- Note 1: Reasons for duplication:
- There can be more than one Lucky Thompson solo on a single track.
- There can be more that one Lucky Thompson solo on a single title and date if the title was recorded in several takes.
- Note 2: Meter is assumed to be 4/4 unless otherwise noted.
- Note 3: If the duration is blank, the performance has not been auditioned.
- Note 4: Data source: The Lucky Thompson Discography. The following compilation is meant to be used in conjunction with the three-part discography.
Recording Date | Song Title | Instrument | Duration |
11/12/1943 | She’s Funny that Way | Tenor Sax | 8 bars bridge |
03/08/1944 | The Blues Jumped a Rabbit (The Blues Jumped the Rabbit, Bag O’ Bones) | Tenor Sax | 12 bars (1 chorus) |
03/08/1944 | The Blues Jumped a Rabbit (The Blues Jumped the Rabbit, Bag O’ Bones) | Tenor Sax | 12 bars (1 chorus) |
03/08/1944 | My Gal Is Gone (Cryin’ Won’t Bring Her Back) | Tenor Sax | obbligato behind 48-bar (4 choruses) Page vocal |
03/08/1944 | My Gal Is Gone (Cryin’ Won’t Bring Her Back) | Tenor Sax | 12 bars (1 chorus) |
03/08/1944 | My Gal Is Gone (Cryin’ Won’t Bring Her Back) | Tenor Sax | obbligato behind 48-bar (4 choruses) Page vocal |
03/08/1944 | My Gal Is Gone (Cryin’ Won’t Bring Her Back) | Tenor Sax | 12 bars (1 chorus) |
03/08/1944 | Rockin’ at Ryan’s | Tenor Sax | 24 bars (2 choruses) |
03/08/1944 | Rockin’ at Ryan’s | Tenor Sax | 24 bars (2 choruses) |
03/08/1944 | You’d Be Frantic Too (Frantic Blues) | Tenor Sax | obbligato behind 36-bar (3 choruses) Page vocal |
03/08/1944 | You’d Be Frantic Too (Frantic Blues) | Tenor Sax | 12 bars (1 chorus) |
03/08/1944 | You’d Be Frantic Too (Frantic Blues) | Tenor Sax | obbligato behind 36-bar (3 choruses) Page vocal |
03/08/1944 | You’d Be Frantic Too (Frantic Blues) | Tenor Sax | 12 bars (1 chorus) |
05/26/1944 | I Can’t See for Lookin’ | Tenor Sax | 8 bars bridge |
11/30/1944 | Gee Baby, Ain’t I Good to You | Tenor Sax | 8 bars |
11/30/1944 | It Ain’t Like That | Tenor Sax | 32 bars (1 chorus) |
12/06/1944 | Taps Miller | Tenor Sax | 8 bars |
12/23/1944 | Blue Room Jump | Tenor Sax | 62 bars |
12/23/1944 | One O’Clock Jump | Tenor Sax | |
Late 1944 | Body and Soul | Tenor Sax | 64 bars (2 choruses) |
Late 1944 | Body and Soul | Tenor Sax | 16 bars and cadenza starting at bridge |
Late 1944 | Cherokee | Tenor Sax | 36 bars then stops playing on the bridge and Byas takes over |
Late 1944 | Cherokee | Tenor Sax | 192 bars (3 choruses) |
Late 1944 | Cherokee | Tenor Sax | 8 bars |
Late 1944 | Variation on Rockin’ in Rhythm | Tenor Sax | 64 bars (2 choruses) |
Late 1944 | Crazy Rhythm | Tenor Sax | 64 bars (2 choruses) |
Late 1944 | Crazy Rhythm | Tenor Sax | 24 bars (0.75 choruses) |
Late 1944 | Lullaby in Rhythm | Tenor Sax | 48 bars (1.5 choruses) |
Late 1944 | Lullaby in Rhythm | Tenor Sax | 32 bars (1 chorus) |
Late 1944 | Lullaby in Rhythm | Tenor Sax | 8 bars bridge |
Late 1944 | What Is this Thing Called Love | Tenor Sax | 112 bars (3.5 choruses) entering at bridge – solo stops for a few bars at one point |
12/26/1944 | All the Things You Are | Tenor Sax | 72 bars (2 choruses) |
12/26/1944 | All the Things You Are | Tenor Sax | 36 bars (1 chorus) |
12/26/1944 | Test Pilots (Test Pilot, Flyin’ Blind) | Tenor Sax | 96 bars (3 choruses) |
12/27/1944 | Jumpin’ at the Woodside | Tenor Sax | |
01/11/1945 | On the Upbeat | Tenor Sax | 20 bars |
01/11/1945 | Taps Miller | Tenor Sax | 20 bars |
01/12/1945 | Swingin’ the Blues | Tenor Sax | |
01/25/1945 | Paging Mr. Green | Tenor Sax | |
01/31/1945 | Avenue C | Tenor Sax | 24 bars (2 choruses) |
01/31/1945 | I’m Fer It Too | Tenor Sax | 24 bars (2 choruses) |
01/31/1945 | Taps Miller | Tenor Sax | 20 bars |
01/31/1945 | Unknown Title | Tenor Sax | |
02/02/1945 | Hey! Rube | Tenor Sax | |
02/02/1945 | Together | Tenor Sax | |
02/04/1945 | Aces and Faces | Tenor Sax | 16 bars starting at bridge |
02/05/1945 | Blue Room Jump | Tenor Sax | 48 bars (4 choruses) |
02/05/1945 | I’m Confessin’ (That I Love You) | Tenor Sax | |
02/13/1945 | I’m Fer It Too | Tenor Sax | 12 bars |
02/26/1945 | Avenue C | Tenor Sax | 24 bars (2 choruses) |
02/26/1945 | Avenue C | Tenor Sax | 24 bars (2 choruses) |
02/26/1945 | Avenue C | Tenor Sax | 24 bars (2 choruses) |
02/26/1945 | Avenue C | Tenor Sax | 24 bars (2 choruses) |
05/07/1945 | I’m in the Mood for Love | Tenor Sax | 16 bars (0.5 chorus) |
05/07/1945 | Sugar Hips | Tenor Sax | 16 bars |
05/14/1945 | B-Flat Blues (B-Flat) | Tenor Sax | 24 bars |
05/14/1945 | High Tide (I Ain’t Mad at You) | Tenor Sax | 16 bars (0.5 chorus) |
05/14/1945 | Tippin’ on the Q.T. | Tenor Sax | 8 bars |
06/05/1945 | B-Flat Blues (B-Flat) | Tenor Sax | 24 bars |
07/02/1945 | B-Flat Blues (B-Flat) | Tenor Sax | |
07/02/1945 | Jumpin’ at the Woodside | Tenor Sax | |
07/09/1945 | Andy’s Blues | Tenor Sax | 36 bars (3 choruses) |
07/15/1945 | Body and Soul | Tenor Sax | 64 bars (2 choruses) |
07/15/1945 | I Got Rhythm | Tenor Sax | 96 bars (3 choruses) |
07/15/1945 | Royal Garden Blues | Tenor Sax | 24 bars (2 choruses) |
07/16/1945 | Avenue C | Tenor Sax | 24 bars (2 choruses) |
07/16/1945 | My, What a Fry | Tenor Sax | 64 bars (2 choruses) |
07/23/1945 | High Tide (I Ain’t Mad at You) | Tenor Sax | 16 bars |
08/08/1945 | Jumpin’ at Ten | Tenor Sax | 32 bars (1 chorus) |
08/08/1945 | Jumpin’ at the Woodside | Tenor Sax | 128 bars (4 choruses) |
09/01/1945 | Daddy-O | Tenor Sax | 4 bars |
09/01/1945 | Drop Another Nickel in the Juke Box | Tenor Sax | 16 bars |
09/01/1945 | Fla-Ga-La-Pa | Tenor Sax | 16 bars |
09/01/1945 | Hep Paderewski from Basin Street | Tenor Sax | 8 bars |
09/10/1945 | Andy’s Blues | Tenor Sax | 36 bars (3 choruses) |
09/10/1945 | Mean to Me | Tenor Sax | 8 bars bridge |
09/10/1945 | Rambo | Tenor Sax | 32 bars (1 chorus) |
09/17/1945 | I’ve Found a New Baby (I Found a New Baby) | Tenor Sax | 54 bars |
09/17/1945 | Taps Miller | Tenor Sax | 32 bars (1 chorus) |
09/24/1945 | Jazz Me Blues | Tenor Sax | |
09/24/1945 | Please Don’t Talk About Me When I’m Gone | Tenor Sax | 8 bars bridge |
09/24/1945 | Rhythm Man | Tenor Sax | |
10/01/1945 | Tush | Tenor Sax | 28 bars |
10/02/1945 | Irresistible You | Tenor Sax | 32 bars (1 chorus) mostly melody |
10/02/1945 | Irresistible You | Tenor Sax | 8 bars bridge |
10/02/1945 | Irresistible You | Tenor Sax | 16 bars mostly melody |
10/02/1945 | No Good Man Blues | Tenor Sax | 12 bars (1 chorus) |
10/02/1945 | Phace | Tenor Sax | 16 bars (0.5 chorus) |
10/02/1945 | Why Not? | Tenor Sax | 32 bars (1 chorus) |
10/11/1945 | Harlem Hunch | Tenor Sax | 16 bars (0.5 chorus) |
10/11/1945 | Slim Gaillard’s Boogie | Tenor Sax | 24 bars (2 choruses) |
10/11/1945 | Travelin’ Blues | Tenor Sax | 8 bars |
11/01/1945 | Baggin’ the Boogie | Tenor Sax | 12 bars (1 chorus) |
11/01/1945 | Bee Boogie Boo | Tenor Sax | 24 bars (2 choruses) |
11/01/1945 | Stormy Mood | Tenor Sax | 12 bars (1 chorus) |
11/01/1945 | Voot Rhythm (Vout Rhythm) | Tenor Sax | 24 bars (2 choruses) |
11/02/1945 | Be-Baba-Le-Ba | Tenor Sax | 24 bars (2 choruses) |
11/02/1945 | Don’t Drive This Jive Away | Tenor Sax | 12 bars (1 chorus) |
11/02/1945 | Rhythm in a Riff | Tenor Sax | 32 bars (1 chorus) |
11/12/1945 | I’ve Found a New Baby (I Found a New Baby) | Tenor Sax | 32 bars (1 chorus) |
11/12/1945 | I’ve Found a New Baby (I Found a New Baby) | Tenor Sax | 32 bars (1 chorus) |
11/12/1945 | I’ve Found a New Baby (I Found a New Baby) | Tenor Sax | 32 bars (1 chorus) |
11/12/1945 | Lover Come Back to Me | Tenor Sax | 128 bars (2 choruses) |
11/12/1945 | Windjammer | Tenor Sax | 8 bars bridge |
11/12/1945 | Windjammer | Tenor Sax | 8 bars bridge |
11/28/1945 | Hey, Hey, Hey, Baby | Tenor Sax | 24 bars (2 choruses) |
11/28/1945 | I’ll Be True | Tenor Sax | 16 bars (0.5 chorus) |
11/28/1945 | Mama Bear Blues | Tenor Sax | 12 bars (1 chorus) |
11/28/1945 | Not Worth a Dime | Tenor Sax | 8 bars |
11/28/1945 | S.H. Blues | Tenor Sax | 4-bar intro |
12/01/1945 | Abernathy’s Boogie | Tenor Sax | 12 bars (1 chorus) |
12/01/1945 | Changes | Tenor Sax | Obbligato behind Carol |
12/01/1945 | Changes | Tenor Sax | 12 bars (1 chorus) |
12/01/1945 | Cherokee | Tenor Sax | 8-bar intro |
12/01/1945 | Cherokee | Tenor Sax | 128 bars (2 choruses) |
12/01/1945 | The Hour of Parting | Tenor Sax | 10 bars |
12/01/1945 | I Want to Love and Be Loved | Tenor Sax | 4 bars (2 + 2) |
12/01/1945 | I Want to Love and Be Loved | Tenor Sax | 4 bars (2 + 2) |
12/01/1945 | Jumpin’ at the Jubilee | Tenor Sax | 16 bars |
12/01/1945 | Jumpin’ at the Jubilee | Tenor Sax | 8 bars |
12/01/1945 | Slowin’ Down the Blues | Tenor Sax | 12 bars (1 chorus) |
12/09/1945 | The Eagle Flies | Tenor Sax | 12 bars |
12/09/1945 | The Eagle Flies | Tenor Sax | 34 bars (1 chorus preceded by break) |
12/09/1945 | A Night in Tunisia | Tenor Sax | 16 bars (0.5 chorus) starting at bridge |
12/09/1945 | Tonsillectomy (Tonsilectomy) | Tenor Sax | 20 bars over 1 chorus |
12/09/1945 | Yerxa (Elegy Movement from Jitterbug Suite) | Tenor Sax | 8 bars |
12/10/1945 | Chewing Woman Blues (Chewin’ Mama Blues) | Tenor Sax | 12 bars (1 chorus) |
12/10/1945 | No Voot No Boot | Tenor Sax | 4-bar intro |
12/10/1945 | No Voot No Boot | Tenor Sax | obbligato behind Washington vocal over 24 bars (2 choruses) |
12/10/1945 | No Voot No Boot | Tenor Sax | 12 bars (1 chorus) |
12/12/1945 | All or Nothing Blues | Tenor Sax | 12 bars (1 chorus) |
12/12/1945 | My Lovin’ Papa | Tenor Sax | 24 bars (2 choruses) |
12/12/1945 | Rich Man’s Blues | Tenor Sax | 12 bars (1 chorus) |
12/13/1945 | Blues for a Day | Tenor Sax | 4-bar intro |
12/13/1945 | Blues for a Day | Tenor Sax | 12 bars (1 chorus) |
12/13/1945 | Mellow Mama Blues | Tenor Sax | 12 bars (1 chorus) |
12/13/1945 | My Voot Is Really Vout | Tenor Sax | 12 bars (1 chorus) |
12/15/1945 | Are You Livin’ Old Man | Tenor Sax | 18 bars |
12/15/1945 | Blue Echoes | Tenor Sax | 8 bars (4+4) |
12/15/1945 | Blue Prelude | Tenor Sax | 10 bars |
12/15/1945 | Boyd’s Nest | Tenor Sax | 24 bars (2 choruses) |
12/15/1945 | Concerto for Duke | Tenor Sax | 4 bars |
12/15/1945 | Concerto for Duke | Tenor Sax | 8 bars (bridge of “It Don’t Mean a Thing”) |
12/15/1945 | High Tide (I Ain’t Mad at You) | Tenor Sax | 16 bars (0.5 chorus) starting at bridge |
12/15/1945 | How Deep Is the Ocean? | Tenor Sax | 8 bars |
12/15/1945 | Tonsillectomy (Tonsilectomy) | Tenor Sax | 20 bars over 1 chorus |
12/15/1945 | Tush | Tenor Sax | 16 bars (4X4) |
12/15/1945 | Yerxa (Elegy Movement from Jitterbug Suite) | Tenor Sax | 8 bars |
01/01/1946 | Chicken Rhythm | Tenor Sax | 16 bars (0.5 chorus) |
01/01/1946 | I Got My Money Blues | Tenor Sax | obbligato behind 24-bar (2 choruses) Criner vocal |
01/01/1946 | Mean Pretty Mama | Tenor Sax | 12 bars (1 chorus) |
01/01/1946 | Railroad Man | Tenor Sax | 36 bars (3 choruses) |
01/01/1946 | Santa Monica Jump | Tenor Sax | 32 bars (1 chorus) |
01/01/1946 | School Kids’ Hop (Schoolkids Hop) | Tenor Sax | 16 bars (0.5 chorus) |
01/11/1946 | How High the Moon | Tenor Sax | 64 bars (2 choruses) |
01/11/1946 | How High the Moon | Tenor Sax | 34 bars |
01/11/1946 | I Surrender Dear | Tenor Sax | 32 bars (1 chorus) and cadenza |
01/31/1946 | Frantic Blues | Tenor Sax | 12 bars (1 chorus) |
01/31/1946 | I’m Gonna See My Baby | Tenor Sax | 8 bars |
01/31/1946 | Night and Day | Tenor Sax | 8 bars |
01/31/1946 | Shuffle Bass Boogie | Tenor Sax | 12 bars (1 chorus) |
01/31/1946 | Weird Nightmare | Tenor Sax | 16 bars (0.5 chorus) starting at bridge |
02/01/1946 | Boyd Meets Stravinsky | Tenor Sax | 24 bars (2 choruses) |
02/01/1946 | Two Spoos in an Igloo | Tenor Sax | 16 bars (0.5 chorus) |
02/04/1946 | Diggin’ for Diz (Diggin’ Diz) | Tenor Sax | 16 bars (0.25 chorus) |
02/06/1946 | Confirmation | Tenor Sax | 16 bars (0.5 chorus) starting at bridge |
02/06/1946 | Diggin’ for Diz (Diggin’ Diz) | Tenor Sax | 16 bars bridge |
02/06/1946 | Dizzy Atmosphere (Dynamo, Dynamo A, Dynamo B) | Tenor Sax | 32 bars (1 chorus) |
02/06/1946 | Dizzy Atmosphere (Dynamo, Dynamo A, Dynamo B) | Tenor Sax | 32 bars (1 chorus) |
02/06/1946 | ‘Round Midnight | Tenor Sax | 8 bars bridge |
02/06/1946 | ‘Round Midnight | Tenor Sax | 8 bars bridge |
02/06/1946 | When I Grow Too Old to Dream | Tenor Sax | 12 bars |
02/15/1946 | Baranco Boogie | Tenor Sax | 24 bars (2 choruses) |
02/15/1946 | Bugle Call Rag | Tenor Sax | 18 bars |
02/15/1946 | Night and Day | Tenor Sax | 8 bars |
02/17/1946 | I’m a Lovin’ Man | Tenor Sax | 24 bars (2 choruses) simultaneously with Buckner |
02/17/1946 | I’m a Lovin’ Man | Tenor Sax | 36 bars (3 choruses) |
March or April 1946 | Baby, Then I Don’t Want Love | Tenor Sax | 4-bar stop-time intro |
March or April 1946 | Baby, Then I Don’t Want Love | Tenor Sax | 8 bars bridge |
March or April 1946 | Cat and the Fiddle | Tenor Sax | 16 bars (0.5 chorus) |
March or April 1946 | Cat and the Fiddle | Tenor Sax | 8 bars |
March or April 1946 | Cat and the Fiddle | Tenor Sax | 2 bars coda |
03/03/1946 | Blues | Tenor Sax | 80 bars (6+ choruses) |
03/03/1946 | Rockin’ Chair | Tenor Sax | 16 Bars (0.5 chorus) |
03/03/1946 | How High the Moon | Tenor Sax | 42 bars (in progress at beginning of track) |
March or April 1946 | I Need a Knife, Fork and a Spoon | Tenor Sax | 16 bars (0.5 chorus) |
March or April 1946 | I Need a Knife, Fork and a Spoon | Tenor Sax | 8 bars |
March or April 1946 | I Need a Knife, Fork and a Spoon | Tenor Sax | 8 bars coda with Carter vocal |
Spring 1946 | Chinero | Tenor Sax | 8 bars |
Spring 1946 | Snowbound | Tenor Sax | obbligato behind Allyn vocal |
Spring 1946 | Sweet and Lovely | Tenor Sax | obbligato behind Allyn vocal (also Hendrickson obbligato) |
Spring 1946 | Sweet and Lovely | Tenor Sax | 8 bars bridge |
Spring 1946 | Sweet and Lovely | Tenor Sax | obbligato behind Allyn vocal |
Probably Between March and May 1946 | Fiesta in Brass | Tenor Sax | 24 bars (2 choruses) |
Probably Between March and May 1946 | Hello, Goodbye, Forget It | Tenor Sax | 8 bars bridge |
Probably Between March and May 1946 | Skymaster (Rhythm Man) | Tenor Sax | 16 bars (0.5 chorus) |
Probably Between March and May 1946 | Step and Fetch It (Stepin Fetchit) | Tenor Sax | 20 bars |
Probably Between March and May 1946 | Fiesta in Brass | Tenor Sax | 24 bars (2 choruses) |
Probably Between March and May 1946 | Queer Street | Tenor Sax | 8 bars |
Probably Between March and May 1946 | Skymaster (Rhythm Man) | Tenor Sax | 16 bars |
Probably Between March and May 1946 | Queer Street | Tenor Sax | 8 bars |
03/28/1946 | Moose the Mooche | Tenor Sax | 16 bars (0.5 chorus) starting at bridge |
03/28/1946 | Moose the Mooche | Tenor Sax | 16 bars (0.5 chorus) starting at bridge |
03/28/1946 | Moose the Mooche | Tenor Sax | 16 bars (0.5 chorus) starting at bridge |
03/28/1946 | A Night in Tunisia | Tenor Sax | 16 bars (0.5 chorus) |
03/28/1946 | A Night in Tunisia | Tenor Sax | 16 bars (0.5 chorus) |
03/28/1946 | Ornithology | Tenor Sax | 32 bars (1 chorus) |
03/28/1946 | Ornithology | Tenor Sax | 32 bars (1 chorus) |
03/28/1946 | Ornithology | Tenor Sax | 32 bars (1 chorus) |
03/28/1946 | Yardbird Suite | Tenor Sax | 16 bars (0.5 chorus) starting at bridge |
03/28/1946 | Yardbird Suite | Tenor Sax | 8 bars bridge |
03/28/1946 | Yardbird Suite | Tenor Sax | 16 bars (0.5 chorus) |
04/01/1946 | Body and Soul | Tenor Sax | 8 bars (4+4 obbligato) |
04/26/1946 | How Deep Is the Ocean? | Tenor Sax | obbligato behind Parrish vocal |
05/01/1946 | I Gotta Put You Down | Tenor Sax | 12 bars (1 chorus) |
05/01/1946 | One O’Clock Boogie | Tenor Sax | 10 bars |
May or June 1946 | Body and Soul | Tenor Sax | 4-bar intro + 32 bars (1 chorus) |
May or June 1946 | Body and Soul | Tenor Sax | 8 bars |
May or June 1946 | What Is this Thing Called Love | Tenor Sax | 16 bars (0.5 chorus) 4-bar exchanges with Marmarosa |
May or June 1946 | What Is this Thing Called Love | Tenor Sax | 16 Bars (0.5 chorus) |
May or June 1946 | What Is this Thing Called Love | Tenor Sax | 64 bars (2 choruses) |
06/01/1946 | I Need a Knife, Fork and a Spoon | Tenor Sax | 16 bars (0.5 chorus) |
06/01/1946 | I Sold My Heart to the Junk Man | Tenor Sax | 8 bars bridge |
06/01/1946 | Voot Nay on the Vot Nay | Tenor Sax | 16 bars (0.5 chorus) |
08/01/1946 | Hot House | Tenor Sax | 64 bars (2 choruses) |
08/01/1946 | Lover | Tenor Sax | 128 bars (2 choruses) |
08/01/1946 | Ornithology | Tenor Sax | 96 bars (3 choruses) |
08/01/1946 | Wee (Allen’s Alley) | Tenor Sax | 96 bars (3 choruses) |
08/15/1946 | Why Should I Remember? | Tenor Sax | 8 bars |
08/16/1946 | Clinchin’ with Tom | Tenor Sax | 32 bars (1 chorus) |
08/16/1946 | Lover | Tenor Sax | 64 bars starting at bridge |
09/05/1946 | King Porter Stomp | Tenor Sax | 16 bars |
09/05/1946 | Mahogany Hall Stomp | Tenor Sax | 12 bars (1 chorus) |
09/13/1946 | Commercial Eyes | Tenor Sax | 24 bars (2 choruses) |
09/13/1946 | Dodo’s Bounce | Tenor Sax | 16 bars (0.5 chorus) |
09/13/1946 | Dodo’s Lament | Tenor Sax | 32 bars |
09/13/1946 | Dodo’s Lament | Tenor Sax | 10 bars and cadenza |
09/13/1946 | Schuffle That Ruff (Shuffle That Riff, Shuffle That Ruff) | Tenor Sax | 48 bars (1.5 choruses) |
09/13/1946 | Slam’s Mishap | Tenor Sax | 34 bars |
09/13/1946 | Smooth Sailing | Tenor Sax | 48 bars (4 choruses) |
09/21/1946 | I’m Just a Lucky So and So | Tenor Sax | |
09/21/1946 | Solitude | Tenor Sax | 8 bars bridge |
10/01/1946 | A.B.C. Blues | Tenor Sax | Thompson obbligato over 24 bars (2 choruses) of Jordan vocal |
10/01/1946 | Sleepy Time down South | Tenor Sax | 8 bars bridge |
10/02/1946 | Empty Bed Blues | Tenor Sax | 4 bars |
10/02/1946 | He’s Tall, Dark and Handsome | Tenor Sax | 16 bars (0.5 chorus) |
11/04/1946 | Flight of the Vout Bug | Tenor Sax | 30 bars |
11/04/1946 | It Shouldn’t Happen to a Dream | Tenor Sax | 8 bars bridge |
12/01/1946 | Drop Dead | Tenor Sax | 12 bars (1 chorus on blues form although composition is not) |
12/28/1946 | Josefine (Josephine) | Tenor Sax | 16 bars (0.5 chorus) |
12/29/1946 | Ain’t Got No Loot | Tenor Sax | 16 bars (0.5 chorus) |
12/29/1946 | For You | Tenor Sax | 16 bars and cadenza |
01/01/1947 | Chelsea Bridge | Tenor Sax | 4 bars obbligato |
01/01/1947 | Take the “A” Train | Tenor Sax | 32 bars (1 chorus) |
01/18/1947 | Jeep’s Blues | Tenor Sax | 8 bars |
01/18/1947 | Rhapsody in Blue | Tenor Sax | 8 bars alternating 2s with Carpenter |
01/18/1947 | Things Ain’t What They Used to Be | Tenor Sax | 12 bars (1 chorus) |
01/18/1947 | Yesterdays | Tenor Sax | 16 bars |
04/20/1947 | Daydream (Day Dream) | Tenor Sax | 8 bars (could be Corcoran) |
04/22/1947 | Boppin’ the Blues | Tenor Sax | 60 bars (5 choruses) |
04/22/1947 | Boulevard Bounce | Tenor Sax | 4-bar intro |
04/22/1947 | Boulevard Bounce | Tenor Sax | 4-bar intro |
04/22/1947 | From Dixieland to Bebop (Condon Meets Gillespie) | Tenor Sax | 64 bars (2 choruses) |
04/22/1947 | Just One More Chance | Tenor Sax | 52 bars and cadenza |
05/15/1947 | Just You, Just Me | Tenor Sax | 64 bars (2 choruses) |
05/20/1947 | Blue Rhythm Be-Bop | Tenor Sax | 16 bars (0.5 chorus) |
05/20/1947 | Blue Rhythm Be-Bop | Tenor Sax | 16 bars (0.5 chorus) |
05/20/1947 | Blue Rhythm Blues | Tenor Sax | 12 bars (1 chorus) |
05/20/1947 | Blue Rhythm Jam | Tenor Sax | 32 bars (1 chorus) |
06/07/1947 | Hickory Dickory Dock | Tenor Sax | 16 bars (0.5 chorus) |
07/03/1947 | You Don’t Know What Love Is | Tenor Sax | rubato intro |
02/28/1948 | Body and Soul | Tenor Sax | 4-bar intro |
02/28/1948 | Body and Soul | Tenor Sax | 64 bars (2 choruses) and cadenza |
01/17/1949 | How High the Moon | Tenor Sax | 64 bars (2 choruses) |
01/17/1949 | The Squirrel | Tenor Sax | 24 bars (2 choruses) |
02/26/1949 | Half Nelson | Tenor Sax | 32 bars |
02/26/1949 | Scrapple from the Apple | Tenor Sax | 64 bars (2 choruses) |
03/05/1949 | Anthropology | Tenor Sax | 96 bars (3 choruses) |
03/05/1949 | Anthropology | Tenor Sax | 32 bars (1 chorus) |
03/05/1949 | Barbados | Tenor Sax | 36 bars (3 choruses) |
03/05/1949 | Cheryl | Tenor Sax | 36 bars (3 choruses) |
03/05/1949 | Cheryl | Tenor Sax | 4 bars |
03/12/1949 | Chasin’ the Bird | Tenor Sax | 64 bars (2 choruses) piano out on first |
03/12/1949 | Cheryl | Tenor Sax | 24 bars (2 choruses) |
09/15/1949 | Nothin’ from Nothin’ | Tenor Sax | 28 bars |
09/15/1949 | Slow Drag | Tenor Sax | 12 bars (1 chorus) |
04/19/1950 | If I Knew You Were There | Tenor Sax | obbligato behind Hibbler vocal |
04/19/1950 | If I Knew You Were There | Tenor Sax | 4 bars bridge |
04/19/1950 | Song of the Wanderer | Tenor Sax | 8 bars |
06/01/1950 | Coolin’ with Collins | Tenor Sax | 60 bars (5 choruses) |
06/01/1950 | Over the Rainbow | Tenor Sax | 48 bars (1.5 choruses) |
06/01/1950 | Paradise Valley | Tenor Sax | 16 bars |
06/01/1950 | Stay in There | Tenor Sax | 16 bars |
06/01/1950 | Stay in There | Vocalist | with ensemble vocal |
06/01/1950 | Stay in There | Vocalist | with ensemble vocal |
06/16/1950 | Rockaway Blues | Tenor Sax | 12 bars (1 chorus) |
06/16/1950 | Rockaway Blues | Tenor Sax | 12 bars (1 chorus) |
12/09/1950 | This Is Jazz | Tenor Sax | 32 bars (1 chorus) |
12/09/1950 | This Is Jazz | Tenor Sax | 8 bars last chorus bridge |
12/14/1950 | Byas a Drink | Tenor Sax | 16 bars (0.5 chorus) |
12/14/1950 | Don’cha Go ‘Way Mad (Black Velvet) | Tenor Sax | 8 bars bridge |
12/14/1950 | In a Little Spanish Town | Tenor Sax | 16 bars (0.5 chorus) |
12/14/1950 | Rose Room | Tenor Sax | 16 bars (0.5 chorus) |
12/14/1950 | Royal Garden Blues | Tenor Sax | 24 bars (2 choruses) |
12/14/1950 | Royal Garden Blues | Tenor Sax | 4 bars |
12/14/1950 | Stardust | Tenor Sax | 16 bars (0.5 chorus) |
12/18/1950 | Bugle Call Rag | Tenor Sax | 24 bars |
12/18/1950 | Bugle Call Rag | Tenor Sax | 16 bars |
12/18/1950 | Bugle Call Rag | Tenor Sax | 12 bars |
12/18/1950 | Perdido | Tenor Sax | 64 bars (2 choruses) |
12/18/1950 | Perdido | Tenor Sax | 8 bars last chorus bridge |
12/18/1950 | Rockin’ in Rhythm | Tenor Sax | 16 bars |
12/20/1950 | C Jam Blues | Tenor Sax | 36 bars (3 choruses) |
12/20/1950 | Minerva | Tenor Sax | 16 bars (0.5 chorus) starting at bridge |
12/20/1950 | Stardust | Tenor Sax | 16 bars (0.5 chorus) |
12/20/1950 | Three Buckets of Jive | Tenor Sax | 24 bars (2 choruses) |
12/21/1950 | Anything You Want | Tenor Sax | 8 bars |
12/21/1950 | Chartreuse | Tenor Sax | 24 bars |
12/21/1950 | I’ve Found a New Baby (I Found a New Baby) | Tenor Sax | 34 bars (2-bar break + 1 chorus) |
12/21/1950 | Rose Room | Tenor Sax | 14 bars |
12/21/1950 | Soft Winds | Tenor Sax | 60 bars (5 choruses) |
12/21/1950 | Sometimes I’m Happy | Tenor Sax | 8 bars |
10/15/1951 | Coffee and Cigarettes (Thinking It Over) | Tenor Sax | 4-bar intro |
10/31/1951 | The Bittersweet | Tenor Sax | obbligato behind Allen vocal |
10/31/1951 | The Bluest Blues | Tenor Sax | 14 bars |
05/30/1952 | Carolina Moon | Tenor Sax | 16 bars in 6/4 |
05/30/1952 | Hornin’ In | Tenor Sax | 16 bars (0.5 chorus) |
05/30/1952 | Hornin’ In | Tenor Sax | 16 bars (0.5 chorus) |
05/30/1952 | Let’s Cool One | Tenor Sax | 16 bars (0.5 chorus) |
05/30/1952 | Sixteen | Tenor Sax | 32 bars (2 choruses) |
05/30/1952 | Sixteen | Tenor Sax | 32 bars (2 choruses) |
05/30/1952 | Skippy | Tenor Sax | 32 bars (1 chorus) |
05/30/1952 | Skippy | Tenor Sax | 32 bars (1 chorus) |
08/01/1952 | Solitude | Tenor Sax | obbligati behind Scott |
08/14/1953 | Flamingo | Tenor Sax | 40 bars (1 chorus and coda) |
08/14/1953 | The Scene Is Clean | Tenor Sax | 120 bars (8-bar break + 3.5 choruses) |
03/02/1954 | Bunny | Tenor Sax | 28 bars (1 chorus less 4-bar ensemble sendoff) |
03/02/1954 | Little Boy Blow | Tenor Sax | 12 bars (3X4) |
03/02/1954 | Little Boy Blow | Tenor Sax | 32 bars (1 chorus) |
03/02/1954 | Moonlight in Vermont | Tenor Sax | 34 bars (1 chorus) |
03/02/1954 | Moonlight in Vermont | Tenor Sax | 18 bars starting from bridge |
03/02/1954 | The Night Hawk | Tenor Sax | 8 bars bridge |
04/29/1954 | Blue ‘n’ Boogie | Tenor Sax | 136 bars (12 choruses less 2X4-bar ensemble sendoffs on first 2 choruses |
04/29/1954 | Walkin’ (Gravy) | Tenor Sax | 120 bars (10 choruses) |
05/24/1954 | Rhumba-Finale | Tenor Sax | 36 bars (3 choruses) on blues form |
06/02/1954 | Cat Meets Chick | Tenor Sax | 16 bars (0.5 chorus) |
06/02/1954 | The Man I Love | Tenor Sax | 64 bars (1 chorus) extended form |
09/15/1954 | Cool Eyes | Tenor Sax | 20 bars alternating with ensemble |
09/15/1954 | Pile Driver | Tenor Sax | 24 bars (2 choruses) |
10/01/1954 | After You’ve Gone | Tenor Sax | 40 bars |
10/01/1954 | Blue and Esoteric | Tenor Sax | 12 bars (1 chorus) |
10/01/1954 | Blue and Esoteric | Tenor Sax | 36 bars (3 choruses) |
10/01/1954 | Easy to Love | Tenor Sax | 16 bars over 1 chorus |
10/01/1954 | Ever so Easy | Tenor Sax | 64 bars (2 choruses) |
10/01/1954 | A Hundred Years from Today | Tenor Sax | 10 bars |
10/01/1954 | Kamman’s A’Comin’ | Tenor Sax | 72 bars (6 choruses) |
10/01/1954 | Kamman’s A’Comin’ | Tenor Sax | 84 bars (7 choruses) 4-bar exchanges with Johnson |
10/01/1954 | Kamman’s A’Comin’ | Tenor Sax | 44 bars (3+ choruses) 4-bar exchanges with Pettiford |
10/01/1954 | Lover | Tenor Sax | 64 bars (1 chorus) |
10/01/1954 | Lover | Tenor Sax | 32 bars (0.5 chorus) 2-bar exchanges with Yaged, Teagarden and Braff |
10/01/1954 | Mr. E-Z | Tenor Sax | 2 bars intro |
10/01/1954 | Mr. E-Z | Tenor Sax | 16 bars (0.5 chorus) |
10/01/1954 | Mr. E-Z | Tenor Sax | 32 bars (1 chorus) |
10/01/1954 | Mr. E-Z | Tenor Sax | 2 bars coda |
10/01/1954 | Prelude to a Mood | Tenor Sax | 24 bars (2 choruses) |
10/01/1954 | Salute to Charlie Parker | Tenor Sax | 32 bars (1 chorus) |
10/01/1954 | St. James Infirmary | Tenor Sax | 8 bars |
10/01/1954 | Stars Fell on Alabama | Tenor Sax | 8 bars |
10/01/1954 | Tune for Tex | Tenor Sax | 64 bars (2 choruses) |
10/01/1954 | Where or When | Tenor Sax | 20 bars |
10/01/1954 | Where or When | Tenor Sax | 12 bars |
10/01/1954 | Where or When | Tenor Sax | 56 bars |
12/07/1954 | Don’t Get Scared (Don’t Be Afraid) | Tenor Sax | 12 bars (1 chorus) |
12/07/1954 | Funk Junction | Tenor Sax | 8 bars |
12/07/1954 | You’re Crying | Tenor Sax | 16 bars |
12/07/1954 | You’re Crying | Tenor Sax | 8 bars and coda |
03/14/1955 | Django | Tenor Sax | 32 bars |
03/14/1955 | Little David’s Fugue | Tenor Sax | 44 bars |
03/14/1955 | Sun Dance | Tenor Sax | 22 bars |
08/11/1955 | Embraceable You | Tenor Sax | 24 bars (0.75 chorus) |
08/11/1955 | Georgia Mae | Tenor Sax | 64 bars (2 choruses) |
08/11/1955 | Lincoln Heights | Tenor Sax | 64 bars (2 choruses) |
08/11/1955 | Lover Man | Tenor Sax | 32 bars (1 chorus) |
08/11/1955 | Lover Man | Tenor Sax | 16 bars (0.5 chorus) starting at bridge and cadenza |
08/11/1955 | Shoe Shine Boy | Tenor Sax | 64 bars (2 choruses) |
08/11/1955 | Shoe Shine Boy | Tenor Sax | 2-bar break on coda |
08/11/1955 | Shoe Shine Boy | Tenor Sax | 64 bars (2 choruses) |
08/11/1955 | Shoe Shine Boy | Tenor Sax | 2-bar break on coda |
08/12/1955 | Hear Ye! Hear Ye! | Tenor Sax | 32 bars (1 chorus) |
08/12/1955 | Little Beaver | Tenor Sax | 48 bars (4 choruses) |
08/12/1955 | You Don’t Know What Love Is | Tenor Sax | 16 bars (0.5 chorus) |
11/18/1955 | Midsömmer | Tenor Sax | 18 bars |
11/18/1955 | Turnpike | Tenor Sax | 64 bars (2 choruses) |
11/19/1955 | Bone Brother | Tenor Sax | 30 bars |
11/19/1955 | Count ‘Em | Tenor Sax | 24 bars (2 choruses) |
01/05/1956 | Come Rain or Come Shine | Tenor Sax | 32 bars (1 chorus) |
01/05/1956 | Flamingo | Tenor Sax | 32 bars (1 chorus) |
01/05/1956 | Fred’s Mood | Tenor Sax | 72 bars (6 choruses) |
01/05/1956 | Fred’s Mood | Tenor Sax | 48 bars (4 choruses) 4-bar exchanges with Clarke alternating with Jackson |
01/05/1956 | Soulful | Tenor Sax | 60 bars (5 choruses) |
01/05/1956 | They Can’t Take That Away from Me | Tenor Sax | 36 bars (1 chorus) |
01/05/1956 | Wild Man | Tenor Sax | 72 bars (6 choruses) |
01/17/1956 | Bright Blues | Tenor Sax | 48 bars (4 choruses) |
01/17/1956 | Hello | Tenor Sax | obbligato behind 48-bar (1.5 choruses) Jackson statement of theme |
01/17/1956 | Hello | Tenor Sax | 8 bars bridge |
01/17/1956 | Hello | Tenor Sax | obbligato behind 8-bar Jackson statement of theme |
01/17/1956 | How High the Moon | Tenor Sax | 64 bars (2 choruses) |
01/23/1956 | Angel Face | Tenor Sax | 8 bars bridge with Jackson obbligato |
01/23/1956 | Angel Face | Tenor Sax | 16 bars (0.5 chorus) |
01/23/1956 | Angel Face | Tenor Sax | 8 bars |
01/23/1956 | The Lady Is a Tramp | Tenor Sax | 96 bars (2 choruses) |
01/23/1956 | The Lady Is a Tramp | Tenor Sax | 80 bars 4-bar exchanges with Clarke alternating with Jackson |
01/23/1956 | Lover | Tenor Sax | 128 bars (2 choruses) |
01/23/1956 | Minor Conception | Tenor Sax | 96 bars (3 choruses) |
01/23/1956 | Minor Conception | Tenor Sax | 64 bars (2 choruses) 8-bar exchanges with Jackson |
01/23/1956 | Minor Conception | Tenor Sax | 32 bars (1 chorus) 4-bar exchanges with Jackson with only drums |
01/23/1956 | Minor Conception | Tenor Sax | 64 bars (2 choruses) 4-bar exchanges with Clarke alternating with Jackson |
01/23/1956 | Mood Indigo | Tenor Sax | 32 bars (1 chorus) |
01/23/1956 | Now’s the Time | Tenor Sax | 72 bars (6 choruses) |
01/23/1956 | Sometimes I’m Happy | Tenor Sax | 64 bars (2 choruses) |
01/23/1956 | Soul in 3/4 | Tenor Sax | 48 bars (4 choruses) in 3/4 |
01/23/1956 | What’s New? | Tenor Sax | 32 bars (1 chorus) |
01/23/1956 | What’s New? | Tenor Sax | 8 bars and cadenza |
01/24/1956 | Bo-Bi My Boy | Tenor Sax | 72 bars (6 choruses) |
01/24/1956 | Body and Soul | Tenor Sax | 64 bars (2 choruses) |
01/24/1956 | Body and Soul | Tenor Sax | 8 bars |
01/24/1956 | OP Meets LT | Tenor Sax | 96 bars (3 choruses) |
01/24/1956 | Tricotism (Tricrotism, Tractatism) | Tenor Sax | 64 bars (2 choruses) guitar out on first |
01/24/1956 | Tricotism (Tricrotism, Tractatism) | Tenor Sax | 24 bars (0.75 chorus) |
01/30/1956 | Deep Passion | Tenor Sax | 64 bars (2 choruses) and cadenza |
01/30/1956 | Old Reliable | Tenor Sax | 36 bars (3 choruses) |
01/30/1956 | Tom-Kattin’ | Tenor Sax | 64 bars (2 choruses) |
01/30/1956 | Translation | Tenor Sax | 32 bars (1 chorus) |
02/05/1956 | Blues in A-Flat | Tenor Sax | 168 bars (14 choruses) |
02/05/1956 | Lester Leaps In | Tenor Sax | 256 bars (8 choruses) piano out |
02/05/1956 | Rifftide (Hackensack) | Tenor Sax | 288 bars (9 choruses) |
02/05/1956 | Rifftide (Hackensack) | Tenor Sax | 128 bars (4 choruses) 8-bar exchanges with Sims and Truitt |
02/05/1956 | Tricotism (Tricrotism, Tractatism) | Tenor Sax | 96 bars (3 choruses) |
02/05/1956 | Tricotism (Tricrotism, Tractatism) | Tenor Sax | 64 bars (2 choruses) |
02/14/1956 | Jessica’s Day | Tenor Sax | 8 bars first chorus bridge |
02/14/1956 | Sometimes I’m Happy | Tenor Sax | 16 bars (0.5 chorus) |
02/22/1956 | A Minor Delight | Tenor Sax | 48 bars (4 choruses) |
02/22/1956 | One Cool Night | Tenor Sax | 64 bars (2 choruses) |
02/22/1956 | One Cool Night | Tenor Sax | 64 bars (2 choruses) |
02/22/1956 | Sophisticated Lady | Tenor Sax | 32 bars (1 chorus) |
02/22/1956 | Takin’ Care ‘o Business (Takin’ Care ‘n Business) | Tenor Sax | 72 bars (6 choruses) |
02/22/1956 | Takin’ Care ‘o Business (Takin’ Care ‘n Business) | Tenor Sax | 72 bars (6 choruses) |
02/22/1956 | Thin Ice | Tenor Sax | 8 bars bridge |
02/22/1956 | Thin Ice | Tenor Sax | 192 bars (6 choruses) |
02/22/1956 | Thin Ice | Tenor Sax | 8 bars bridge |
02/22/1956 | Thin Ice | Tenor Sax | 8 bars bridge |
02/22/1956 | Thin Ice | Tenor Sax | 256 bars (8 choruses) |
02/22/1956 | Thin Ice | Tenor Sax | 8 bars bridge |
03/05/1956 | G et B (G and B) | Tenor Sax | 32 bars (1 chorus) |
03/05/1956 | Marcel Le Fourreur (Marcel the Furrier) | Tenor Sax | 40 bars |
03/05/1956 | Marcel Le Fourreur (Marcel the Furrier) | Tenor Sax | 16 bars |
03/05/1956 | Souscription | Tenor Sax | 32 bars (1 chorus) |
03/05/1956 | Souscription | Tenor Sax | 32 bars (1 chorus) |
03/07/1956 | Gone with the Wind | Tenor Sax | 32 bars (1 chorus) |
03/07/1956 | Gone with the Wind | Tenor Sax | 32 bars (1 chorus) |
03/07/1956 | Influence | Tenor Sax | 32 bars (1 chorus) |
03/07/1956 | Influence | Tenor Sax | 16 bars (0.5 chorus) starting from bridge |
03/07/1956 | The Man I Love | Tenor Sax | 32 bars (1 chorus) |
03/07/1956 | The Man I Love | Tenor Sax | 16 bars (0.5 chorus) starting from bridge and cadenza |
03/07/1956 | Meet Quincy Jones | Tenor Sax | 32 bars (1 chorus) |
03/07/1956 | Meet Quincy Jones | Tenor Sax | 30 bars (0.5 chorus) starting from bridge |
03/07/1956 | There’s No You | Tenor Sax | 32 bars (1 chorus) |
03/07/1956 | There’s No You | Tenor Sax | 16 bars (0.5 chorus) starting from bridge and cadenza |
03/07/1956 | Tight Squeeze | Tenor Sax | 48 bars (4 choruses) piano out on first two |
03/14/1956 | But Not for Me | Tenor Sax | 32 bars (1 chorus) |
03/14/1956 | But Not for Me | Tenor Sax | 16 bars (0.5 chorus) |
03/14/1956 | Don’t Blame Me | Tenor Sax | 32 bars (1 chorus) |
03/14/1956 | Don’t Blame Me | Tenor Sax | 14 bars starting at bridge and cadenza |
03/14/1956 | Indian Summer | Tenor Sax | 32 bars (1 chorus) |
03/14/1956 | Indian Summer | Tenor Sax | 16 bars (0.5 chorus) |
03/14/1956 | Our Love Is Here to Stay | Tenor Sax | 64 bars (2 choruses) |
03/14/1956 | Our Love Is Here to Stay | Tenor Sax | 16 bars (0.5 chorus) |
03/14/1956 | Undecided | Tenor Sax | 64 bars (2 choruses) |
03/14/1956 | Undecided | Tenor Sax | 24 bars |
03/14/1956 | You Go to My Head | Tenor Sax | 24 bars |
03/14/1956 | You Go to My Head | Tenor Sax | 14 bars |
03/24/1956 | East of the Sun | Tenor Sax | 36 bars (1 chorus) |
03/24/1956 | East of the Sun | Tenor Sax | 8 bars |
03/24/1956 | I Can’t Give You Anything but Love | Tenor Sax | 32 bars (1 chorus) |
03/24/1956 | I Can’t Give You Anything but Love | Tenor Sax | 24 bars |
03/24/1956 | I Cover the Waterfront | Tenor Sax | 48 bars (1.5 choruses) and cadenza |
03/24/1956 | Lullaby in Rhythm | Tenor Sax | 32 bars (1 chorus) |
03/24/1956 | Lullaby in Rhythm | Tenor Sax | 64 bars (2 choruses) |
03/24/1956 | My Funny Valentine | Tenor Sax | rubato with only piano |
03/24/1956 | My Funny Valentine | Tenor Sax | 36 bars |
03/24/1956 | My Funny Valentine | Tenor Sax | rubato with only piano and cadenza |
03/24/1956 | Tenderly | Tenor Sax | 32 bars (1 chorus) |
03/24/1956 | Tenderly | Tenor Sax | 6 bars and cadenza |
03/27/1956 | Lucky Strikes | Tenor Sax | 32 bars (1 chorus) |
03/27/1956 | My Love Supreme | Tenor Sax | 32 bars and cadenza |
03/27/1956 | You Are My Dream | Tenor Sax | 64 bars (2 choruses) |
03/27/1956 | You Are My Dream | Tenor Sax | 48 bars (1.5 choruses) |
03/29/1956 | Brown Rose (Theme For a Brown Rose) | Tenor Sax | 32 bars (1 chorus ABA 12+8+12 form) |
03/29/1956 | Brown Rose (Theme For a Brown Rose) | Tenor Sax | 8-bar coda |
03/29/1956 | A Distant Sound | Tenor Sax | 32 bars (1 chorus) |
03/29/1956 | Once Upon a Time | Tenor Sax | 32 bars (1 chorus) |
03/29/1956 | Portrait of Django | Tenor Sax | 32 bars and cadenza |
03/29/1956 | Still Waters | Tenor Sax | 8-bar interlude |
03/29/1956 | Still Waters | Tenor Sax | 32 bars (1 chorus) |
03/29/1956 | A Sunkissed Rose | Tenor Sax | 52 bars |
04/05/1956 | Nothin’ but the Soul | Tenor Sax | 36 bars (3 choruses) |
04/05/1956 | Passin’ Time | Tenor Sax | 64 bars (2 choruses) |
04/05/1956 | To a Mornin’ Sunrise | Tenor Sax | 64 bars (2 choruses) and cadenza |
04/05/1956 | Why Weep? | Tenor Sax | 96 bars (8 choruses) |
04/16/1956 | Fascinating Blues | Tenor Sax | 48 bars (4 choruses) |
04/16/1956 | Let’s Try Again | Tenor Sax | 48 bars (4 choruses) |
04/16/1956 | Lullaby of the Leaves | Tenor Sax | 62 bars and cadenza |
04/16/1956 | Stewin’ up a Wig | Tenor Sax | 80 bars (2.5 choruses) |
04/17/1956 | Angel Eyes | Tenor Sax | 48 bars (1.5 choruses) |
04/17/1956 | But Not for Tonight | Tenor Sax | 32 bars (1 chorus) |
04/17/1956 | The Parisian Knights (Parisian Knight) | Tenor Sax | 32 bars (1 chorus) |
04/17/1956 | Quick as a Flash | Tenor Sax | 48 bars (4 choruses) |
04/17/1956 | Street Scene | Tenor Sax | 32 bars (1 chorus) |
04/17/1956 | To You Dear One | Tenor Sax | 48 bars (1.5 choruses) |
04/18/1956 | My Heart Speaks | Tenor Sax | 50 bars |
04/18/1956 | My Heart Speaks | Tenor Sax | 8 bars |
04/18/1956 | Rainbow Inn | Tenor Sax | 48 bars (1.5 choruses) |
04/18/1956 | Seeing Is Believing | Tenor Sax | 84 bars (7 choruses) |
04/18/1956 | Take Care Beware | Tenor Sax | 48 bars (4 choruses) |
04/18/1956 | The World Awakes | Tenor Sax | 48 bars (4 choruses) |
04/18/1956 | Yard Bird’s Pet | Tenor Sax | 64 bars (1 chorus) |
04/18/1956 | Yard Bird’s Pet | Tenor Sax | 128 bars (2 choruses) |
04/20/1956 | One Last Goodbye | Tenor Sax | 64 bars (2 choruses) |
04/20/1956 | One Last Goodbye | Tenor Sax | 8 bars |
04/20/1956 | Velvet Rain | Tenor Sax | 32 bars (1 chorus) piano out |
04/20/1956 | You Move, You Lose | Tenor Sax | 64 bars (2 choruses) piano out on first |
04/25/1956 | Everything Happens to Me | Tenor Sax | 32 bars (1 chorus) |
04/25/1956 | Everything Happens to Me | Tenor Sax | 8 bars and cadenza |
04/25/1956 | Fine and Dandy | Tenor Sax | 96 bars (3 choruses) piano out on first two |
04/25/1956 | Fine and Lucky | Tenor Sax | 128 bars (4 choruses) piano out on first two |
04/25/1956 | Ow! | Tenor Sax | 64 bars (2 choruses) piano out on first |
04/25/1956 | Time on My Hands | Tenor Sax | 16 bars (0.5 chorus) |
04/25/1956 | What Is This Thing Called Love? | Tenor Sax | 64 bars (2 choruses) |
04/25/1956 | What Is This Thing Called Love? | Tenor Sax | 8 bars final bridge |
05/11/1956 | Bluebeard Blues | Tenor Sax | 44 bars (4 choruses less 4 bars ensemble) |
05/11/1956 | Easy Going | Tenor Sax | 8-bar interlude and break |
05/11/1956 | Easy Going | Tenor Sax | 64 bars (2 choruses) |
05/11/1956 | Home Free | Tenor Sax | 32 bars (1 chorus) |
05/11/1956 | I Should Care | Tenor Sax | 32 bars (1 chorus) |
05/11/1956 | I Should Care | Tenor Sax | 18 bars and cadenza |
05/11/1956 | One for the Boys and Us | Tenor Sax | 60 bars (5 choruses) piano out on some |
05/23/1956 | Fuego Cubano (Cuban Fire) | Tenor Sax | 16 bars |
05/23/1956 | Quien Sabe (Who Knows) | Tenor Sax | 16 bars |
06/11/1956 | Deep Passion | Tenor Sax | 16 bars (0.5 chorus) |
06/11/1956 | Deep Passion | Tenor Sax | 8 bars (0.25 chorus) |
06/11/1956 | Deep Passion | Tenor Sax | 16 bars (0.25 chorus) starting from bridge |
06/12/1956 | Not so Sleepy | Tenor Sax | 24 bars starting at bridge |
06/12/1956 | Smoke Signal | Tenor Sax | 16 bars (0.25 chorus) bridge |
06/19/1956 | The Pendulum at Falcon’s Lair | Tenor Sax | 16 bars (0.5 chorus) starting at bridge |
06/25/1956 | Tears to Burn | Tenor Sax | 8 bars bridge |
08/01/1956 | Dark Eyes | Tenor Sax | 32 bars (2 choruses) |
08/01/1956 | Deep Purple | Tenor Sax | 32 bars (1 chorus) |
08/01/1956 | I Don’t Stand a Ghost of a Chance with You | Tenor Sax | 32 bars (1 chorus) |
08/01/1956 | Lionel’s Choo Choo (What’s Your Hurry) | Tenor Sax | 24 bars (2 choruses) |
08/01/1956 | Lionel’s Choo Choo (What’s Your Hurry) | Tenor Sax | 36 bars (3 choruses) |
08/01/1956 | Over the Rainbow | Tenor Sax | 32 bars (1 chorus) |
08/01/1956 | Reindeer | Tenor Sax | 64 bars (2 choruses) |
08/01/1956 | Reindeer | Tenor Sax | 32 bars (1 chorus) 8-bar exchanges with Hampton |
08/01/1956 | Reindeer | Tenor Sax | 4 bars |
08/01/1956 | Reindeer | Tenor Sax | 4 bars |
08/01/1956 | Romeo’s Gone Now | Tenor Sax | 48 bars (4 choruses) |
08/01/1956 | Undecided | Tenor Sax | 16 bars (0.5 chorus) |
08/01/1956 | When You’re Smiling | Tenor Sax | 32 bars (1 chorus) |
09/14/1956 | Sermonette | Tenor Sax | 32 bars (1 chorus) |
09/19/1956 | Boo’s Blues | Tenor Sax | 24 bars (2 choruses) |
09/29/1956 | Walkin’ (Gravy) | Tenor Sax | 60 bars (5 choruses) |
11/01/1956 | All of Me | Tenor Sax | Thompson obbligato behind Hartman vocal over 18 bars (0.5 chorus and coda) |
11/01/1956 | All of Me | Tenor Sax | Thompson obbligato behind Hartman vocal over 18 bars (0.5 chorus and coda) |
11/01/1956 | Blue Skies | Tenor Sax | 12 bars |
11/01/1956 | Blue Skies | Tenor Sax | 12 bars |
11/24/1956 | Fine and Dandy | Tenor Sax | 64 bars (2 choruses) |
11/24/1956 | Fine and Dandy | Tenor Sax | 32 bars (1 chorus) 4-bar exchanges with Jones |
11/24/1956 | Lover Man | Tenor Sax | 48 bars (1.5 choruses) |
12/04/1956 | Caravan | Tenor Sax | obbligato behind Washington |
12/05/1956 | You’re Crying | Tenor Sax | obbligato behind Washington |
12/06/1956 | Bargain Day | Tenor Sax | obbligato behind Washington |
12/06/1956 | Never Let Me Go | Tenor Sax | 7 bars |
12/11/1956 | Dancing Sunbeam | Tenor Sax | 64 bars (2 choruses) guitar out on first |
12/11/1956 | I Can’t Give You Anything but Love | Tenor Sax | 2-bar break between Armstrong’s vocal and trumpet solo |
12/11/1956 | Little Tenderfoot | Tenor Sax | 96 bars (3 choruses) guitar out on first two |
12/11/1956 | Mister Man | Tenor Sax | 48 bars (4 choruses) guitar out on first three |
12/11/1956 | Mister Man | Tenor Sax | 24 bars (2 choruses) |
12/11/1956 | The Plain but the Simple Truth | Tenor Sax | 72 bars (6 choruses) guitar out on first three |
12/11/1956 | The Plain but the Simple Truth | Tenor Sax | 24 bars (2 choruses) |
12/12/1956 | Good Luck (Glamour Game) | Tenor Sax | 48 bars (4 choruses) piano out |
12/12/1956 | N R 1 | Tenor Sax | 48 bars (4 choruses) piano out on first two |
12/12/1956 | N R 2 | Tenor Sax | 48 bars (1.5 choruses) |
12/12/1956 | Once There Was | Tenor Sax | 54 bars (1.5 choruses) |
12/13/1956 | Memories of You | Tenor Sax | 8 bars between Armstrong’s vocal and trumpet solo |
12/19/1956 | I’m Shooting High | Tenor Sax | 10 bars |
12/19/1956 | Just Squeeze Me | Tenor Sax | Thompson obbligato behind Connor over 36 bars (1 chorus and 4-bar coda) |
12/19/1956 | My Shining Hour | Tenor Sax | Thompson obbligato behind Connor over 16 bars |
01/05/1957 | Blues at Twilight | Tenor Sax | 12 bars (1 chorus) |
01/05/1957 | Ignunt Oil | Tenor Sax | 32 bars (1 chorus) |
01/05/1957 | Sermonette | Tenor Sax | 32 bars (1 chorus) |
01/05/1957 | The Spirit-Feel | Tenor Sax | 48 bars (4 choruses) |
01/09/1957 | Ask an Alaskan | Tenor Sax | 16 bars (0.5 chorus) starting at bridge |
01/09/1957 | Blue in Peru | Tenor Sax | 12 bars (1 chorus) |
01/09/1957 | Gibraltar Rock | Tenor Sax | 8 bars |
01/09/1957 | Hassle in Havana | Tenor Sax | 16 bars (0.5 chorus) |
01/09/1957 | Just a Japanese Sideman | Tenor Sax | 16 bars (0.5 chorus) |
01/09/1957 | Parisienne Eyeful | Tenor Sax | 12 bars (1 chorus) |
01/09/1957 | Piccadilly Panic | Tenor Sax | 32 bars (1 chorus) |
01/09/1957 | Prettily Italy | Tenor Sax | 16 bars (0.5 chorus) |
01/09/1957 | Sorta Spanish | Tenor Sax | 32 bars (1 chorus) |
01/09/1957 | Stateside Static | Tenor Sax | 16 bars (0.5 chorus) starting at bridge |
01/09/1957 | Strictly Occidental | Tenor Sax | 16 bars (0.5 chorus) starting at bridge |
01/09/1957 | Tipperary Fairy | Tenor Sax | 50 bars (2-bar break + 1 chorus) |
07/06/1957 | Embassy Boogie | Tenor Sax | 36 bars (3 choruses) |
07/06/1957 | How Long Blues | Tenor Sax | 16 bars |
07/06/1957 | How Long Blues | Tenor Sax | 16 bars |
07/06/1957 | I Want a Little Girl | Tenor Sax | 32 bars (1 chorus) |
07/06/1957 | I Want a Little Girl | Tenor Sax | obbligato behind 8-bar Price vocal |
07/06/1957 | I Want a Little Girl | Tenor Sax | 4-bar intro |
07/06/1957 | Lucky T | Tenor Sax | 44 bars (1 chorus) |
07/06/1957 | Minor Blues | Tenor Sax | 36 bars (3 choruses) |
07/06/1957 | Minor Blues | Tenor Sax | 24 bars (2 choruses) |
07/06/1957 | Paris Blues | Tenor Sax | 24 bars (2 choruses) |
07/06/1957 | Paris Blues | Tenor Sax | 24 bars (2 choruses) with Sasson and Price |
07/06/1957 | Sweet Georgia Brown | Tenor Sax | 96 bars (3 choruses) |
07/06/1957 | Up Above My Head | Tenor Sax | 32 bars |
07/15/1957 | Between the Devil and the Deep Blue Sea | Tenor Sax | 8 bar obbligato to vocal on bridge |
07/15/1957 | Everybody’s Doin’ It Now | Tenor Sax | 4 bars |
07/15/1957 | Sleep | Tenor Sax | 8-bar obbligato to vocal |
09/05/1957 | Everything Happens to Me | Tenor Sax | 48 bars (1.5 choruses) |
09/05/1957 | Strike up the Band | Tenor Sax | 64 bars (2 choruses) piano out on first |
09/05/1957 | Strike up the Band | Tenor Sax | 32 bars (1 chorus) 4-bar exchanges with Garros |
09/05/1957 | Strike up the Band | Tenor Sax | 24 bars |
09/12/1957 | I’ll Remember April | Tenor Sax | 8 bars |
09/12/1957 | I’ll Remember April | Tenor Sax | 96 bars (2 choruses) piano out on first |
09/12/1957 | I’ll Remember April | Tenor Sax | 32 bars |
09/12/1957 | I’ll Remember April | Tenor Sax | 32 bars 4-bar exchanges with Clarke |
09/12/1957 | Now’s the Time | Tenor Sax | 72 bars (6 choruses) |
09/23/1957 | Fun for Four | Tenor Sax | 24 bars (2 choruses) |
09/23/1957 | Love Me or Leave Me | Tenor Sax | 32 bars (1 chorus) 4-bar exchanges with Clarke |
09/23/1957 | Love Me or Leave Me | Tenor Sax | 32 bars (1 chorus) piano out |
09/26/1957 | Four | Tenor Sax | 32 bars (1 chorus) |
09/26/1957 | Now’s the Time | Tenor Sax | 36 bars (3 choruses) |
09/26/1957 | The Squirrel | Tenor Sax | 36 bars (3 choruses) |
09/26/1957 | Stompin’ at the Savoy | Tenor Sax | 32 bars (1 chorus) |
01/02/1959 | Have You Met Miss Jones? | Soprano Sax | 64 bars (2 choruses), second with band interludes includes last 8-bars of head and coda |
01/02/1959 | Now’s the Time | Tenor Sax | 84 bars (7 choruses) and cadenza |
01/02/1959 | What Is This Thing Called Love? | Tenor Sax | 80 bars (2.5 choruses) with band interludes on second and third choruses |
01/02/1959 | What Is This Thing Called Love? | Tenor Sax | last 8 bars of theme and coda |
01/02/1959 | You Don’t Know What Love Is | Soprano Sax | 48 bars (1.5 choruses) theme and improvisations with band interludes and coda/cadenza |
01/02/1959 | You Don’t Know What Love Is | Soprano Sax | 10 bars intro with band |
01/03/1959 | Have You Met Miss Jones? | Soprano Sax | 64 bars (2 choruses) second with band shouts includes last 8 bars of theme and coda |
01/03/1959 | Now’s the Time | Tenor Sax | 84 bars (7 choruses) and cadenza |
01/03/1959 | What Is This Thing Called Love? | Tenor Sax | 80 bars (2.5 choruses) with band interludes on second and third choruses |
01/03/1959 | What Is This Thing Called Love? | Tenor Sax | last 8 bars of theme and coda |
01/03/1959 | You Don’t Know What Love Is | Soprano Sax | 48 bars (1.5 choruses) theme and improvisations with band interludes and coda/cadenza |
01/03/1959 | You Don’t Know What Love Is | Soprano Sax | 19 bar intro with band |
01/04/1959 | You Go to My Head | Soprano Sax | 80 bars (2 choruses) and cadenza |
01/06/1959 | Crossroads of the Blues | Tenor Sax | 48 bars (4 choruses) |
01/06/1959 | Sweet Georgia Brown | Tenor Sax | 64 bars (2 choruses) |
01/14/1959 | Have You Met Miss Jones? | Soprano Sax | 32 bars (1 chorus) improvisation and theme, coda |
01/14/1959 | Have You Met Miss Jones? | Soprano Sax | 32 bars (1 chorus) |
01/14/1959 | How About You? | Soprano Sax | 32 bars (1 chorus) |
01/14/1959 | How About You? | Soprano Sax | 32 bars (last chorus) and cadenza |
01/14/1959 | Midnight Sun | Soprano Sax | 48 bars (1.5 choruses) last 16 bars starting from bridge) |
01/14/1959 | Pennies from Heaven | Tenor Sax | 64 bars (2 choruses) |
01/14/1959 | Pennies from Heaven | Tenor Sax | 32 bars (1 chorus) with tag ending |
01/14/1959 | Solitude | Tenor Sax | 32 bars (1 chorus) |
01/14/1959 | Solitude | Tenor Sax | 8 bars and cadenza |
01/14/1959 | Soul Food | Tenor Sax | duet with M’Bow (others out) |
01/15/1959 | Brother Bob | Soprano Sax | duet with M’Bow (others out) |
01/15/1959 | O.W. | Tenor Sax | 36 bars (3 choruses on minor blues form) |
01/15/1959 | Tea for Two | Tenor Sax | 32 bars (1 chorus) |
01/15/1959 | Tea for Two | Tenor Sax | 32 bars (1 chorus) |
01/15/1959 | We’ll Be Together Again | Tenor Sax | 32 bars (1 chorus) |
01/15/1959 | We’ll Be Together Again | Tenor Sax | 16 bars (0.5 chorus) starting at bridge and cadenza |
02/07/1959 | Takin’ Care ‘o Business (Takin’ Care ‘n Business) | Tenor Sax | 36 bars (3 choruses) |
02/07/1959 | The World Awakes | Soprano Sax | intro 32 bars with Quersin and M’Bow |
02/07/1959 | The World Awakes | Soprano Sax | 48 bars (4 choruses) |
03/07/1959 | Lover Man | Tenor Sax | 32 bars (1 chorus) and cadenza |
03/12/1959 | Body and Soul | Tenor Sax | 64 bars (2 choruses) and cadenza |
03/12/1959 | Don’t Blame Me | Tenor Sax | 64 bars (2 choruses) and cadenza |
03/12/1959 | Now’s the Time | Tenor Sax | 36 bars (3 choruses) |
03/12/1959 | Now’s the Time | Tenor Sax | 12 bars (1 chorus) |
April 1959 | Now’s the Time | Tenor Sax | 72 bars (6 choruses) |
April 1959 | Now’s the Time | Tenor Sax | 24 bars (2 choruses) |
04/17/1959 | Cherokee | Tenor Sax | 128 bars (2 choruses) |
04/17/1959 | Cherokee | Tenor Sax | 112 bars (1.75 choruses) 8-bar exchanges with von Moisy |
04/17/1959 | Jeannie | Tenor Sax | 24 bars (2 choruses) |
04/17/1959 | Lover Man | Tenor Sax | 64 bars (2 choruses) and cadenza |
04/17/1959 | Midnight Sun | Soprano Sax | 48 bars (1.5 choruses) |
04/17/1959 | Midnight Sun | Soprano Sax | 8 bars and cadenza |
04/17/1959 | The World Awakes | Soprano Sax | 16-bar intro vamp |
04/17/1959 | The World Awakes | Soprano Sax | 48 bars (4 choruses) piano out on first two |
04/17/1959 | Yesterdays | Soprano Sax | 16 bars |
04/18/1959 | Tricotism (Tricrotism, Tractatism) | Tenor Sax | 64 bars (2 choruses) |
04/18/1959 | Tricotism (Tricrotism, Tractatism) | Tenor Sax | 64 bars (2 choruses) |
04/18/1959 | The World Awakes | Soprano Sax | 84 bars (7 choruses) |
04/18/1959 | Yesterdays | Soprano Sax | 16 bars |
04/18/1959 | Yesterdays | Soprano Sax | 16 bars and cadenza |
07/15/1959 | Love for Sale | Tenor Sax | Thompson obbligato behind Zetterlund vocal over 32 bars (0.5 chorus) starting at bridge |
07/15/1959 | Sophisticated Lady | Soprano Sax | 32 bars (1 chorus) first 8 with only piano |
07/15/1959 | Sophisticated Lady | Soprano Sax | 8 bars bridge |
07/15/1959 | Sophisticated Lady | Soprano Sax | cadenza |
07/15/1959 | Stuffy | Tenor Sax | 32 bars (1 chorus) piano out |
07/15/1959 | Summertime | Soprano Sax | obbligato behind Zetterlund vocal over 32 bars |
07/15/1959 | Summertime | Soprano Sax | 16 bars |
07/15/1959 | Summertime | Soprano Sax | obbligato behind Zetterlund vocal over 18 bars |
07/15/1959 | Treffpunkt Blues | Tenor Sax | 24 bars (2 choruses) |
07/15/1959 | Treffpunkt Blues | Tenor Sax | 24 bars (2 choruses) 4-bar exchanges with Bartz alternating with Gojkovic |
07/15/1959 | What’s New | Tenor Sax | 24 bars obbligato to Zetterlund vocal |
11/07/1959 | Anthropology | Tenor Sax | 96 bars (3 choruses) |
11/07/1959 | Anthropology | Tenor Sax | 64 bars (2 choruses) 4-bar exchanges with Clarke to cut off |
01/09/1960 | Lover Man | Soprano Sax | 32 bars (1 chorus) |
01/09/1960 | Lover Man | Soprano Sax | 16 bars (0.5 chorus) starting at bridge and cadenza |
01/09/1960 | Strike up the Band | Tenor Sax | 64 bars (2 choruses) piano out on first |
01/09/1960 | Strike up the Band | Tenor Sax | 48 bars 4-bar exchanges with Clarke |
02/13/1960 | Deep Passion | Tenor Sax | 8 bars bridge |
02/13/1960 | Easy Going | Tenor Sax | 32 bars (1 chorus) |
02/13/1960 | Takin’ Care ‘o Business (Takin’ Care ‘n Business) | Tenor Sax | 48 bars (4 choruses) |
02/13/1960 | Thin Ice | Tenor Sax | 64 bars (2 choruses) |
02/13/1960 | Thin Ice | Tenor Sax | 64 bars (2 choruses) 8- and 4-bar exchanges with Clarke |
02/13/1960 | Thin Ice | Tenor Sax | 8 bars first chorus bridge |
02/13/1960 | Thin Ice | Tenor Sax | 8 bars last bridge |
02/13/1960 | The World Awakes | Soprano Sax | 24 bars intro vamp |
02/13/1960 | The World Awakes | Soprano Sax | 48 bars (4 choruses) |
02/13/1960 | Yard Bird’s Pet | Tenor Sax | 128 bars (2 choruses) |
02/13/1960 | Yesterdays | Soprano Sax | rubato intro |
02/13/1960 | Yesterdays | Soprano Sax | 48 bars |
04/22/1960 | Au Privave | Tenor Sax | 24 bars (2 choruses) |
04/22/1960 | Brother Bob | Soprano Sax | 72 bars (6 choruses) |
04/22/1960 | Deep Passion | Tenor Sax | 48 bars (1.5 choruses) |
04/22/1960 | Good Luck (Glamour Game) | Tenor Sax | 24 bars (2 choruses) |
04/22/1960 | Lucky’s Workshop Theme | Tenor Sax | 64 bars (2 choruses) to fade out |
04/22/1960 | Star Eyes | Soprano Sax | 36 bars (1 chorus) |
04/22/1960 | Straight, No Chaser | Tenor Sax | 24 bars (2 choruses) piano out |
04/22/1960 | Summertime | Soprano Sax | 48 bars |
04/22/1960 | Thin Ice | Tenor Sax | 64 bars (2 choruses) |
04/22/1960 | Thin Ice | Tenor Sax | 64 bars (2 choruses) 8- and 4-bar exchanges with von Moisy |
04/22/1960 | What Is This Thing Called Love? | Soprano Sax | obbligato behind 32-bar (1 chorus) Merrill vocal |
04/22/1960 | What Is This Thing Called Love? | Soprano Sax | 32 bars (1 chorus) |
04/22/1960 | What Is This Thing Called Love? | Soprano Sax | obbligato behind 36-bar (1 chorus + coda) Merrill vocal |
05/28/1960 | Check out Time | Tenor Sax | 36 bars (3 choruses) |
05/28/1960 | Down the Stretch | Tenor Sax | 32 bars (1 chorus) to cut off |
05/28/1960 | Good Luck (Glamour Game) | Tenor Sax | 48 bars (4 choruses) 4-bar exchanges with Clarke |
05/28/1960 | Nothin’ but the Soul | Tenor Sax | 24 bars (2 choruses) |
05/28/1960 | One Last Goodbye | Tenor Sax | 32 bars (1 chorus) |
05/28/1960 | One Last Goodbye | Tenor Sax | 8 bars |
05/28/1960 | Why Weep? | Tenor Sax | 48 bars (4 choruses) |
05/28/1960 | Why Weep? | Tenor Sax | 48 bars (4 choruses) 4-bar exchanges with Clarke |
05/28/1960 | Yesterday’s Bottle | Soprano Sax | 8-bar intro |
05/28/1960 | Yesterday’s Bottle | Soprano Sax | 12 bars |
10/14/1960 | Lover Man | Soprano Sax | solo rubato intro |
10/14/1960 | Lover Man | Soprano Sax | 32 bars (1 chorus) |
10/14/1960 | Lover Man | Soprano Sax | 16 bars (0.5 chorus) starting at bridge and cadenza |
10/14/1960 | Strike up the Band | Tenor Sax | 160 bars (5 choruses) 8-bar exchanges with Humair |
10/14/1960 | Strike up the Band | Tenor Sax | 160 bars (5 choruses) |
10/14/1960 | Strike up the Band | Tenor Sax | cadenza |
10/14/1960 | The World Awakes | Soprano Sax | 12-bar intro vamp |
10/14/1960 | The World Awakes | Soprano Sax | 36 bars (3 choruses) 4-bar exchanges with Trunk |
11/25/1960 | Einsames Mädchen Am Meer | Soprano Sax | 48 bars (1.5 choruses) |
11/25/1960 | I Want to Be Happy | Tenor Sax | 32 bars (1 chorus) |
11/25/1960 | Mysterioso Mr. X | Soprano Sax | 24 bars (2 choruses) |
11/25/1960 | One Last Goodbye | Tenor Sax | rubato solo intro |
11/25/1960 | One Last Goodbye | Tenor Sax | 64 bars (2 choruses) and cadenza |
11/25/1960 | Take the “A” Train | Tenor Sax | 32 bars (1 chorus) |
11/25/1960 | Take the “A” Train | Tenor Sax | 32 bars (1 chorus) 4-bar exchanges among the four saxes |
11/25/1960 | Why Weep? | Tenor Sax | 48 bars (4 choruses) |
11/25/1960 | Why Weep? | Tenor Sax | 48 bars (4 choruses) 4-bar exchanges with Pronk |
04/01/1961 | Beautiful Tuesday | Soprano Sax | 72 bars (2 choruses) |
04/01/1961 | I Remember When (Love and Respect) | Soprano Sax | 48 bars (1.5 choruses) |
04/01/1961 | I Remember When (Love and Respect) | Soprano Sax | last 8-bars of theme |
04/01/1961 | Is the Long Road the Right Road? (Our Shared Blessings) | Soprano Sax | 48 bars (4 choruses) piano out on first two |
04/01/1961 | It’s Fantasy (Scratching the Surface) | Tenor Sax | 48 bars (2 choruses) piano out on first two |
04/01/1961 | Last Night I Met an Angel (Warm Inside) | Tenor Sax | 48 bars (1.5 choruses) |
04/01/1961 | Last Night I Met an Angel (Warm Inside) | Tenor Sax | last 8 bars of theme |
04/01/1961 | Lord, Lord, Am I Ever Gonna Know? | Tenor Sax | 48 bars (4 choruses on 12-bar blues form) piano out on first two |
04/01/1961 | Sky High (Say That to Say This) | Tenor Sax | 32 bars (1 chorus) piano out |
04/01/1961 | Sky High (Say That to Say This) | Tenor Sax | 32 bars (1 chorus) 4-bar exchanges with Clarke (piano out) |
04/01/1961 | Two Steps Out (Choose Your Own, Two Stops Out) | Soprano Sax | 8-bar intro |
04/01/1961 | Two Steps Out (Choose Your Own, Two Stops Out) | Soprano Sax | 72 bars (6 choruses) on 12-bar blues form |
04/01/1961 | Two Steps Out (Choose Your Own, Two Stops Out) | Soprano Sax | 8-bar interlude at slower tempo |
04/01/1961 | Two Steps Out (Choose Your Own, Two Stops Out) | Soprano Sax | 8-bar coda |
04/01/1961 | Two Steps Out (Choose Your Own, Two Stops Out) | Tenor Sax | 8-bar interlude at faster tempo |
04/01/1961 | Two Steps Out (Choose Your Own, Two Stops Out) | Tenor Sax | 132 bars (11 choruses) on 12-bar blues form |
04/28/1961 | Another Whirl | Tenor Sax | 46 bars |
04/28/1961 | Another Whirl | Tenor Sax | 62 bars |
04/28/1961 | Check out Time | Tenor Sax | 36 bars (3 choruses) piano out |
04/28/1961 | Could I Meet You Later? | Tenor Sax | 20 bars (4+12+4) |
04/28/1961 | Down the Stretch | Tenor Sax | 96 bars (3 choruses) piano out |
04/28/1961 | The Fire Bug | Tenor Sax | 24 bars (2 choruses) |
04/28/1961 | From Day Till Dawn | Soprano Sax | 32 bars |
04/28/1961 | From Day Till Dawn | Soprano Sax | 8 bars |
04/28/1961 | From Day Till Dawn | Soprano Sax | 8 bars |
04/28/1961 | Hang Over Heaven | Tenor Sax | 16 bar interlude |
04/28/1961 | Hang Over Heaven | Tenor Sax | 32 bars |
04/28/1961 | I Remember When (Love and Respect) | Soprano Sax | 4-bar intro with Diernhammer |
04/28/1961 | I Remember When (Love and Respect) | Soprano Sax | 48 bars (1.5 choruses) |
04/28/1961 | I Remember When (Love and Respect) | Soprano Sax | 8 bars |
04/28/1961 | Is the Long Road the Right Road? (Our Shared Blessings) | Soprano Sax | 36 bars (3 choruses) |
04/28/1961 | It’s Fantasy (Scratching the Surface) | Tenor Sax | 48 bars |
04/28/1961 | It’s Thursday | Tenor Sax | 16 bars |
04/28/1961 | It’s Thursday | Tenor Sax | 16 bars |
04/28/1961 | Last Night I Met an Angel (Warm Inside) | Tenor Sax | 48 bars (1.5 choruses) |
04/28/1961 | Minuet in Blues | Soprano Sax | 24 bars (2 choruses) |
04/28/1961 | Mr. Care Free | Soprano Sax | 26 bars (2-bar break + 2 choruses) |
04/28/1961 | Notorious Love | Soprano Sax | 30 bars |
04/28/1961 | Old Reliable | Tenor Sax | 24 bars (2 choruses) |
04/28/1961 | Seeing Is Believing | Tenor Sax | 48 bars (4 choruses) |
04/28/1961 | Sky High (Say That to Say This) | Tenor Sax | 70 bars |
04/28/1961 | Sky High (Say That to Say This) | Tenor Sax | 64 bars (2 choruses) 8- and 4-bar exchanges with Humair |
04/28/1961 | Two Steps Out (Choose Your Own, Two Stops Out) | Soprano Sax | 48 bars (4 choruses) first without accompaniment |
05/29/1961 | Move | Tenor Sax | 8 bars (4+4) |
05/29/1961 | Move | Tenor Sax | 8 bars (4+4) |
05/29/1961 | Move | Tenor Sax | 64 bars (2 choruses) |
05/29/1961 | Move | Tenor Sax | 64 bars (2 choruses) 8- and 4-bar exchanges with Byers |
05/29/1961 | Move | Tenor Sax | 4 bars |
05/29/1961 | Steeplechase | Tenor Sax | 8 bars first chorus bridge |
05/29/1961 | Steeplechase | Tenor Sax | 32 bars (1 chorus) |
05/29/1961 | Steeplechase | Tenor Sax | 32 bars (1 chorus) 4-bar exchanges with Byers |
05/29/1961 | Unknown Title | Tenor Sax | 24 bars (2 choruses) |
08/01/1961 | Frosty Summer | Soprano Sax | 32 bars (1 chorus) |
08/01/1961 | Frosty Summer | Soprano Sax | 8 bars (bridge) |
08/01/1961 | On Easy Street | Tenor Sax | 16-bar break |
08/01/1961 | On Easy Street | Tenor Sax | 32 bars (1 chorus) |
08/01/1961 | On Easy Street | Tenor Sax | 8 bars bridge |
02/25/1962 | Cherokee | Tenor Sax | 128 bars (2 choruses) piano out on first |
02/25/1962 | Cherokee | Tenor Sax | 128 bars (2 choruses) 8- and 4-bar exchanges with drummer |
02/25/1962 | Cherokee | Tenor Sax | cadenza |
02/25/1962 | Lover Man | Soprano Sax | 40 bars |
02/25/1962 | Lover Man | Soprano Sax | 8 bars and cadenza |
02/25/1962 | The World Awakes | Soprano Sax | 28-bar intro vamp |
02/25/1962 | The World Awakes | Soprano Sax | 60 bars (5 choruses) |
02/25/1962 | The World Awakes | Soprano Sax | 24 bars (2 choruses) 4-bar exchanges with drummer |
02/25/1962 | The World Awakes | Soprano Sax | 20 bar coda vamp |
March 1962 | Mean to Me | Soprano Sax | 64 bars (2 choruses) piano out on first |
March 1962 | The World Awakes | Soprano Sax | 18 bars (intro vamp) |
March 1962 | The World Awakes | Soprano Sax | 96 bars (8 choruses) piano out on first 6 |
March 1962 | The World Awakes | Soprano Sax | vamp to cut off |
March 1962 | You Go to My Head | Soprano Sax | 56 bars (1 chorus plus 16 bars of next) |
March 1962 | You Go to My Head | Soprano Sax | 16 bars and cadenza |
03/08/1962 | Cherokee | Soprano Sax | 14 bars intro vamp |
03/08/1962 | Cherokee | Tenor Sax | 128 bars (2 choruses) piano out on first |
03/08/1962 | Cherokee | Tenor Sax | 48 bars 8-bar exchanges with Schiøpffe |
03/08/1962 | Everything Happens to Me | Tenor Sax | 64 bars (2 choruses) |
03/08/1962 | Everything Happens to Me | Tenor Sax | 8 bars and cadenza |
03/08/1962 | Star Eyes | Soprano Sax | 8-bar intro vamp |
03/08/1962 | Star Eyes | Soprano Sax | 72 bars (2 choruses) piano out on first chorus |
03/08/1962 | Star Eyes | Soprano Sax | 36 bars (1 chorus) 4-bar exchanges with Schiöpffe |
03/08/1962 | Star Eyes | Soprano Sax | 8-bar coda vamp |
03/08/1962 | The World Awakes | Soprano Sax | 28 bars intro vamp |
03/08/1962 | The World Awakes | Soprano Sax | 60 bars (5 choruses) |
03/08/1962 | The World Awakes | Soprano Sax | 24 bars (2 choruses) 4-bar exchanges with Schiøpffe |
03/08/1962 | The World Awakes | Soprano Sax | 24 bars coda vamp |
03/08/1962 | You Don’t Know What Love Is | Soprano Sax | 64 bars (2 choruses) |
03/08/1962 | You Don’t Know What Love Is | Soprano Sax | 8 bars and cadenza |
05/31/1962 | The Birth of Sunday | Soprano Sax | 28 bars |
05/31/1962 | The Birth of Sunday | Soprano Sax | 11 bars |
05/31/1962 | The Birth of Sunday | Soprano Sax | 8 bars |
05/31/1962 | The Green Man | Tenor Sax | 58 bars (2+16+24+8+8) |
05/31/1962 | Racy | Tenor Sax | 24 bars (2 choruses) |
05/31/1962 | Racy | Tenor Sax | 12 bars (1 chorus) saxes simultaneous improvisation |
05/31/1962 | Racy | Tenor Sax | 24 bars (2 choruses) saxes take 2-bar stop time breaks |
05/31/1962 | Seven | Tenor Sax | 144 bars (12 choruses) – all saxes engage in 4-bar and longer exchanges |
05/31/1962 | Snooky | Tenor Sax | 12 bars (1 chorus) |
05/31/1962 | Taps Miller | Tenor Sax | 32 bars (1 chorus) |
05/31/1962 | Taps Miller | Tenor Sax | 32 bars (1 chorus) 4-bar exchanges among saxes |
05/31/1962 | ‘Twas Yesterdays (It Was Yesterdays) | Tenor Sax | 48 bars (1.5 choruses) |
05/31/1962 | ‘Twas Yesterdays (It Was Yesterdays) | Tenor Sax | 8 bars and cadenza |
08/02/1962 | I Got It Bad and That Ain’t Good | Soprano Sax | 42 bars and cadenza (begins in progess on bridge under announcer) |
08/02/1962 | Lester Leaps In | Tenor Sax | 128 bars (4 choruses) piano out on first two |
08/02/1962 | Lester Leaps In | Tenor Sax | 8 bars bridge |
08/02/1962 | Speak Low | Soprano Sax | 56 bars (1 chorus) |
08/02/1962 | Speak Low | Soprano Sax | 28-bar intro vamp |
08/02/1962 | Speak Low | Soprano Sax | 32 bars |
03/08/1963 | Dearly Beloved | Soprano Sax | 32 bars (1 chorus) |
03/08/1963 | Long Ago and Far Away | Tenor Sax | 32 bars (1 chorus) |
03/08/1963 | Long Ago and Far Away | Tenor Sax | 16 bars (0.5 chorus) |
03/08/1963 | Look For the Silver Lining | Soprano Sax | 32 bars (1 chorus) |
03/08/1963 | Look For the Silver Lining | Soprano Sax | 16 bars (0.5 chorus) 4-bar exchanges with Bailey |
03/08/1963 | Lovely to Look At | Soprano Sax | 32 bars (1 chorus) |
03/08/1963 | No More | Tenor Sax | 16 bars (0.5 chorus) |
03/08/1963 | They Didn’t Believe Me | Tenor Sax | 32 bars (1 chorus) |
03/08/1963 | They Didn’t Believe Me | Tenor Sax | 16 bars (0.5 chorus) |
03/08/1963 | Who? | Tenor Sax | 64 bars (2 choruses) one without piano |
03/08/1963 | Who? | Tenor Sax | 32 bars (1 chorus) 4 bar exchanges with Bailey |
03/08/1963 | Why Do I Love You? | Tenor Sax | 32 bars (1 chorus) |
03/08/1963 | Why Was I Born? | Soprano Sax | 32 bars (1 chorus) |
02/28/1964 | The Fire Bug | Tenor Sax | 168 bars (14 choruses) |
02/28/1964 | Minuet in Blues | Soprano Sax | 24 bars (2 choruses) |
02/28/1964 | ‘Twas Yesterdays (It Was Yesterdays) | Tenor Sax | 8 bars |
02/28/1964 | ‘Twas Yesterdays (It Was Yesterdays) | Tenor Sax | 48 bars (1.5 choruses) |
02/28/1964 | The World Awakes | Soprano Sax | 32-bar intro vamp |
02/28/1964 | The World Awakes | Soprano Sax | 48 bars (4 choruses) exchanges with Dreares (4 ss/8 d) |
02/28/1964 | The World Awakes | Soprano Sax | 84 bars (7 choruses) |
02/28/1964 | The World Awakes | Soprano Sax | 24 bars coda vamp |
09/15/1964 | Fly with the Wind | Tenor Sax | 64 bars (2 choruses) first with piano out |
09/15/1964 | Fly with the Wind | Tenor Sax | 64 bars (2 choruses) 8- and 4-bar exchanges with Kay |
09/15/1964 | I Forgot to Remember | Tenor Sax | 16 bars |
09/15/1964 | In a Sentimental Mood | Soprano Sax | 32 bars (1 chorus) |
09/15/1964 | In a Sentimental Mood | Soprano Sax | 16 bars (0.5 chorus) and cadenza |
09/15/1964 | Invitation | Tenor Sax | 8 bar interlude and break |
09/15/1964 | Invitation | Tenor Sax | 52 bars |
09/15/1964 | Mid Nite Oil | Soprano Sax | 96 bars in 3/4 |
09/15/1964 | Mumba Neua | Soprano Sax | 88 bars |
09/15/1964 | Prey Loot | Soprano Sax | 48 bars (4 choruses) |
09/15/1964 | Reminiscent | Tenor Sax | 32 bars (1 chorus) piano out first 16 |
10/09/1964 | Gemini | Tenor Sax | 64 bars |
10/09/1964 | Gemini | Tenor Sax | 64 bars |
01/01/1965 | Anthropology | Soprano Sax | 64 bars (2 choruses) |
01/01/1965 | Anthropology | Soprano Sax | 16 bars (0.5 chorus) |
01/01/1965 | Caressable | Tenor Sax | 36 bars (1 chorus) including last 16 of theme |
01/01/1965 | Evil Eva | Soprano Sax | 36 bars (3 choruses) |
01/01/1965 | I’ll Be Around | Tenor Sax | 32 bars (1 chorus) |
01/01/1965 | I’ll Be Around | Tenor Sax | 8 bars (0.25 chorus) |
01/01/1965 | Kinfolk’s Corner | Tenor Sax | 12 bars (1 chorus) |
01/01/1965 | Kinfolk’s Corner | Tenor Sax | 36 bars (3 choruses) |
01/01/1965 | Kinfolk’s Corner | Tenor Sax | 24 bars (2 choruses) |
01/01/1965 | Love | Tenor Sax | 68 bars (1 chorus) |
01/01/1965 | Love | Tenor Sax | coda to fade out |
01/01/1965 | My Old Flame | Soprano Sax | 64 bars (1 chorus) long meter |
01/01/1965 | On Tippy Top | Tenor Sax | 72 bars (3 choruses) |
01/01/1965 | Open Haus | Soprano Sax | 24 bars (2 choruses) on 12-bar blues form – song form appears to be 40 bars |
01/01/1965 | Open Haus | Soprano Sax | extended vamp to fade out |
01/01/1965 | Passionately Yours | Tenor Sax | 16 bars (0.5 chorus) |
01/01/1965 | Poor Butterfly | Tenor Sax | 32 bars (1 chorus) |
01/01/1965 | Poor Butterfly | Tenor Sax | 8 bars plus extended coda |
01/01/1965 | Slow Dough | Soprano Sax | 96 bars (4 24-bar choruses) in 3/4 |
01/01/1965 | Slow Dough | Soprano Sax | 24 bars (1 chorus) in 3/4 |
01/01/1965 | Slow Dough | Soprano Sax | coda to fade out |
01/01/1965 | Star Eyes | Soprano Sax | 36 bars (1 chorus) |
01/01/1965 | Who Can I Turn To? | Tenor Sax | 32 bars (1 chorus) |
01/01/1965 | Who Can I Turn To? | Tenor Sax | 8 bars |
01/01/1965 | Willow Weep for Me | Soprano Sax | 64 bars (2 choruses) |
01/01/1965 | Willow Weep for Me | Soprano Sax | 16 bars (0.5 chorus) starting from bridge |
01/01/1965 | Willow Weep for Me | Soprano Sax | coda to fade out |
01/01/1965 | You Stepped out of a Dream | Soprano Sax | 16 bars (0.5 chorus) |
02/16/1965 | As Time Goes By | Soprano Sax | 64 bars (1 chorus) long meter |
02/16/1965 | Cry Me a River | Tenor Sax | 64 bars (1 chorus) long meter |
02/16/1965 | Cry Me a River | Tenor Sax | vamp to fade out |
02/16/1965 | Happy Days Are Here Again | Tenor Sax | 112 bars (2 choruses) 8-bar exchanges with Perkins |
02/16/1965 | Happy Days Are Here Again | Tenor Sax | 112 bars (2 choruses) |
02/16/1965 | People | Tenor Sax | 46 bars (1 chorus) |
02/16/1965 | Safari | Soprano Sax | 64 bars (2 choruses) |
02/16/1965 | You Don’t Know What Love Is | Soprano Sax | 48 bars (1.5 choruses) accompanied only by harp at first |
02/16/1965 | You Don’t Know What Love Is | Soprano Sax | 8 bars |
02/19/1965 | Lady Bird | Tenor Sax | 96 bars (6 choruses) 4-bar exchanges with Jackson |
02/19/1965 | Lady Bird | Tenor Sax | 256 bars (16 choruses) at first without piano |
02/19/1965 | Strike up the Band | Tenor Sax | 224 bars (7 choruses) 8-bar exchanges with Jackson |
02/19/1965 | Strike up the Band | Tenor Sax | 192 bars (6 choruses) first 3 without piano |
02/19/1965 | Strike up the Band | Tenor Sax | 256 bars (8 choruses) to fade out |
02/19/1965 | What’s New? | Soprano Sax | 32 bars (1 chorus) |
02/19/1965 | What’s New? | Soprano Sax | 16 bars (0.5 chorus) starting at bridge and cadenza) |
02/19/1965 | The World Awakes | Soprano Sax | 72 bars (6 choruses) exchanges with Jackson (ts 4/d 8) |
02/19/1965 | The World Awakes | Soprano Sax | 48 bars (intro vamp) |
02/19/1965 | The World Awakes | Soprano Sax | 132 Bars (11 choruses) first 5 with piano out |
02/19/1965 | The World Awakes | Soprano Sax | 12 bars (1 chorus) |
02/19/1965 | The World Awakes | Soprano Sax | vamp coda |
04/15/1965 | As Long as We’re Here | Soprano Sax | 36 bars (1 chorus) |
04/15/1965 | Stardust | Soprano Sax | 16 bars (0.5 chorus) edited – last half of form! |
04/21/1965 | Spot Session | Soprano Sax | 48 bars (4 choruses) first 2 without piano |
04/21/1965 | Spot Session | Soprano Sax | 24 bars (2 choruses) |
07/05/1968 | Cherokee | Tenor Sax | 384 bars (6 choruses) first 2 without piano |
08/10/1968 | Strike up the Band | Tenor Sax | 176 bars (5.5 choruses) 8-bar exchanges with Heath |
08/10/1968 | Strike up the Band | Tenor Sax | 128 bars (4 choruses) |
08/10/1968 | The World Awakes | Soprano Sax | 48 bars (4 choruses) exchanges with Heath (ss 4, d 8) |
08/10/1968 | The World Awakes | Soprano Sax | 108 bars (9 choruses) with and without piano |
08/10/1968 | The World Awakes | Soprano Sax | 24 bars (2 choruses) |
09/11/1968 | One O’Clock Jump | Soprano Sax | 180 bars (15 choruses) |
09/11/1968 | Satin Doll | Soprano Sax | 32 bars (1 chorus) 4-bar exchanges with Bishop |
09/11/1968 | Satin Doll | Soprano Sax | 96 bars (3 choruses) |
09/11/1968 | Yesterdays | Soprano Sax | 32 bars (1 choruse) |
09/11/1968 | Yesterdays | Soprano Sax | 32 bars (1 chorus) and cadenza |
11/22/1968 | Cherokee | Tenor Sax | 192 bars (3 choruses) 8-bar exchanges with Ineke |
11/22/1968 | Cherokee | Tenor Sax | 256 bars (4 choruses) piano out on first |
11/22/1968 | In a Sentimental Mood | Soprano Sax | 32 bars (1 chorus) |
11/22/1968 | In a Sentimental Mood | Soprano Sax | 16 bars (0.5 chorus) starting at bridge and cadenza |
11/22/1968 | Lady Bird | Tenor Sax | 64 bars (4 choruses) 4-bar exchanges with Ineke |
11/22/1968 | Lady Bird | Tenor Sax | 112 bars (7 choruses) piano out on first two |
11/22/1968 | On Green Dolphin Street | Soprano Sax | 32 bars (1 chorus) 8-bar exchanges with Ineke |
11/22/1968 | On Green Dolphin Street | Soprano Sax | 96 bars (3 choruses) |
11/22/1968 | Street of Dreams | Soprano Sax | 32 bars (2 choruses) |
11/22/1968 | Street of Dreams | Soprano Sax | 16 bars (1 chorus) and cadenza |
11/22/1968 | Strike up the Band | Tenor Sax | 64 bars (2 choruses) 8-bar exchanges with Ineke |
11/22/1968 | Strike up the Band | Tenor Sax | 128 bars (4 choruses) piano out on first |
11/22/1968 | Strike up the Band | Tenor Sax | 16 bars (0.5 chorus) |
11/22/1968 | Tricotism (Tricrotism, Tractatism) | Soprano Sax | 56 bars (1.75 choruses) 4-bar exchanges with Ineke |
11/22/1968 | Tricotism (Tricrotism, Tractatism) | Soprano Sax | 96 bars (3 choruses) piano out on first |
11/22/1968 | Unknown Title | Soprano Sax | 24 bars (2 choruses) 4-bar exchanges with Ineke alternating with Madna |
11/22/1968 | Unknown Title | Soprano Sax | 72 bars (6 choruses) piano out on first two |
11/22/1968 | The World Awakes | Soprano Sax | 36 bars (3 choruses) exchanges with Ineke (ss 4/ d 8) |
11/22/1968 | The World Awakes | Soprano Sax | 96 bars (8 choruses) |
11/22/1968 | The World Awakes | Soprano Sax | 72 bars (6 choruses) |
11/22/1968 | The World Awakes | Soprano Sax | intro vamp |
02/28/1969 | Cherokee | Tenor Sax | 176 bars (2.75 choruses) 8-bar exchanges with Saudrais |
02/28/1969 | Cherokee | Tenor Sax | 256 bars (4 choruses) |
02/28/1969 | Have You Met Miss Jones? | Soprano Sax | 120 bars (3.75 choruses) 4-bar exchanges with Saudrais |
02/28/1969 | Have You Met Miss Jones? | Soprano Sax | 128 bars (4 choruses) |
02/28/1969 | Have You Met Miss Jones? | Soprano Sax | 112 bars tag ending |
02/28/1969 | Street of Dreams | Soprano Sax | 32 bars (2 choruses) |
02/28/1969 | Street of Dreams | Soprano Sax | 32 bars (2 choruses) and cadenza |
02/28/1969 | Unknown Title | Tenor Sax | 132 bars (11 choruses) piano out on first three |
02/28/1969 | Why Weep? | Tenor Sax | 276 bars (23 choruses) |
02/28/1969 | Why Weep? | Tenor Sax | 360 bars (30 choruses) |
02/28/1969 | The World Awakes | Soprano Sax | 84 bars (7 choruses) exchanges with Saudrais (ss 4/d 8) |
02/28/1969 | The World Awakes | Soprano Sax | intro vamp (48 bars) |
02/28/1969 | The World Awakes | Soprano Sax | 120 bars (10 choruses) piano out on first four |
03/13/1969 | Centre Ville | Tenor Sax | 48 Bars (2 choruses on 24-bar blues form) |
03/13/1969 | Centre Ville | Tenor Sax | 48+ bars to fade out |
03/13/1969 | Easy Living | Soprano Sax | 4-bar intro |
03/13/1969 | Easy Living | Soprano Sax | 32 bars (0.5 chorus – long meter) |
03/13/1969 | Easy Living | Soprano Sax | 16 bars (0.25 chorus – long meter) |
03/13/1969 | I Came from Sunday | Tenor Sax | 54 bars (1.5 choruses) |
03/13/1969 | Lady Gail | Soprano Sax | 44 bars |
03/13/1969 | Sauvabelin | Tenor Sax | 72 bars (3 choruses on 24-bar blues form) |
03/13/1969 | Sauvabelin | Tenor Sax | 170+ bars to fade out |
03/13/1969 | Soul City | Soprano Sax | 48 bars (2 choruses) in 3/4 |
03/13/1969 | Soul City | Soprano Sax | 48+ bars to fade out in 3/4 |
03/13/1969 | Street of Dreams | Soprano Sax | 16 bars (1 chorus) |
03/13/1969 | Street of Dreams | Soprano Sax | 8 bars (0.5 chorus) and cadenza |
04/24/1969 | Lucky’s Blues | Soprano Sax | 48 bars (4 choruses) |
04/24/1969 | Lucky’s Blues | Soprano Sax | 46 bars to fade out |
04/24/1969 | Perdido | Tenor Sax | 8 bars first chorus bridge |
04/24/1969 | Perdido | Tenor Sax | 64 bars (2 choruses) |
04/24/1969 | Perdido | Tenor Sax | 8 bars last chorus bridge |
09/12/1969 | Cherokee | Tenor Sax | 192 bars (3 choruses) 8-bar exchanges with Combe |
09/12/1969 | Cherokee | Tenor Sax | 192 bars (3 choruses) |
09/12/1969 | Strike up the Band | Tenor Sax | 144 bars (4.5 choruses) 8-bar exchanges with Combe |
09/12/1969 | Strike up the Band | Tenor Sax | 256 bars (8 choruses) |
10/01/1969 | Body and Soul | Soprano Sax | 64 bars (2 choruses) |
10/01/1969 | Body and Soul | Soprano Sax | 8 bars and cadenza |
10/01/1969 | Cherokee | Tenor Sax | 176 bars (2.75 choruses) 8-bar exchanges with Dabrowski |
10/01/1969 | Cherokee | Tenor Sax | 320 bars (5 choruses) fourth unaccompanied |
10/01/1969 | Now’s the Time | Tenor Sax | 48 bars (4 choruses) exchanges with Dabrowski (ts 4/ d 8) |
10/01/1969 | Now’s the Time | Tenor Sax | 84 bars (7 choruses) |
10/01/1969 | The World Awakes | Soprano Sax | 84 bars (7 choruses) exchanges with Dabrowski (ss 4/d 8) |
10/01/1969 | The World Awakes | Soprano Sax | 26-bar intro vamp |
10/01/1969 | The World Awakes | Soprano Sax | 132 bars (11 choruses) |
10/16/1969 | Body and Soul | Soprano Sax | 32 bars (1 chorus) |
10/16/1969 | Body and Soul | Soprano Sax | 16 bars (0.5 chorus at bridge) and cadenza |
04/25/1970 | Sea Esther | Soprano Sax | 44 bars and cadenza |
05/01/1970 | Blue ‘n’ Boogie | Tenor Sax | 84 bars (7 choruses) piano out on first three |
05/01/1970 | Blue ‘n’ Boogie | Tenor Sax | 48 bars (4 choruses) piano out on first two |
05/01/1970 | Body and Soul | Soprano Sax | 16 bars (0.5 chorus) |
05/01/1970 | Body and Soul | Soprano Sax | 16 bars (0.5 chorus) starting at bridge and cadenza |
05/01/1970 | I Got It Bad and That Ain’t Good | Tenor Sax | 32 bars (1 chorus) |
05/01/1970 | I Got It Bad and That Ain’t Good | Tenor Sax | 16 bars (0.5 chorus) starting at bridge and cadenza |
05/01/1970 | Soul Carnival | Tenor Sax | 72 bars (3 choruses on 24-bar blues form) piano out on first two |
05/01/1970 | Soul Carnival | Tenor Sax | 48+ bars to fade out |
05/01/1970 | Soul’s Nite Out | Tenor Sax | 48 bars (4 choruses on 12-bar blues form) piano out on first two |
05/01/1970 | Spanish Rails | Soprano Sax | 46 bars (3 16-bar choruses minus 2-bar p break) |
05/01/1970 | Spanish Rails | Soprano Sax | 48+ bars to fade out |
05/01/1970 | Spanyola | Soprano Sax | 32 bars (1 chorus) |
05/01/1970 | What’s New? | Soprano Sax | 32 bars (1 chorus) |
05/01/1970 | What’s New? | Soprano Sax | 16 bars (0.5 chorus) starting at bridge and cadenza |
05/01/1970 | When Sunny Gets Blue | Soprano Sax | 32 bars (0.5 chorus – long meter) piano out |
05/01/1970 | When Sunny Gets Blue | Soprano Sax | 16+ bars starting at bridge to fade out |
05/01/1970 | The World Awakes | Soprano Sax | 16-bar intro vamp |
05/01/1970 | The World Awakes | Soprano Sax | 48 bars (4 choruses) piano out on first two |
05/01/1970 | The World Awakes | Soprano Sax | 24+ bars to fade out |
07/28/1970 | Blue Monday | Soprano Sax | 56 bars |
07/28/1970 | Body and Soul | Soprano Sax | 32 bars (1 chorus) |
07/28/1970 | Body and Soul | Soprano Sax | 32 bars (1 chorus) and cadenza |
07/28/1970 | Deserted Flower | Soprano Sax | 48 bars |
07/28/1970 | Soul Carnival | Tenor Sax | 168 bars (7 choruses on 24-bar blues form) |
07/28/1970 | Soul Carnival | Tenor Sax | 240 bars (10 choruses) exchanges with Johansen |
07/28/1970 | Soul-lite | Tenor Sax | 48 bars (4 choruses on 12-bar blues form) |
07/28/1970 | Unknown Title | Soprano Sax | 96 bars (8 choruses) |
07/28/1970 | Unknown Title | Soprano Sax | 72 bars (6 choruses) exchanges with Martinez and Johansen (ts 4/per 8) |
07/28/1970 | The World Awakes | Soprano Sax | 72 bars (6 choruses) |
07/28/1970 | The World Awakes | Soprano Sax | 72 bars (6 choruses) exchanges with Martinez (ss 4/bgo 8) |
12/15/1971 | Blue ‘n’ Boogie | Tenor Sax | 24 bars (2 choruses) exchanges with Gant (ts 4, d 8) |
12/15/1971 | Blue ‘n’ Boogie | Tenor Sax | 48 bars (4 choruses) piano out on first two |
12/15/1971 | Lover Man | Soprano Sax | 16 bars (0.5 chorus) |
12/15/1971 | Lover Man | Soprano Sax | 16 bars (0.5 chorus) starting at bridge and cadenza |
12/15/1971 | On Green Dolphin Street | Soprano Sax | 16 bars (0.5 chorus) 4-bar exchanges with Gant |
12/15/1971 | On Green Dolphin Street | Soprano Sax | 32 bars (1 chorus) |
01/01/1972 | Back to the World | Tenor Sax | 120+ bars to fade out |
01/01/1972 | Fillet of Soul | Tenor Sax | 64 bars |
01/01/1972 | Fillet of Soul | Tenor Sax | 64+ bars to fade out |
01/01/1972 | Home Come’N | Tenor Sax | 88 bars (2 choruses of 12+12+8+12 blues with bridge form) |
01/01/1972 | Home Come’N | Tenor Sax | 44 bars (1 chorus of 12+12+8+12 blues with bridge form) |
01/01/1972 | Lazy Day | Tenor Sax | 48 bars (1.5 choruses) last 16 bars starting at bridge) |
01/01/1972 | Soul Lullaby | Tenor Sax | 8 bar intro |
01/01/1972 | Soul Lullaby | Tenor Sax | 46 bars in 3/4 |
01/01/1972 | Tea Time | Soprano Sax | 32 bars (1 chorus) |
01/01/1972 | Tea Time | Soprano Sax | 28 bar vamp |
01/01/1972 | Then Soul Walked In | Soprano Sax | 48 bars (2 choruses of 24-bar blues in 3/4) piano out on first |
01/01/1972 | Then Soul Walked In | Soprano Sax | 48+ bars to fade out |
10/13/1972 | Cherokee | Soprano Sax | 8-bar intro |
10/13/1972 | Cherokee | Soprano Sax | 64 bars (1 chorus) |
10/13/1972 | Cherokee | Soprano Sax | 128+ bars to cut off |
10/13/1972 | Everything Happens to Me | Soprano Sax | 32 bars (1 chorus) |
10/13/1972 | Everything Happens to Me | Soprano Sax | 16 bars (0.5 chorus) starting at bridge and cadenza |
10/13/1972 | On Green Dolphin Street | Soprano Sax | 96 bars (3 choruses) elp out on first) |
10/13/1972 | On Green Dolphin Street | Soprano Sax | 48 bars (1.5 choruses) |
01/01/1973 | Aliyah | Soprano Sax | 74 bars |
01/01/1973 | Back Home from Yesterday | Soprano Sax | 32 bars |
01/01/1973 | Back Home from Yesterday | Soprano Sax | 16+ bars to fade out |
01/01/1973 | Cherokee | Tenor Sax | 8 bar intro |
01/01/1973 | Cherokee | Tenor Sax | 64 bars (1 chorus) |
01/01/1973 | Cherokee | Tenor Sax | 156+ bars to fade out |
01/01/1973 | The Moment of Truth | Soprano Sax | 68 bars (1 chorus) |
01/01/1973 | The Moment of Truth | Soprano Sax | 62+ bars to fade out |
01/01/1973 | Munsoon | Tenor Sax | 120+ bars to fade out (piano out on first 40 bars) |
01/01/1973 | Sun Out | Soprano Sax | 48 bars |
01/01/1973 | Sun Out | Soprano Sax | 36+ bars to fade out |
01/01/1973 | Yesterday’s Child | Tenor Sax | 40 bars |