianova | Alto Sax | 48 bars |
06/29/1976 | Sashianova | Alto Sax | 106 bars to fade simultaneous improvisation with Shaw |
06/29/1976 | Tomorrow’s Destiny | Alto Sax | 72 bars |
08/11/1976 | Idle One | Alto Sax | 64 bars (2 choruses) |
08/11/1976 | Little Miss Half Steps | Alto Sax | 320 bars (10 choruses) |
08/11/1976 | On Green Dolphin Street | Alto Sax | 224 bars (7 choruses) |
08/12/1976 | Frank’s Tune | Alto Sax | rubato intro |
08/12/1976 | Frank’s Tune | Alto Sax | 224 bars (4 choruses) |
08/12/1976 | On Green Dolphin Street | Alto Sax | 224 bars (7 choruses) |
11/10/1976 | For Our Elders | Alto Sax | 208 bars in 3/4 piano out |
11/10/1976 | For Our Elders | Alto Sax | 38 bars coda to fade |
11/10/1976 | Get out of Town | Alto Sax | 48 bars intro vamp |
11/10/1976 | Get out of Town | Alto Sax | 2-bar break + 64 bars (2 choruses) |
11/10/1976 | Hit It | Alto Sax | 64 bars (2 choruses) piano out |
11/10/1976 | Kram Samba | Alto Sax | 2-bar break + 80 bars (2 choruses) |
11/10/1976 | Neicy | Flute | 68 bars (2 choruses) in 3/4 |
11/10/1976 | Neicy | Flute | 18 bars in 3/4 |
11/10/1976 | Remember Me | Alto Sax | rubato intro |
11/10/1976 | Remember Me | Alto Sax | 8 bars obbligato to theme |
11/10/1976 | Remember Me | Alto Sax | 80 bars (2 choruses) |
11/10/1976 | Remember Me | Alto Sax | 8 bars obbligato to theme |
11/10/1976 | Sidestreet | Alto Sax | 72 bars (6 choruses) |
11/10/1976 | Sidestreet | Alto Sax | 36 bars (3 choruses) 4-bar exchanges with Moore and Johnson |
02/05/1977 | Chocolate Cadillac | Alto Sax | 88 bars (2 choruses) |
02/05/1977 | Hit It | Alto Sax | 64 bars (2 choruses) |
02/05/1977 | Mirror Lake | Alto Sax | 88 bars (2 choruses) |
02/05/1977 | Mirror Lake | Alto Sax | 24 bars coda to fade simultaneous improvisation with Foster |
02/05/1977 | Veronica’s Walk | Alto Sax | 48 bars (2 choruses) in 6/4 |
11/02/1977 | Frank’s Tune | Alto Sax | 112 bars (2 choruses) |
11/02/1977 | On Green Dolphin Street | Alto Sax | 32 bars (1 chorus) |
11/05/1977 | Chelsea Drugs | Flute | rubato intro |
11/05/1977 | Chelsea Drugs | Flute | 64 bars |
11/05/1977 | Chelsea Drugs | Flute | 36 bars |
11/05/1977 | Chelsea Drugs | Flute | rubato intro |
11/05/1977 | Chelsea Drugs | Flute | 64 bars |
11/05/1977 | Chelsea Drugs | Flute | 32 bars |
11/05/1977 | The Chief | Alto Sax | 64 bars (2 choruses) |
11/05/1977 | The Chief | Alto Sax | 8 bars |
11/05/1977 | The Chief | Alto Sax | 64 bars (2 choruses) |
11/05/1977 | The Chief | Alto Sax | 8 bars |
11/05/1977 | Ollie | Alto Sax | 34 bars |
11/05/1977 | Ollie | Alto Sax | 34 bars |
11/05/1977 | Psalm for John Coltrane | Alto Sax | 60 bars |
11/05/1977 | Psalm for John Coltrane | Alto Sax | 58 bars |
11/05/1977 | What’s Going On | Alto Sax | 32 bars intro in 6/4 |
11/05/1977 | What’s Going On | Alto Sax | 240 bars in 6/4 |
11/05/1977 | What’s Going On | Alto Sax | 42 bars intro in 6/4 |
11/05/1977 | What’s Going On | Alto Sax | 190 bars in 6/4 |
12/01/1977 | The Chief | Alto Sax | 384 bars (12 choruses) |
12/01/1977 | City of Dreams | Alto Sax | 464 bars (29 choruses) |
12/01/1977 | Impressions | Alto Sax | 640 bars (20 choruses) |
01/01/1978 | Impressions | Flute | 64 bars (2 choruses) in 3/4 |
01/01/1978 | Impressions | Flute | 56 bars including coda in 3/4 |
01/01/1978 | Twelve for Four | Alto Sax | 84 bars (7 choruses) |
01/01/1978 | Yellow Days (La Mentira) | Flute | 64 bars (2 choruses) |
10/09/1978 | Dance with Me | Alto Sax | 32 bars |
10/09/1978 | Dance with Me | Alto Sax | 12 bars coda to fade |
10/09/1978 | Invitation | Alto Sax | rubato intro |
10/09/1978 | Invitation | Alto Sax | 96 bars (2 choruses) piano out on first |
10/09/1978 | Kelly Colors | Alto Sax | 60 bars |
10/09/1978 | Little Sunflower | Flute | 16 bars with Thomas whistling |
10/09/1978 | Little Sunflower | Flute | 36 bars with Thomas whistling |
10/09/1978 | Nisha | Alto Sax | 64 bars in 3/4 |
10/09/1978 | Stardust | Alto Sax | verse rubato |
10/09/1978 | Stardust | Alto Sax | 62 bars and cadenza |
10/09/1978 | What’s Going On | Alto Sax | 20 bars intro in 6/4 |
10/09/1978 | What’s Going On | Alto Sax | 46 bars in 6/4 |
05/01/1979 | I’ll Get What Is Mine | Alto Sax | 16 bars |
05/01/1979 | Legend of Garbo | Alto Sax | 32 bars at doubled tempo |
05/01/1979 | Orchids | Flute | 13 bars |
05/01/1979 | Orchids | Flute | 18 bars to fade |
05/01/1979 | Purple Dawn – Prologue | Alto Sax | 8 bars |
12/23/1979 | Invitation | Alto Sax | 96 bars (2 choruses) |
12/23/1979 | Jitterbug Waltz | Alto Sax | 64 bars (1 chorus) in 3/4 |
12/23/1979 | My One and Only Love | Flute | 48 bars extended form |
12/23/1979 | My One and Only Love | Flute | 8 bars extended form |
12/23/1979 | The Night Has a Thousand Eyes | Alto Sax | 144 bars (3 choruses) |
12/23/1979 | The Night Has a Thousand Eyes | Alto Sax | 32 bars coda to fade |
12/23/1979 | Wave | Alto Sax | 132 bars (3 choruses) |
07/11/1980 | A Few Miles from Memphis | Alto Sax | 288 bars (12 choruses) |
07/17/1980 | Simone | Alto Sax | 168 bars (14 choruses) in 6/4 |
08/09/1980 | On Green Dolphin Street | Alto Sax | 2-bar break + 160 bars (5 choruses) |
08/09/1980 | On Green Dolphin Street | Alto Sax | 96 bars (3 choruses) 4-bar exchanges with Hampton |
08/09/1980 | Take the Coltrane | Alto Sax | 492 bars (41 choruses) |
11/03/1980 | Isn’t She Lovely? | Alto Sax | 128 bars (8 choruses) |
11/03/1980 | The Shadow of Your Smile | Alto Sax | 72 bars (2.25 choruses) |
11/03/1980 | The Shadow of Your Smile | Alto Sax | cadenza |
11/03/1980 | Stolen Moments | Alto Sax | 108 bars (9 choruses) |
11/03/1980 | Stolen Moments | Alto Sax | 36 bars (3 choruses) 4-bar exchanges with Hayes alternating with Moore |
11/03/1980 | Walkin’ (Gravy) | Alto Sax | 300 bars (25 choruses) |
11/03/1980 | Walkin’ (Gravy) | Alto Sax | 12 bars (1 chorus) |
11/03/1980 | Walkin’ (Gravy) | Alto Sax | 12 bars (1 chorus) |
11/03/1980 | What’s Going On | Alto Sax | 102 bars in 6/4 |
10/05/1981 | All Blues | Flute | 264 bars (11 choruses) in 3/4 |
10/05/1981 | Blue Bossa | Alto Sax | 336 bars (21 choruses) |
10/05/1981 | Impressions | Alto Sax | 352 bars (11 choruses) mostly with only Hayes |
10/05/1981 | Oleo | Alto Sax | 8 bars bridge |
10/05/1981 | Oleo | Alto Sax | 384 bars (12 choruses) some solo and some with only Hayes |
10/05/1981 | The Shadow of Your Smile | Flute | rubato intro |
10/05/1981 | The Shadow of Your Smile | Flute | 60 bars |
10/05/1981 | The Shadow of Your Smile | Flute | extended cadenza |
10/05/1981 | Summertime | Alto Sax | 24 bars in 6/4 simultaneous improvisation with Hampton |
10/05/1981 | Summertime | Alto Sax | 160 bars (10 choruses) in 6/4 |
10/05/1981 | Summertime | Alto Sax | cadenza |
10/05/1981 | Yesterdays | Alto Sax | 174 bars |
10/05/1981 | Yesterdays | Alto Sax | simultaneous improvisation with Hampton |
02/08/1982 | Billie’s Bounce | Alto Sax | 132 bars (11 choruses) |
02/08/1982 | Billie’s Bounce | Alto Sax | 84 bars (7 choruses) 4-bar exchanges with Schapperoew alternating with Chiasson, Hanna |
02/08/1982 | Invitation | Alto Sax | 96 bars (2 choruses) |
02/08/1982 | Invitation | Alto Sax | cadenza |
02/08/1982 | It’s You or No One | Alto Sax | 2-bar break + 128 bars (4 choruses) |
02/08/1982 | It’s You or No One | Alto Sax | 96 bars (3 choruses) 8-bar exchanges with Schapperoew alternating with Chiasson, Hanna |
02/08/1982 | Love for Sale | Alto Sax | 128 bars (2 choruses) |
02/15/1983 | Keeping a Secret | Alto Sax | 54 bars (1.5 choruses) |
02/15/1983 | Keeping a Secret | Alto Sax | 28 bars |
06/03/1984 | Autumn Leaves | Alto Sax | 148+ bars (dropout during third chorus) |
06/03/1984 | Naima | Alto Sax | 24 bars |
06/03/1984 | Naima | Alto Sax | 16 bars and cadenza |
07/23/1984 | Follow Me | Alto Sax | 192 bars |
07/23/1984 | Fulton Street Symphony | Alto Sax | 160 bars (5 choruses) |
07/23/1984 | On Green Dolphin Street | Alto Sax | 160 bars (5 choruses) at fast tempo |
07/23/1984 | So Long, Goodbye | Alto Sax | 60 bars (5 choruses) |