Recording Date |
Song Title |
Instrument |
Duration |
11/12/1943 |
She’s Funny that Way |
Tenor Sax |
8 bars bridge |
03/08/1944 |
The Blues Jumped a Rabbit (The Blues Jumped the Rabbit, Bag O’ Bones) |
Tenor Sax |
12 bars (1 chorus) |
03/08/1944 |
The Blues Jumped a Rabbit (The Blues Jumped the Rabbit, Bag O’ Bones) |
Tenor Sax |
12 bars (1 chorus) |
03/08/1944 |
My Gal Is Gone (Cryin’ Won’t Bring Her Back) |
Tenor Sax |
obbligato behind 48-bar (4 choruses) Page vocal |
03/08/1944 |
My Gal Is Gone (Cryin’ Won’t Bring Her Back) |
Tenor Sax |
12 bars (1 chorus) |
03/08/1944 |
My Gal Is Gone (Cryin’ Won’t Bring Her Back) |
Tenor Sax |
obbligato behind 48-bar (4 choruses) Page vocal |
03/08/1944 |
My Gal Is Gone (Cryin’ Won’t Bring Her Back) |
Tenor Sax |
12 bars (1 chorus) |
03/08/1944 |
Rockin’ at Ryan’s |
Tenor Sax |
24 bars (2 choruses) |
03/08/1944 |
Rockin’ at Ryan’s |
Tenor Sax |
24 bars (2 choruses) |
03/08/1944 |
You’d Be Frantic Too (Frantic Blues) |
Tenor Sax |
obbligato behind 36-bar (3 choruses) Page vocal |
03/08/1944 |
You’d Be Frantic Too (Frantic Blues) |
Tenor Sax |
12 bars (1 chorus) |
03/08/1944 |
You’d Be Frantic Too (Frantic Blues) |
Tenor Sax |
obbligato behind 36-bar (3 choruses) Page vocal |
03/08/1944 |
You’d Be Frantic Too (Frantic Blues) |
Tenor Sax |
12 bars (1 chorus) |
05/26/1944 |
I Can’t See for Lookin’ |
Tenor Sax |
8 bars bridge |
11/30/1944 |
Gee Baby, Ain’t I Good to You |
Tenor Sax |
8 bars |
11/30/1944 |
It Ain’t Like That |
Tenor Sax |
32 bars (1 chorus) |
12/06/1944 |
Taps Miller |
Tenor Sax |
8 bars |
12/23/1944 |
Blue Room Jump |
Tenor Sax |
62 bars |
12/23/1944 |
One O’Clock Jump |
Tenor Sax |
|
Late 1944 |
Body and Soul |
Tenor Sax |
64 bars (2 choruses) |
Late 1944 |
Body and Soul |
Tenor Sax |
16 bars and cadenza starting at bridge |
Late 1944 |
Cherokee |
Tenor Sax |
36 bars then stops playing on the bridge and Byas takes over |
Late 1944 |
Cherokee |
Tenor Sax |
192 bars (3 choruses) |
Late 1944 |
Cherokee |
Tenor Sax |
8 bars |
Late 1944 |
Variation on Rockin’ in Rhythm |
Tenor Sax |
64 bars (2 choruses) |
Late 1944 |
Crazy Rhythm |
Tenor Sax |
64 bars (2 choruses) |
Late 1944 |
Crazy Rhythm |
Tenor Sax |
24 bars (0.75 choruses) |
Late 1944 |
Lullaby in Rhythm |
Tenor Sax |
48 bars (1.5 choruses) |
Late 1944 |
Lullaby in Rhythm |
Tenor Sax |
32 bars (1 chorus) |
Late 1944 |
Lullaby in Rhythm |
Tenor Sax |
8 bars bridge |
Late 1944 |
What Is this Thing Called Love |
Tenor Sax |
112 bars (3.5 choruses) entering at bridge – solo stops for a few bars at one point |
12/26/1944 |
All the Things You Are |
Tenor Sax |
72 bars (2 choruses) |
12/26/1944 |
All the Things You Are |
Tenor Sax |
36 bars (1 chorus) |
12/26/1944 |
Test Pilots (Test Pilot, Flyin’ Blind) |
Tenor Sax |
96 bars (3 choruses) |
12/27/1944 |
Jumpin’ at the Woodside |
Tenor Sax |
|
01/11/1945 |
On the Upbeat |
Tenor Sax |
20 bars |
01/11/1945 |
Taps Miller |
Tenor Sax |
20 bars |
01/12/1945 |
Swingin’ the Blues |
Tenor Sax |
|
01/25/1945 |
Paging Mr. Green |
Tenor Sax |
|
01/31/1945 |
Avenue C |
Tenor Sax |
24 bars (2 choruses) |
01/31/1945 |
I’m Fer It Too |
Tenor Sax |
24 bars (2 choruses) |
01/31/1945 |
Taps Miller |
Tenor Sax |
20 bars |
01/31/1945 |
Unknown Title |
Tenor Sax |
|
02/02/1945 |
Hey! Rube |
Tenor Sax |
|
02/02/1945 |
Together |
Tenor Sax |
|
02/04/1945 |
Aces and Faces |
Tenor Sax |
16 bars starting at bridge |
02/05/1945 |
Blue Room Jump |
Tenor Sax |
48 bars (4 choruses) |
02/05/1945 |
I’m Confessin’ (That I Love You) |
Tenor Sax |
|
02/13/1945 |
I’m Fer It Too |
Tenor Sax |
12 bars |
02/26/1945 |
Avenue C |
Tenor Sax |
24 bars (2 choruses) |
02/26/1945 |
Avenue C |
Tenor Sax |
24 bars (2 choruses) |
02/26/1945 |
Avenue C |
Tenor Sax |
24 bars (2 choruses) |
02/26/1945 |
Avenue C |
Tenor Sax |
24 bars (2 choruses) |
05/07/1945 |
I’m in the Mood for Love |
Tenor Sax |
16 bars (0.5 chorus) |
05/07/1945 |
Sugar Hips |
Tenor Sax |
16 bars |
05/14/1945 |
B-Flat Blues (B-Flat) |
Tenor Sax |
24 bars |
05/14/1945 |
High Tide (I Ain’t Mad at You) |
Tenor Sax |
16 bars (0.5 chorus) |
05/14/1945 |
Tippin’ on the Q.T. |
Tenor Sax |
8 bars |
06/05/1945 |
B-Flat Blues (B-Flat) |
Tenor Sax |
24 bars |
07/02/1945 |
B-Flat Blues (B-Flat) |
Tenor Sax |
|
07/02/1945 |
Jumpin’ at the Woodside |
Tenor Sax |
|
07/09/1945 |
Andy’s Blues |
Tenor Sax |
36 bars (3 choruses) |
07/15/1945 |
Body and Soul |
Tenor Sax |
64 bars (2 choruses) |
07/15/1945 |
I Got Rhythm |
Tenor Sax |
96 bars (3 choruses) |
07/15/1945 |
Royal Garden Blues |
Tenor Sax |
24 bars (2 choruses) |
07/16/1945 |
Avenue C |
Tenor Sax |
24 bars (2 choruses) |
07/16/1945 |
My, What a Fry |
Tenor Sax |
64 bars (2 choruses) |
07/23/1945 |
High Tide (I Ain’t Mad at You) |
Tenor Sax |
16 bars |
08/08/1945 |
Jumpin’ at Ten |
Tenor Sax |
32 bars (1 chorus) |
08/08/1945 |
Jumpin’ at the Woodside |
Tenor Sax |
128 bars (4 choruses) |
09/01/1945 |
Daddy-O |
Tenor Sax |
4 bars |
09/01/1945 |
Drop Another Nickel in the Juke Box |
Tenor Sax |
16 bars |
09/01/1945 |
Fla-Ga-La-Pa |
Tenor Sax |
16 bars |
09/01/1945 |
Hep Paderewski from Basin Street |
Tenor Sax |
8 bars |
09/10/1945 |
Andy’s Blues |
Tenor Sax |
36 bars (3 choruses) |
09/10/1945 |
Mean to Me |
Tenor Sax |
8 bars bridge |
09/10/1945 |
Rambo |
Tenor Sax |
32 bars (1 chorus) |
09/17/1945 |
I’ve Found a New Baby (I Found a New Baby) |
Tenor Sax |
54 bars |
09/17/1945 |
Taps Miller |
Tenor Sax |
32 bars (1 chorus) |
09/24/1945 |
Jazz Me Blues |
Tenor Sax |
|
09/24/1945 |
Please Don’t Talk About Me When I’m Gone |
Tenor Sax |
8 bars bridge |
09/24/1945 |
Rhythm Man |
Tenor Sax |
|
10/01/1945 |
Tush |
Tenor Sax |
28 bars |
10/02/1945 |
Irresistible You |
Tenor Sax |
32 bars (1 chorus) mostly melody |
10/02/1945 |
Irresistible You |
Tenor Sax |
8 bars bridge |
10/02/1945 |
Irresistible You |
Tenor Sax |
16 bars mostly melody |
10/02/1945 |
No Good Man Blues |
Tenor Sax |
12 bars (1 chorus) |
10/02/1945 |
Phace |
Tenor Sax |
16 bars (0.5 chorus) |
10/02/1945 |
Why Not? |
Tenor Sax |
32 bars (1 chorus) |
10/11/1945 |
Harlem Hunch |
Tenor Sax |
16 bars (0.5 chorus) |
10/11/1945 |
Slim Gaillard’s Boogie |
Tenor Sax |
24 bars (2 choruses) |
10/11/1945 |
Travelin’ Blues |
Tenor Sax |
8 bars |
11/01/1945 |
Baggin’ the Boogie |
Tenor Sax |
12 bars (1 chorus) |
11/01/1945 |
Bee Boogie Boo |
Tenor Sax |
24 bars (2 choruses) |
11/01/1945 |
Stormy Mood |
Tenor Sax |
12 bars (1 chorus) |
11/01/1945 |
Voot Rhythm (Vout Rhythm) |
Tenor Sax |
24 bars (2 choruses) |
11/02/1945 |
Be-Baba-Le-Ba |
Tenor Sax |
24 bars (2 choruses) |
11/02/1945 |
Don’t Drive This Jive Away |
Tenor Sax |
12 bars (1 chorus) |
11/02/1945 |
Rhythm in a Riff |
Tenor Sax |
32 bars (1 chorus) |
11/12/1945 |
I’ve Found a New Baby (I Found a New Baby) |
Tenor Sax |
32 bars (1 chorus) |
11/12/1945 |
I’ve Found a New Baby (I Found a New Baby) |
Tenor Sax |
32 bars (1 chorus) |
11/12/1945 |
I’ve Found a New Baby (I Found a New Baby) |
Tenor Sax |
32 bars (1 chorus) |
11/12/1945 |
Lover Come Back to Me |
Tenor Sax |
128 bars (2 choruses) |
11/12/1945 |
Windjammer |
Tenor Sax |
8 bars bridge |
11/12/1945 |
Windjammer |
Tenor Sax |
8 bars bridge |
11/28/1945 |
Hey, Hey, Hey, Baby |
Tenor Sax |
24 bars (2 choruses) |
11/28/1945 |
I’ll Be True |
Tenor Sax |
16 bars (0.5 chorus) |
11/28/1945 |
Mama Bear Blues |
Tenor Sax |
12 bars (1 chorus) |
11/28/1945 |
Not Worth a Dime |
Tenor Sax |
8 bars |
11/28/1945 |
S.H. Blues |
Tenor Sax |
4-bar intro |
12/01/1945 |
Abernathy’s Boogie |
Tenor Sax |
12 bars (1 chorus) |
12/01/1945 |
Changes |
Tenor Sax |
Obbligato behind Carol |
12/01/1945 |
Changes |
Tenor Sax |
12 bars (1 chorus) |
12/01/1945 |
Cherokee |
Tenor Sax |
8-bar intro |
12/01/1945 |
Cherokee |
Tenor Sax |
128 bars (2 choruses) |
12/01/1945 |
The Hour of Parting |
Tenor Sax |
10 bars |
12/01/1945 |
I Want to Love and Be Loved |
Tenor Sax |
4 bars (2 + 2) |
12/01/1945 |
I Want to Love and Be Loved |
Tenor Sax |
4 bars (2 + 2) |
12/01/1945 |
Jumpin’ at the Jubilee |
Tenor Sax |
16 bars |
12/01/1945 |
Jumpin’ at the Jubilee |
Tenor Sax |
8 bars |
12/01/1945 |
Slowin’ Down the Blues |
Tenor Sax |
12 bars (1 chorus) |
12/09/1945 |
The Eagle Flies |
Tenor Sax |
12 bars |
12/09/1945 |
The Eagle Flies |
Tenor Sax |
34 bars (1 chorus preceded by break) |
12/09/1945 |
A Night in Tunisia |
Tenor Sax |
16 bars (0.5 chorus) starting at bridge |
12/09/1945 |
Tonsillectomy (Tonsilectomy) |
Tenor Sax |
20 bars over 1 chorus |
12/09/1945 |
Yerxa (Elegy Movement from Jitterbug Suite) |
Tenor Sax |
8 bars |
12/10/1945 |
Chewing Woman Blues (Chewin’ Mama Blues) |
Tenor Sax |
12 bars (1 chorus) |
12/10/1945 |
No Voot No Boot |
Tenor Sax |
4-bar intro |
12/10/1945 |
No Voot No Boot |
Tenor Sax |
obbligato behind Washington vocal over 24 bars (2 choruses) |
12/10/1945 |
No Voot No Boot |
Tenor Sax |
12 bars (1 chorus) |
12/12/1945 |
All or Nothing Blues |
Tenor Sax |
12 bars (1 chorus) |
12/12/1945 |
My Lovin’ Papa |
Tenor Sax |
24 bars (2 choruses) |
12/12/1945 |
Rich Man’s Blues |
Tenor Sax |
12 bars (1 chorus) |
12/13/1945 |
Blues for a Day |
Tenor Sax |
4-bar intro |
12/13/1945 |
Blues for a Day |
Tenor Sax |
12 bars (1 chorus) |
12/13/1945 |
Mellow Mama Blues |
Tenor Sax |
12 bars (1 chorus) |
12/13/1945 |
My Voot Is Really Vout |
Tenor Sax |
12 bars (1 chorus) |
12/15/1945 |
Are You Livin’ Old Man |
Tenor Sax |
18 bars |
12/15/1945 |
Blue Echoes |
Tenor Sax |
8 bars (4+4) |
12/15/1945 |
Blue Prelude |
Tenor Sax |
10 bars |
12/15/1945 |
Boyd’s Nest |
Tenor Sax |
24 bars (2 choruses) |
12/15/1945 |
Concerto for Duke |
Tenor Sax |
4 bars |
12/15/1945 |
Concerto for Duke |
Tenor Sax |
8 bars (bridge of “It Don’t Mean a Thing”) |
12/15/1945 |
High Tide (I Ain’t Mad at You) |
Tenor Sax |
16 bars (0.5 chorus) starting at bridge |
12/15/1945 |
How Deep Is the Ocean? |
Tenor Sax |
8 bars |
12/15/1945 |
Tonsillectomy (Tonsilectomy) |
Tenor Sax |
20 bars over 1 chorus |
12/15/1945 |
Tush |
Tenor Sax |
16 bars (4X4) |
12/15/1945 |
Yerxa (Elegy Movement from Jitterbug Suite) |
Tenor Sax |
8 bars |
01/01/1946 |
Chicken Rhythm |
Tenor Sax |
16 bars (0.5 chorus) |
01/01/1946 |
I Got My Money Blues |
Tenor Sax |
obbligato behind 24-bar (2 choruses) Criner vocal |
01/01/1946 |
Mean Pretty Mama |
Tenor Sax |
12 bars (1 chorus) |
01/01/1946 |
Railroad Man |
Tenor Sax |
36 bars (3 choruses) |
01/01/1946 |
Santa Monica Jump |
Tenor Sax |
32 bars (1 chorus) |
01/01/1946 |
School Kids’ Hop (Schoolkids Hop) |
Tenor Sax |
16 bars (0.5 chorus) |
01/11/1946 |
How High the Moon |
Tenor Sax |
64 bars (2 choruses) |
01/11/1946 |
How High the Moon |
Tenor Sax |
34 bars |
01/11/1946 |
I Surrender Dear |
Tenor Sax |
32 bars (1 chorus) and cadenza |
01/31/1946 |
Frantic Blues |
Tenor Sax |
12 bars (1 chorus) |
01/31/1946 |
I’m Gonna See My Baby |
Tenor Sax |
8 bars |
01/31/1946 |
Night and Day |
Tenor Sax |
8 bars |
01/31/1946 |
Shuffle Bass Boogie |
Tenor Sax |
12 bars (1 chorus) |
01/31/1946 |
Weird Nightmare |
Tenor Sax |
16 bars (0.5 chorus) starting at bridge |
02/01/1946 |
Boyd Meets Stravinsky |
Tenor Sax |
24 bars (2 choruses) |
02/01/1946 |
Two Spoos in an Igloo |
Tenor Sax |
16 bars (0.5 chorus) |
02/04/1946 |
Diggin’ for Diz (Diggin’ Diz) |
Tenor Sax |
16 bars (0.25 chorus) |
02/06/1946 |
Confirmation |
Tenor Sax |
16 bars (0.5 chorus) starting at bridge |
02/06/1946 |
Diggin’ for Diz (Diggin’ Diz) |
Tenor Sax |
16 bars bridge |
02/06/1946 |
Dizzy Atmosphere (Dynamo, Dynamo A, Dynamo B) |
Tenor Sax |
32 bars (1 chorus) |
02/06/1946 |
Dizzy Atmosphere (Dynamo, Dynamo A, Dynamo B) |
Tenor Sax |
32 bars (1 chorus) |
02/06/1946 |
‘Round Midnight |
Tenor Sax |
8 bars bridge |
02/06/1946 |
‘Round Midnight |
Tenor Sax |
8 bars bridge |
02/06/1946 |
When I Grow Too Old to Dream |
Tenor Sax |
12 bars |
02/15/1946 |
Baranco Boogie |
Tenor Sax |
24 bars (2 choruses) |
02/15/1946 |
Bugle Call Rag |
Tenor Sax |
18 bars |
02/15/1946 |
Night and Day |
Tenor Sax |
8 bars |
02/17/1946 |
I’m a Lovin’ Man |
Tenor Sax |
24 bars (2 choruses) simultaneously with Buckner |
02/17/1946 |
I’m a Lovin’ Man |
Tenor Sax |
36 bars (3 choruses) |
March or April 1946 |
Baby, Then I Don’t Want Love |
Tenor Sax |
4-bar stop-time intro |
March or April 1946 |
Baby, Then I Don’t Want Love |
Tenor Sax |
8 bars bridge |
March or April 1946 |
Cat and the Fiddle |
Tenor Sax |
16 bars (0.5 chorus) |
March or April 1946 |
Cat and the Fiddle |
Tenor Sax |
8 bars |
March or April 1946 |
Cat and the Fiddle |
Tenor Sax |
2 bars coda |
March or April 1946 |
I Need a Knife, Fork and a Spoon |
Tenor Sax |
16 bars (0.5 chorus) |
March or April 1946 |
I Need a Knife, Fork and a Spoon |
Tenor Sax |
8 bars |
March or April 1946 |
I Need a Knife, Fork and a Spoon |
Tenor Sax |
8 bars coda with Carter vocal |
Spring 1946 |
Chinero |
Tenor Sax |
8 bars |
Spring 1946 |
Snowbound |
Tenor Sax |
obbligato behind Allyn vocal |
Spring 1946 |
Sweet and Lovely |
Tenor Sax |
obbligato behind Allyn vocal (also Hendrickson obbligato) |
Spring 1946 |
Sweet and Lovely |
Tenor Sax |
8 bars bridge |
Spring 1946 |
Sweet and Lovely |
Tenor Sax |
obbligato behind Allyn vocal |
Probably Between March and May 1946 |
Fiesta in Brass |
Tenor Sax |
24 bars (2 choruses) |
Probably Between March and May 1946 |
Hello, Goodbye, Forget It |
Tenor Sax |
8 bars bridge |
Probably Between March and May 1946 |
Skymaster (Rhythm Man) |
Tenor Sax |
16 bars (0.5 chorus) |
Probably Between March and May 1946 |
Step and Fetch It (Stepin Fetchit) |
Tenor Sax |
20 bars |
Probably Between March and May 1946 |
Fiesta in Brass |
Tenor Sax |
24 bars (2 choruses) |
Probably Between March and May 1946 |
Queer Street |
Tenor Sax |
8 bars |
Probably Between March and May 1946 |
Skymaster (Rhythm Man) |
Tenor Sax |
16 bars |
Probably Between March and May 1946 |
Queer Street |
Tenor Sax |
8 bars |
03/28/1946 |
Moose the Mooche |
Tenor Sax |
16 bars (0.5 chorus) starting at bridge |
03/28/1946 |
Moose the Mooche |
Tenor Sax |
16 bars (0.5 chorus) starting at bridge |
03/28/1946 |
Moose the Mooche |
Tenor Sax |
16 bars (0.5 chorus) starting at bridge |
03/28/1946 |
A Night in Tunisia |
Tenor Sax |
16 bars (0.5 chorus) |
03/28/1946 |
A Night in Tunisia |
Tenor Sax |
16 bars (0.5 chorus) |
03/28/1946 |
Ornithology |
Tenor Sax |
32 bars (1 chorus) |
03/28/1946 |
Ornithology |
Tenor Sax |
32 bars (1 chorus) |
03/28/1946 |
Ornithology |
Tenor Sax |
32 bars (1 chorus) |
03/28/1946 |
Yardbird Suite |
Tenor Sax |
16 bars (0.5 chorus) starting at bridge |
03/28/1946 |
Yardbird Suite |
Tenor Sax |
8 bars bridge |
03/28/1946 |
Yardbird Suite |
Tenor Sax |
16 bars (0.5 chorus) |
04/01/1946 |
Body and Soul |
Tenor Sax |
8 bars (4+4 obbligato) |
04/26/1946 |
How Deep Is the Ocean? |
Tenor Sax |
obbligato behind Parrish vocal |
05/01/1946 |
I Gotta Put You Down |
Tenor Sax |
12 bars (1 chorus) |
05/01/1946 |
One O’Clock Boogie |
Tenor Sax |
10 bars |
06/01/1946 |
I Need a Knife, Fork and a Spoon |
Tenor Sax |
16 bars (0.5 chorus) |
06/01/1946 |
I Sold My Heart to the Junk Man |
Tenor Sax |
8 bars bridge |
06/01/1946 |
Voot Nay on the Vot Nay |
Tenor Sax |
16 bars (0.5 chorus) |
08/01/1946 |
Hot House |
Tenor Sax |
64 bars (2 choruses) |
08/01/1946 |
Lover |
Tenor Sax |
128 bars (2 choruses) |
08/01/1946 |
Ornithology |
Tenor Sax |
96 bars (3 choruses) |
08/01/1946 |
Wee (Allen’s Alley) |
Tenor Sax |
96 bars (3 choruses) |
08/15/1946 |
Why Should I Remember? |
Tenor Sax |
8 bars |
08/16/1946 |
Clinchin’ with Tom |
Tenor Sax |
32 bars (1 chorus) |
08/16/1946 |
Lover |
Tenor Sax |
64 bars starting at bridge |
09/05/1946 |
King Porter Stomp |
Tenor Sax |
16 bars |
09/05/1946 |
Mahogany Hall Stomp |
Tenor Sax |
12 bars (1 chorus) |
09/13/1946 |
Commercial Eyes |
Tenor Sax |
24 bars (2 choruses) |
09/13/1946 |
Dodo’s Bounce |
Tenor Sax |
16 bars (0.5 chorus) |
09/13/1946 |
Dodo’s Lament |
Tenor Sax |
32 bars |
09/13/1946 |
Dodo’s Lament |
Tenor Sax |
10 bars and cadenza |
09/13/1946 |
Schuffle That Ruff (Shuffle That Riff, Shuffle That Ruff) |
Tenor Sax |
48 bars (1.5 choruses) |
09/13/1946 |
Slam’s Mishap |
Tenor Sax |
34 bars |
09/13/1946 |
Smooth Sailing |
Tenor Sax |
48 bars (4 choruses) |
09/21/1946 |
I’m Just a Lucky So and So |
Tenor Sax |
|
09/21/1946 |
Solitude |
Tenor Sax |
8 bars bridge |
10/01/1946 |
A.B.C. Blues |
Tenor Sax |
Thompson obbligato over 24 bars (2 choruses) of Jordan vocal |
10/01/1946 |
Sleepy Time down South |
Tenor Sax |
8 bars bridge |
10/02/1946 |
Empty Bed Blues |
Tenor Sax |
4 bars |
10/02/1946 |
He’s Tall, Dark and Handsome |
Tenor Sax |
16 bars (0.5 chorus) |
11/04/1946 |
Flight of the Vout Bug |
Tenor Sax |
30 bars |
11/04/1946 |
It Shouldn’t Happen to a Dream |
Tenor Sax |
8 bars bridge |
12/01/1946 |
Drop Dead |
Tenor Sax |
12 bars (1 chorus on blues form although composition is not) |
12/28/1946 |
Josefine (Josephine) |
Tenor Sax |
16 bars (0.5 chorus) |
12/29/1946 |
Ain’t Got No Loot |
Tenor Sax |
16 bars (0.5 chorus) |
12/29/1946 |
For You |
Tenor Sax |
16 bars and cadenza |
01/01/1947 |
Chelsea Bridge |
Tenor Sax |
4 bars obbligato |
01/01/1947 |
Take the “A” Train |
Tenor Sax |
32 bars (1 chorus) |
01/18/1947 |
Jeep’s Blues |
Tenor Sax |
8 bars |
01/18/1947 |
Rhapsody in Blue |
Tenor Sax |
8 bars alternating 2s with Carpenter |
01/18/1947 |
Things Ain’t What They Used to Be |
Tenor Sax |
12 bars (1 chorus) |
01/18/1947 |
Yesterdays |
Tenor Sax |
16 bars |
04/20/1947 |
Daydream (Day Dream) |
Tenor Sax |
8 bars (could be Corcoran) |
04/22/1947 |
Boppin’ the Blues |
Tenor Sax |
60 bars (5 choruses) |
04/22/1947 |
Boulevard Bounce |
Tenor Sax |
4-bar intro |
04/22/1947 |
Boulevard Bounce |
Tenor Sax |
4-bar intro |
04/22/1947 |
From Dixieland to Bebop (Condon Meets Gillespie) |
Tenor Sax |
64 bars (2 choruses) |
04/22/1947 |
Just One More Chance |
Tenor Sax |
52 bars and cadenza |
05/15/1947 |
Just You, Just Me |
Tenor Sax |
64 bars (2 choruses) |
05/20/1947 |
Blue Rhythm Be-Bop |
Tenor Sax |
16 bars (0.5 chorus) |
05/20/1947 |
Blue Rhythm Be-Bop |
Tenor Sax |
16 bars (0.5 chorus) |
05/20/1947 |
Blue Rhythm Blues |
Tenor Sax |
12 bars (1 chorus) |
05/20/1947 |
Blue Rhythm Jam |
Tenor Sax |
32 bars (1 chorus) |
06/07/1947 |
Hickory Dickory Dock |
Tenor Sax |
16 bars (0.5 chorus) |
07/03/1947 |
You Don’t Know What Love Is |
Tenor Sax |
rubato intro |
02/28/1948 |
Body and Soul |
Tenor Sax |
4-bar intro |
02/28/1948 |
Body and Soul |
Tenor Sax |
64 bars (2 choruses) and cadenza |
01/17/1949 |
How High the Moon |
Tenor Sax |
64 bars (2 choruses) |
01/17/1949 |
The Squirrel |
Tenor Sax |
24 bars (2 choruses) |
02/26/1949 |
Half Nelson |
Tenor Sax |
32 bars |
02/26/1949 |
Scrapple from the Apple |
Tenor Sax |
64 bars (2 choruses) |
03/05/1949 |
Anthropology |
Tenor Sax |
96 bars (3 choruses) |
03/05/1949 |
Anthropology |
Tenor Sax |
32 bars (1 chorus) |
03/05/1949 |
Barbados |
Tenor Sax |
36 bars (3 choruses) |
03/05/1949 |
Cheryl |
Tenor Sax |
36 bars (3 choruses) |
03/05/1949 |
Cheryl |
Tenor Sax |
4 bars |
03/12/1949 |
Chasin’ the Bird |
Tenor Sax |
64 bars (2 choruses) piano out on first |
03/12/1949 |
Cheryl |
Tenor Sax |
24 bars (2 choruses) |
09/15/1949 |
Nothin’ from Nothin’ |
Tenor Sax |
28 bars |
09/15/1949 |
Slow Drag |
Tenor Sax |
12 bars (1 chorus) |
04/19/1950 |
If I Knew You Were There |
Tenor Sax |
obbligato behind Hibbler vocal |
04/19/1950 |
If I Knew You Were There |
Tenor Sax |
4 bars bridge |
04/19/1950 |
Song of the Wanderer |
Tenor Sax |
8 bars |
06/01/1950 |
Coolin’ with Collins |
Tenor Sax |
60 bars (5 choruses) |
06/01/1950 |
Over the Rainbow |
Tenor Sax |
48 bars (1.5 choruses) |
06/01/1950 |
Paradise Valley |
Tenor Sax |
16 bars |
06/01/1950 |
Stay in There |
Tenor Sax |
16 bars |
06/01/1950 |
Stay in There |
Vocalist |
with ensemble vocal |
06/01/1950 |
Stay in There |
Vocalist |
with ensemble vocal |
06/16/1950 |
Rockaway Blues |
Tenor Sax |
12 bars (1 chorus) |
06/16/1950 |
Rockaway Blues |
Tenor Sax |
12 bars (1 chorus) |
12/09/1950 |
This Is Jazz |
Tenor Sax |
32 bars (1 chorus) |
12/09/1950 |
This Is Jazz |
Tenor Sax |
8 bars last chorus bridge |
12/14/1950 |
Byas a Drink |
Tenor Sax |
16 bars (0.5 chorus) |
12/14/1950 |
Don’cha Go ‘Way Mad (Black Velvet) |
Tenor Sax |
8 bars bridge |
12/14/1950 |
In a Little Spanish Town |
Tenor Sax |
16 bars (0.5 chorus) |
12/14/1950 |
Rose Room |
Tenor Sax |
16 bars (0.5 chorus) |
12/14/1950 |
Royal Garden Blues |
Tenor Sax |
24 bars (2 choruses) |
12/14/1950 |
Royal Garden Blues |
Tenor Sax |
4 bars |
12/14/1950 |
Stardust |
Tenor Sax |
16 bars (0.5 chorus) |
12/18/1950 |
Bugle Call Rag |
Tenor Sax |
24 bars |
12/18/1950 |
Bugle Call Rag |
Tenor Sax |
16 bars |
12/18/1950 |
Bugle Call Rag |
Tenor Sax |
12 bars |
12/18/1950 |
Perdido |
Tenor Sax |
64 bars (2 choruses) |
12/18/1950 |
Perdido |
Tenor Sax |
8 bars last chorus bridge |
12/18/1950 |
Rockin’ in Rhythm |
Tenor Sax |
16 bars |
12/20/1950 |
C Jam Blues |
Tenor Sax |
36 bars (3 choruses) |
12/20/1950 |
Minerva |
Tenor Sax |
16 bars (0.5 chorus) starting at bridge |
12/20/1950 |
Stardust |
Tenor Sax |
16 bars (0.5 chorus) |
12/20/1950 |
Three Buckets of Jive |
Tenor Sax |
24 bars (2 choruses) |
12/21/1950 |
Anything You Want |
Tenor Sax |
8 bars |
12/21/1950 |
Chartreuse |
Tenor Sax |
24 bars |
12/21/1950 |
I’ve Found a New Baby (I Found a New Baby) |
Tenor Sax |
34 bars (2-bar break + 1 chorus) |
12/21/1950 |
Rose Room |
Tenor Sax |
14 bars |
12/21/1950 |
Soft Winds |
Tenor Sax |
60 bars (5 choruses) |
12/21/1950 |
Sometimes I’m Happy |
Tenor Sax |
8 bars |
10/15/1951 |
Coffee and Cigarettes (Thinking It Over) |
Tenor Sax |
4-bar intro |
10/31/1951 |
The Bittersweet |
Tenor Sax |
obbligato behind Allen vocal |
10/31/1951 |
The Bluest Blues |
Tenor Sax |
14 bars |
05/30/1952 |
Carolina Moon |
Tenor Sax |
16 bars in 6/4 |
05/30/1952 |
Hornin’ In |
Tenor Sax |
16 bars (0.5 chorus) |
05/30/1952 |
Hornin’ In |
Tenor Sax |
16 bars (0.5 chorus) |
05/30/1952 |
Let’s Cool One |
Tenor Sax |
16 bars (0.5 chorus) |
05/30/1952 |
Sixteen |
Tenor Sax |
32 bars (2 choruses) |
05/30/1952 |
Sixteen |
Tenor Sax |
32 bars (2 choruses) |
05/30/1952 |
Skippy |
Tenor Sax |
32 bars (1 chorus) |
05/30/1952 |
Skippy |
Tenor Sax |
32 bars (1 chorus) |
08/01/1952 |
Solitude |
Tenor Sax |
obbligati behind Scott |
08/14/1953 |
Flamingo |
Tenor Sax |
40 bars (1 chorus and coda) |
08/14/1953 |
The Scene Is Clean |
Tenor Sax |
120 bars (8-bar break + 3.5 choruses) |
03/02/1954 |
Bunny |
Tenor Sax |
28 bars (1 chorus less 4-bar ensemble sendoff) |
03/02/1954 |
Little Boy Blow |
Tenor Sax |
12 bars (3X4) |
03/02/1954 |
Little Boy Blow |
Tenor Sax |
32 bars (1 chorus) |
03/02/1954 |
Moonlight in Vermont |
Tenor Sax |
34 bars (1 chorus) |
03/02/1954 |
Moonlight in Vermont |
Tenor Sax |
18 bars starting from bridge |
03/02/1954 |
The Night Hawk |
Tenor Sax |
8 bars bridge |
04/29/1954 |
Blue ‘n’ Boogie |
Tenor Sax |
136 bars (12 choruses less 2X4-bar ensemble sendoffs on first 2 choruses |
04/29/1954 |
Walkin’ (Gravy) |
Tenor Sax |
120 bars (10 choruses) |
05/24/1954 |
Rhumba-Finale |
Tenor Sax |
36 bars (3 choruses) on blues form |
06/02/1954 |
Cat Meets Chick |
Tenor Sax |
16 bars (0.5 chorus) |
06/02/1954 |
The Man I Love |
Tenor Sax |
64 bars (1 chorus) extended form |
09/15/1954 |
Cool Eyes |
Tenor Sax |
20 bars alternating with ensemble |
09/15/1954 |
Pile Driver |
Tenor Sax |
24 bars (2 choruses) |
10/01/1954 |
After You’ve Gone |
Tenor Sax |
40 bars |
10/01/1954 |
Blue and Esoteric |
Tenor Sax |
12 bars (1 chorus) |
10/01/1954 |
Blue and Esoteric |
Tenor Sax |
36 bars (3 choruses) |
10/01/1954 |
Easy to Love |
Tenor Sax |
16 bars over 1 chorus |
10/01/1954 |
Ever so Easy |
Tenor Sax |
64 bars (2 choruses) |
10/01/1954 |
A Hundred Years from Today |
Tenor Sax |
10 bars |
10/01/1954 |
Kamman’s A’Comin’ |
Tenor Sax |
72 bars (6 choruses) |
10/01/1954 |
Kamman’s A’Comin’ |
Tenor Sax |
84 bars (7 choruses) 4-bar exchanges with Johnson |
10/01/1954 |
Kamman’s A’Comin’ |
Tenor Sax |
44 bars (3+ choruses) 4-bar exchanges with Pettiford |
10/01/1954 |
Lover |
Tenor Sax |
64 bars (1 chorus) |
10/01/1954 |
Lover |
Tenor Sax |
32 bars (0.5 chorus) 2-bar exchanges with Yaged, Teagarden and Braff |
10/01/1954 |
Mr. E-Z |
Tenor Sax |
2 bars intro |
10/01/1954 |
Mr. E-Z |
Tenor Sax |
16 bars (0.5 chorus) |
10/01/1954 |
Mr. E-Z |
Tenor Sax |
32 bars (1 chorus) |
10/01/1954 |
Mr. E-Z |
Tenor Sax |
2 bars coda |
10/01/1954 |
Prelude to a Mood |
Tenor Sax |
24 bars (2 choruses) |
10/01/1954 |
Salute to Charlie Parker |
Tenor Sax |
32 bars (1 chorus) |
10/01/1954 |
St. James Infirmary |
Tenor Sax |
8 bars |
10/01/1954 |
Stars Fell on Alabama |
Tenor Sax |
8 bars |
10/01/1954 |
Tune for Tex |
Tenor Sax |
64 bars (2 choruses) |
10/01/1954 |
Where or When |
Tenor Sax |
20 bars |
10/01/1954 |
Where or When |
Tenor Sax |
12 bars |
10/01/1954 |
Where or When |
Tenor Sax |
56 bars |
12/07/1954 |
Don’t Get Scared (Don’t Be Afraid) |
Tenor Sax |
12 bars (1 chorus) |
12/07/1954 |
Funk Junction |
Tenor Sax |
8 bars |
12/07/1954 |
You’re Crying |
Tenor Sax |
16 bars |
12/07/1954 |
You’re Crying |
Tenor Sax |
8 bars and coda |
03/14/1955 |
Django |
Tenor Sax |
32 bars |
03/14/1955 |
Little David’s Fugue |
Tenor Sax |
44 bars |
03/14/1955 |
Sun Dance |
Tenor Sax |
22 bars |
08/11/1955 |
Embraceable You |
Tenor Sax |
24 bars (0.75 chorus) |
08/11/1955 |
Georgia Mae |
Tenor Sax |
64 bars (2 choruses) |
08/11/1955 |
Lincoln Heights |
Tenor Sax |
64 bars (2 choruses) |
08/11/1955 |
Lover Man |
Tenor Sax |
32 bars (1 chorus) |
08/11/1955 |
Lover Man |
Tenor Sax |
16 bars (0.5 chorus) starting at bridge and cadenza |
08/11/1955 |
Shoe Shine Boy |
Tenor Sax |
64 bars (2 choruses) |
08/11/1955 |
Shoe Shine Boy |
Tenor Sax |
2-bar break on coda |
08/11/1955 |
Shoe Shine Boy |
Tenor Sax |
64 bars (2 choruses) |
08/11/1955 |
Shoe Shine Boy |
Tenor Sax |
2-bar break on coda |
08/12/1955 |
Hear Ye! Hear Ye! |
Tenor Sax |
32 bars (1 chorus) |
08/12/1955 |
Little Beaver |
Tenor Sax |
48 bars (4 choruses) |
08/12/1955 |
You Don’t Know What Love Is |
Tenor Sax |
16 bars (0.5 chorus) |
11/18/1955 |
Midsömmer |
Tenor Sax |
18 bars |
11/18/1955 |
Turnpike |
Tenor Sax |
64 bars (2 choruses) |
11/19/1955 |
Bone Brother |
Tenor Sax |
30 bars |
11/19/1955 |
Count ‘Em |
Tenor Sax |
24 bars (2 choruses) |
01/05/1956 |
Come Rain or Come Shine |
Tenor Sax |
32 bars (1 chorus) |
01/05/1956 |
Flamingo |
Tenor Sax |
32 bars (1 chorus) |
01/05/1956 |
Fred’s Mood |
Tenor Sax |
72 bars (6 choruses) |
01/05/1956 |
Fred’s Mood |
Tenor Sax |
48 bars (4 choruses) 4-bar exchanges with Clarke alternating with Jackson |
01/05/1956 |
Soulful |
Tenor Sax |
60 bars (5 choruses) |
01/05/1956 |
They Can’t Take That Away from Me |
Tenor Sax |
36 bars (1 chorus) |
01/05/1956 |
Wild Man |
Tenor Sax |
72 bars (6 choruses) |
01/17/1956 |
Bright Blues |
Tenor Sax |
48 bars (4 choruses) |
01/17/1956 |
Hello |
Tenor Sax |
obbligato behind 48-bar (1.5 choruses) Jackson statement of theme |
01/17/1956 |
Hello |
Tenor Sax |
8 bars bridge |
01/17/1956 |
Hello |
Tenor Sax |
obbligato behind 8-bar Jackson statement of theme |
01/17/1956 |
How High the Moon |
Tenor Sax |
64 bars (2 choruses) |
01/23/1956 |
Angel Face |
Tenor Sax |
8 bars bridge with Jackson obbligato |
01/23/1956 |
Angel Face |
Tenor Sax |
16 bars (0.5 chorus) |
01/23/1956 |
Angel Face |
Tenor Sax |
8 bars |
01/23/1956 |
The Lady Is a Tramp |
Tenor Sax |
96 bars (2 choruses) |
01/23/1956 |
The Lady Is a Tramp |
Tenor Sax |
80 bars 4-bar exchanges with Clarke alternating with Jackson |
01/23/1956 |
Lover |
Tenor Sax |
128 bars (2 choruses) |
01/23/1956 |
Minor Conception |
Tenor Sax |
96 bars (3 choruses) |
01/23/1956 |
Minor Conception |
Tenor Sax |
64 bars (2 choruses) 8-bar exchanges with Jackson |
01/23/1956 |
Minor Conception |
Tenor Sax |
32 bars (1 chorus) 4-bar exchanges with Jackson with only drums |
01/23/1956 |
Minor Conception |
Tenor Sax |
64 bars (2 choruses) 4-bar exchanges with Clarke alternating with Jackson |
01/23/1956 |
Mood Indigo |
Tenor Sax |
32 bars (1 chorus) |
01/23/1956 |
Now’s the Time |
Tenor Sax |
72 bars (6 choruses) |
01/23/1956 |
Sometimes I’m Happy |
Tenor Sax |
64 bars (2 choruses) |
01/23/1956 |
Soul in 3/4 |
Tenor Sax |
48 bars (4 choruses) in 3/4 |
01/23/1956 |
What’s New? |
Tenor Sax |
32 bars (1 chorus) |
01/23/1956 |
What’s New? |
Tenor Sax |
8 bars and cadenza |
01/24/1956 |
Bo-Bi My Boy |
Tenor Sax |
72 bars (6 choruses) |
01/24/1956 |
Body and Soul |
Tenor Sax |
64 bars (2 choruses) |
01/24/1956 |
Body and Soul |
Tenor Sax |
8 bars |
01/24/1956 |
OP Meets LT |
Tenor Sax |
96 bars (3 choruses) |
01/24/1956 |
Tricotism (Tricrotism, Tractatism) |
Tenor Sax |
64 bars (2 choruses) guitar out on first |
01/24/1956 |
Tricotism (Tricrotism, Tractatism) |
Tenor Sax |
24 bars (0.75 chorus) |
01/30/1956 |
Deep Passion |
Tenor Sax |
64 bars (2 choruses) and cadenza |
01/30/1956 |
Old Reliable |
Tenor Sax |
36 bars (3 choruses) |
01/30/1956 |
Tom-Kattin’ |
Tenor Sax |
64 bars (2 choruses) |
01/30/1956 |
Translation |
Tenor Sax |
32 bars (1 chorus) |
02/05/1956 |
Blues in A-Flat |
Tenor Sax |
168 bars (14 choruses) |
02/05/1956 |
Lester Leaps In |
Tenor Sax |
256 bars (8 choruses) piano out |
02/05/1956 |
Rifftide (Hackensack) |
Tenor Sax |
288 bars (9 choruses) |
02/05/1956 |
Rifftide (Hackensack) |
Tenor Sax |
128 bars (4 choruses) 8-bar exchanges with Sims and Truitt |
02/05/1956 |
Tricotism (Tricrotism, Tractatism) |
Tenor Sax |
96 bars (3 choruses) |
02/05/1956 |
Tricotism (Tricrotism, Tractatism) |
Tenor Sax |
64 bars (2 choruses) |
02/14/1956 |
Jessica’s Day |
Tenor Sax |
8 bars first chorus bridge |
02/14/1956 |
Sometimes I’m Happy |
Tenor Sax |
16 bars (0.5 chorus) |
02/22/1956 |
A Minor Delight |
Tenor Sax |
48 bars (4 choruses) |
02/22/1956 |
One Cool Night |
Tenor Sax |
64 bars (2 choruses) |
02/22/1956 |
One Cool Night |
Tenor Sax |
64 bars (2 choruses) |
02/22/1956 |
Sophisticated Lady |
Tenor Sax |
32 bars (1 chorus) |
02/22/1956 |
Takin’ Care ‘o Business (Takin’ Care ‘n Business) |
Tenor Sax |
72 bars (6 choruses) |
02/22/1956 |
Takin’ Care ‘o Business (Takin’ Care ‘n Business) |
Tenor Sax |
72 bars (6 choruses) |
02/22/1956 |
Thin Ice |
Tenor Sax |
8 bars bridge |
02/22/1956 |
Thin Ice |
Tenor Sax |
192 bars (6 choruses) |
02/22/1956 |
Thin Ice |
Tenor Sax |
8 bars bridge |
02/22/1956 |
Thin Ice |
Tenor Sax |
8 bars bridge |
02/22/1956 |
Thin Ice |
Tenor Sax |
256 bars (8 choruses) |
02/22/1956 |
Thin Ice |
Tenor Sax |
8 bars bridge |
03/05/1956 |
G et B (G and B) |
Tenor Sax |
32 bars (1 chorus) |
03/05/1956 |
Marcel Le Fourreur (Marcel the Furrier) |
Tenor Sax |
40 bars |
03/05/1956 |
Marcel Le Fourreur (Marcel the Furrier) |
Tenor Sax |
16 bars |
03/05/1956 |
Souscription |
Tenor Sax |
32 bars (1 chorus) |
03/05/1956 |
Souscription |
Tenor Sax |
32 bars (1 chorus) |
03/07/1956 |
Gone with the Wind |
Tenor Sax |
32 bars (1 chorus) |
03/07/1956 |
Gone with the Wind |
Tenor Sax |
32 bars (1 chorus) |
03/07/1956 |
Influence |
Tenor Sax |
32 bars (1 chorus) |
03/07/1956 |
Influence |
Tenor Sax |
16 bars (0.5 chorus) starting from bridge |
03/07/1956 |
The Man I Love |
Tenor Sax |
32 bars (1 chorus) |
03/07/1956 |
The Man I Love |
Tenor Sax |
16 bars (0.5 chorus) starting from bridge and cadenza |
03/07/1956 |
Meet Quincy Jones |
Tenor Sax |
32 bars (1 chorus) |
03/07/1956 |
Meet Quincy Jones |
Tenor Sax |
30 bars (0.5 chorus) starting from bridge |
03/07/1956 |
There’s No You |
Tenor Sax |
32 bars (1 chorus) |
03/07/1956 |
There’s No You |
Tenor Sax |
16 bars (0.5 chorus) starting from bridge and cadenza |
03/07/1956 |
Tight Squeeze |
Tenor Sax |
48 bars (4 choruses) piano out on first two |
03/14/1956 |
But Not for Me |
Tenor Sax |
32 bars (1 chorus) |
03/14/1956 |
But Not for Me |
Tenor Sax |
16 bars (0.5 chorus) |
03/14/1956 |
Don’t Blame Me |
Tenor Sax |
32 bars (1 chorus) |
03/14/1956 |
Don’t Blame Me |
Tenor Sax |
14 bars starting at bridge and cadenza |
03/14/1956 |
Indian Summer |
Tenor Sax |
32 bars (1 chorus) |
03/14/1956 |
Indian Summer |
Tenor Sax |
16 bars (0.5 chorus) |
03/14/1956 |
Our Love Is Here to Stay |
Tenor Sax |
64 bars (2 choruses) |
03/14/1956 |
Our Love Is Here to Stay |
Tenor Sax |
16 bars (0.5 chorus) |
03/14/1956 |
Undecided |
Tenor Sax |
64 bars (2 choruses) |
03/14/1956 |
Undecided |
Tenor Sax |
24 bars |
03/14/1956 |
You Go to My Head |
Tenor Sax |
24 bars |
03/14/1956 |
You Go to My Head |
Tenor Sax |
14 bars |
03/24/1956 |
East of the Sun |
Tenor Sax |
36 bars (1 chorus) |
03/24/1956 |
East of the Sun |
Tenor Sax |
8 bars |
03/24/1956 |
I Can’t Give You Anything but Love |
Tenor Sax |
32 bars (1 chorus) |
03/24/1956 |
I Can’t Give You Anything but Love |
Tenor Sax |
24 bars |
03/24/1956 |
I Cover the Waterfront |
Tenor Sax |
48 bars (1.5 choruses) and cadenza |
03/24/1956 |
Lullaby in Rhythm |
Tenor Sax |
32 bars (1 chorus) |
03/24/1956 |
Lullaby in Rhythm |
Tenor Sax |
64 bars (2 choruses) |
03/24/1956 |
My Funny Valentine |
Tenor Sax |
rubato with only piano |
03/24/1956 |
My Funny Valentine |
Tenor Sax |
36 bars |
03/24/1956 |
My Funny Valentine |
Tenor Sax |
rubato with only piano and cadenza |
03/24/1956 |
Tenderly |
Tenor Sax |
32 bars (1 chorus) |
03/24/1956 |
Tenderly |
Tenor Sax |
6 bars and cadenza |
03/27/1956 |
Lucky Strikes |
Tenor Sax |
32 bars (1 chorus) |
03/27/1956 |
My Love Supreme |
Tenor Sax |
32 bars and cadenza |
03/27/1956 |
You Are My Dream |
Tenor Sax |
64 bars (2 choruses) |
03/27/1956 |
You Are My Dream |
Tenor Sax |
48 bars (1.5 choruses) |
03/29/1956 |
Brown Rose (Theme For a Brown Rose) |
Tenor Sax |
32 bars (1 chorus ABA 12+8+12 form) |
03/29/1956 |
Brown Rose (Theme For a Brown Rose) |
Tenor Sax |
8-bar coda |
03/29/1956 |
A Distant Sound |
Tenor Sax |
32 bars (1 chorus) |
03/29/1956 |
Once Upon a Time |
Tenor Sax |
32 bars (1 chorus) |
03/29/1956 |
Portrait of Django |
Tenor Sax |
32 bars and cadenza |
03/29/1956 |
Still Waters |
Tenor Sax |
8-bar interlude |
03/29/1956 |
Still Waters |
Tenor Sax |
32 bars (1 chorus) |
03/29/1956 |
A Sunkissed Rose |
Tenor Sax |
52 bars |
04/05/1956 |
Nothin’ but the Soul |
Tenor Sax |
36 bars (3 choruses) |
04/05/1956 |
Passin’ Time |
Tenor Sax |
64 bars (2 choruses) |
04/05/1956 |
To a Mornin’ Sunrise |
Tenor Sax |
64 bars (2 choruses) and cadenza |
04/05/1956 |
Why Weep? |
Tenor Sax |
96 bars (8 choruses) |
04/16/1956 |
Fascinating Blues |
Tenor Sax |
48 bars (4 choruses) |
04/16/1956 |
Let’s Try Again |
Tenor Sax |
48 bars (4 choruses) |
04/16/1956 |
Lullaby of the Leaves |
Tenor Sax |
62 bars and cadenza |
04/16/1956 |
Stewin’ up a Wig |
Tenor Sax |
80 bars (2.5 choruses) |
04/17/1956 |
Angel Eyes |
Tenor Sax |
48 bars (1.5 choruses) |
04/17/1956 |
But Not for Tonight |
Tenor Sax |
32 bars (1 chorus) |
04/17/1956 |
The Parisian Knights (Parisian Knight) |
Tenor Sax |
32 bars (1 chorus) |
04/17/1956 |
Quick as a Flash |
Tenor Sax |
48 bars (4 choruses) |
04/17/1956 |
Street Scene |
Tenor Sax |
32 bars (1 chorus) |
04/17/1956 |
To You Dear One |
Tenor Sax |
48 bars (1.5 choruses) |
04/18/1956 |
My Heart Speaks |
Tenor Sax |
50 bars |
04/18/1956 |
My Heart Speaks |
Tenor Sax |
8 bars |
04/18/1956 |
Rainbow Inn |
Tenor Sax |
48 bars (1.5 choruses) |
04/18/1956 |
Seeing Is Believing |
Tenor Sax |
84 bars (7 choruses) |
04/18/1956 |
Take Care Beware |
Tenor Sax |
48 bars (4 choruses) |
04/18/1956 |
The World Awakes |
Tenor Sax |
48 bars (4 choruses) |
04/18/1956 |
Yard Bird’s Pet |
Tenor Sax |
64 bars (1 chorus) |
04/18/1956 |
Yard Bird’s Pet |
Tenor Sax |
128 bars (2 choruses) |
04/20/1956 |
One Last Goodbye |
Tenor Sax |
64 bars (2 choruses) |
04/20/1956 |
One Last Goodbye |
Tenor Sax |
8 bars |
04/20/1956 |
Velvet Rain |
Tenor Sax |
32 bars (1 chorus) piano out |
04/20/1956 |
You Move, You Lose |
Tenor Sax |
64 bars (2 choruses) piano out on first |
04/25/1956 |
Everything Happens to Me |
Tenor Sax |
32 bars (1 chorus) |
04/25/1956 |
Everything Happens to Me |
Tenor Sax |
8 bars and cadenza |
04/25/1956 |
Fine and Dandy |
Tenor Sax |
96 bars (3 choruses) piano out on first two |
04/25/1956 |
Fine and Lucky |
Tenor Sax |
128 bars (4 choruses) piano out on first two |
04/25/1956 |
Ow! |
Tenor Sax |
64 bars (2 choruses) piano out on first |
04/25/1956 |
Time on My Hands |
Tenor Sax |
16 bars (0.5 chorus) |
04/25/1956 |
What Is This Thing Called Love? |
Tenor Sax |
64 bars (2 choruses) |
04/25/1956 |
What Is This Thing Called Love? |
Tenor Sax |
8 bars final bridge |
05/11/1956 |
Bluebeard Blues |
Tenor Sax |
44 bars (4 choruses less 4 bars ensemble) |
05/11/1956 |
Easy Going |
Tenor Sax |
8-bar interlude and break |
05/11/1956 |
Easy Going |
Tenor Sax |
64 bars (2 choruses) |
05/11/1956 |
Home Free |
Tenor Sax |
32 bars (1 chorus) |
05/11/1956 |
I Should Care |
Tenor Sax |
32 bars (1 chorus) |
05/11/1956 |
I Should Care |
Tenor Sax |
18 bars and cadenza |
05/11/1956 |
One for the Boys and Us |
Tenor Sax |
60 bars (5 choruses) piano out on some |
05/23/1956 |
Fuego Cubano (Cuban Fire) |
Tenor Sax |
16 bars |
05/23/1956 |
Quien Sabe (Who Knows) |
Tenor Sax |
16 bars |
06/11/1956 |
Deep Passion |
Tenor Sax |
16 bars (0.5 chorus) |
06/11/1956 |
Deep Passion |
Tenor Sax |
8 bars (0.25 chorus) |
06/11/1956 |
Deep Passion |
Tenor Sax |
16 bars (0.25 chorus) starting from bridge |
06/12/1956 |
Not so Sleepy |
Tenor Sax |
24 bars starting at bridge |
06/12/1956 |
Smoke Signal |
Tenor Sax |
16 bars (0.25 chorus) bridge |
06/19/1956 |
The Pendulum at Falcon’s Lair |
Tenor Sax |
16 bars (0.5 chorus) starting at bridge |
06/25/1956 |
Tears to Burn |
Tenor Sax |
8 bars bridge |
08/01/1956 |
Dark Eyes |
Tenor Sax |
32 bars (2 choruses) |
08/01/1956 |
Deep Purple |
Tenor Sax |
32 bars (1 chorus) |
08/01/1956 |
I Don’t Stand a Ghost of a Chance with You |
Tenor Sax |
32 bars (1 chorus) |
08/01/1956 |
Lionel’s Choo Choo (What’s Your Hurry) |
Tenor Sax |
24 bars (2 choruses) |
08/01/1956 |
Lionel’s Choo Choo (What’s Your Hurry) |
Tenor Sax |
36 bars (3 choruses) |
08/01/1956 |
Over the Rainbow |
Tenor Sax |
32 bars (1 chorus) |
08/01/1956 |
Reindeer |
Tenor Sax |
64 bars (2 choruses) |
08/01/1956 |
Reindeer |
Tenor Sax |
32 bars (1 chorus) 8-bar exchanges with Hampton |
08/01/1956 |
Reindeer |
Tenor Sax |
4 bars |
08/01/1956 |
Reindeer |
Tenor Sax |
4 bars |
08/01/1956 |
Romeo’s Gone Now |
Tenor Sax |
48 bars (4 choruses) |
08/01/1956 |
Undecided |
Tenor Sax |
16 bars (0.5 chorus) |
08/01/1956 |
When You’re Smiling |
Tenor Sax |
32 bars (1 chorus) |
09/14/1956 |
Sermonette |
Tenor Sax |
32 bars (1 chorus) |
09/19/1956 |
Boo’s Blues |
Tenor Sax |
24 bars (2 choruses) |
09/29/1956 |
Walkin’ (Gravy) |
Tenor Sax |
60 bars (5 choruses) |
11/01/1956 |
All of Me |
Tenor Sax |
Thompson obbligato behind Hartman vocal over 18 bars (0.5 chorus and coda) |
11/01/1956 |
All of Me |
Tenor Sax |
Thompson obbligato behind Hartman vocal over 18 bars (0.5 chorus and coda) |
11/01/1956 |
Blue Skies |
Tenor Sax |
12 bars |
11/01/1956 |
Blue Skies |
Tenor Sax |
12 bars |
11/24/1956 |
Fine and Dandy |
Tenor Sax |
64 bars (2 choruses) |
11/24/1956 |
Fine and Dandy |
Tenor Sax |
32 bars (1 chorus) 4-bar exchanges with Jones |
11/24/1956 |
Lover Man |
Tenor Sax |
48 bars (1.5 choruses) |
12/04/1956 |
Caravan |
Tenor Sax |
obbligato behind Washington |
12/05/1956 |
You’re Crying |
Tenor Sax |
obbligato behind Washington |
12/06/1956 |
Bargain Day |
Tenor Sax |
obbligato behind Washington |
12/06/1956 |
Never Let Me Go |
Tenor Sax |
7 bars |
12/11/1956 |
Dancing Sunbeam |
Tenor Sax |
64 bars (2 choruses) guitar out on first |
12/11/1956 |
I Can’t Give You Anything but Love |
Tenor Sax |
2-bar break between Armstrong’s vocal and trumpet solo |
12/11/1956 |
Little Tenderfoot |
Tenor Sax |
96 bars (3 choruses) guitar out on first two |
12/11/1956 |
Mister Man |
Tenor Sax |
48 bars (4 choruses) guitar out on first three |
12/11/1956 |
Mister Man |
Tenor Sax |
24 bars (2 choruses) |
12/11/1956 |
The Plain but the Simple Truth |
Tenor Sax |
72 bars (6 choruses) guitar out on first three |
12/11/1956 |
The Plain but the Simple Truth |
Tenor Sax |
24 bars (2 choruses) |
12/12/1956 |
Good Luck (Glamour Game) |
Tenor Sax |
48 bars (4 choruses) piano out |
12/12/1956 |
N R 1 |
Tenor Sax |
48 bars (4 choruses) piano out on first two |
12/12/1956 |
N R 2 |
Tenor Sax |
48 bars (1.5 choruses) |
12/12/1956 |
Once There Was |
Tenor Sax |
54 bars (1.5 choruses) |
12/13/1956 |
Memories of You |
Tenor Sax |
8 bars between Armstrong’s vocal and trumpet solo |
12/19/1956 |
I’m Shooting High |
Tenor Sax |
10 bars |
12/19/1956 |
Just Squeeze Me |
Tenor Sax |
Thompson obbligato behind Connor over 36 bars (1 chorus and 4-bar coda) |
12/19/1956 |
My Shining Hour |
Tenor Sax |
Thompson obbligato behind Connor over 16 bars |
01/05/1957 |
Blues at Twilight |
Tenor Sax |
12 bars (1 chorus) |
01/05/1957 |
Ignunt Oil |
Tenor Sax |
32 bars (1 chorus) |
01/05/1957 |
Sermonette |
Tenor Sax |
32 bars (1 chorus) |
01/05/1957 |
The Spirit-Feel |
Tenor Sax |
48 bars (4 choruses) |
01/09/1957 |
Ask an Alaskan |
Tenor Sax |
16 bars (0.5 chorus) starting at bridge |
01/09/1957 |
Blue in Peru |
Tenor Sax |
12 bars (1 chorus) |
01/09/1957 |
Gibraltar Rock |
Tenor Sax |
8 bars |
01/09/1957 |
Hassle in Havana |
Tenor Sax |
16 bars (0.5 chorus) |
01/09/1957 |
Just a Japanese Sideman |
Tenor Sax |
16 bars (0.5 chorus) |
01/09/1957 |
Parisienne Eyeful |
Tenor Sax |
12 bars (1 chorus) |
01/09/1957 |
Piccadilly Panic |
Tenor Sax |
32 bars (1 chorus) |
01/09/1957 |
Prettily Italy |
Tenor Sax |
16 bars (0.5 chorus) |
01/09/1957 |
Sorta Spanish |
Tenor Sax |
32 bars (1 chorus) |
01/09/1957 |
Stateside Static |
Tenor Sax |
16 bars (0.5 chorus) starting at bridge |
01/09/1957 |
Strictly Occidental |
Tenor Sax |
16 bars (0.5 chorus) starting at bridge |
01/09/1957 |
Tipperary Fairy |
Tenor Sax |
50 bars (2-bar break + 1 chorus) |
07/06/1957 |
Embassy Boogie |
Tenor Sax |
36 bars (3 choruses) |
07/06/1957 |
How Long Blues |
Tenor Sax |
16 bars |
07/06/1957 |
How Long Blues |
Tenor Sax |
16 bars |
07/06/1957 |
I Want a Little Girl |
Tenor Sax |
32 bars (1 chorus) |
07/06/1957 |
I Want a Little Girl |
Tenor Sax |
obbligato behind 8-bar Price vocal |
07/06/1957 |
I Want a Little Girl |
Tenor Sax |
4-bar intro |
07/06/1957 |
Lucky T |
Tenor Sax |
44 bars (1 chorus) |
07/06/1957 |
Minor Blues |
Tenor Sax |
36 bars (3 choruses) |
07/06/1957 |
Minor Blues |
Tenor Sax |
24 bars (2 choruses) |
07/06/1957 |
Paris Blues |
Tenor Sax |
24 bars (2 choruses) |
07/06/1957 |
Paris Blues |
Tenor Sax |
24 bars (2 choruses) with Sasson and Price |
07/06/1957 |
Sweet Georgia Brown |
Tenor Sax |
96 bars (3 choruses) |
07/06/1957 |
Up Above My Head |
Tenor Sax |
32 bars |
07/15/1957 |
Between the Devil and the Deep Blue Sea |
Tenor Sax |
8 bar obbligato to vocal on bridge |
07/15/1957 |
Everybody’s Doin’ It Now |
Tenor Sax |
4 bars |
07/15/1957 |
Sleep |
Tenor Sax |
8-bar obbligato to vocal |
09/05/1957 |
Everything Happens to Me |
Tenor Sax |
48 bars (1.5 choruses) |
09/05/1957 |
Strike up the Band |
Tenor Sax |
64 bars (2 choruses) piano out on first |
09/05/1957 |
Strike up the Band |
Tenor Sax |
32 bars (1 chorus) 4-bar exchanges with Garros |
09/05/1957 |
Strike up the Band |
Tenor Sax |
24 bars |
09/12/1957 |
I’ll Remember April |
Tenor Sax |
8 bars |
09/12/1957 |
I’ll Remember April |
Tenor Sax |
96 bars (2 choruses) piano out on first |
09/12/1957 |
I’ll Remember April |
Tenor Sax |
32 bars |
09/12/1957 |
I’ll Remember April |
Tenor Sax |
32 bars 4-bar exchanges with Clarke |
09/12/1957 |
Now’s the Time |
Tenor Sax |
72 bars (6 choruses) |
09/23/1957 |
Fun for Four |
Tenor Sax |
24 bars (2 choruses) |
09/23/1957 |
Love Me or Leave Me |
Tenor Sax |
32 bars (1 chorus) 4-bar exchanges with Clarke |
09/23/1957 |
Love Me or Leave Me |
Tenor Sax |
32 bars (1 chorus) piano out |
09/26/1957 |
Four |
Tenor Sax |
32 bars (1 chorus) |
09/26/1957 |
Now’s the Time |
Tenor Sax |
36 bars (3 choruses) |
09/26/1957 |
The Squirrel |
Tenor Sax |
36 bars (3 choruses) |
09/26/1957 |
Stompin’ at the Savoy |
Tenor Sax |
32 bars (1 chorus) |
01/02/1959 |
Have You Met Miss Jones? |
Soprano Sax |
64 bars (2 choruses), second with band interludes includes last 8-bars of head and coda |
01/02/1959 |
Now’s the Time |
Tenor Sax |
84 bars (7 choruses) and cadenza |
01/02/1959 |
What Is This Thing Called Love? |
Tenor Sax |
80 bars (2.5 choruses) with band interludes on second and third choruses |
01/02/1959 |
What Is This Thing Called Love? |
Tenor Sax |
last 8 bars of theme and coda |
01/02/1959 |
You Don’t Know What Love Is |
Soprano Sax |
48 bars (1.5 choruses) theme and improvisations with band interludes and coda/cadenza |
01/02/1959 |
You Don’t Know What Love Is |
Soprano Sax |
10 bars intro with band |
01/03/1959 |
Have You Met Miss Jones? |
Soprano Sax |
64 bars (2 choruses) second with band shouts includes last 8 bars of theme and coda |
01/03/1959 |
Now’s the Time |
Tenor Sax |
84 bars (7 choruses) and cadenza |
01/03/1959 |
What Is This Thing Called Love? |
Tenor Sax |
80 bars (2.5 choruses) with band interludes on second and third choruses |
01/03/1959 |
What Is This Thing Called Love? |
Tenor Sax |
last 8 bars of theme and coda |
01/03/1959 |
You Don’t Know What Love Is |
Soprano Sax |
48 bars (1.5 choruses) theme and improvisations with band interludes and coda/cadenza |
01/03/1959 |
You Don’t Know What Love Is |
Soprano Sax |
19 bar intro with band |
01/04/1959 |
You Go to My Head |
Soprano Sax |
80 bars (2 choruses) and cadenza |
01/06/1959 |
Crossroads of the Blues |
Tenor Sax |
48 bars (4 choruses) |
01/06/1959 |
Sweet Georgia Brown |
Tenor Sax |
64 bars (2 choruses) |
01/14/1959 |
Have You Met Miss Jones? |
Soprano Sax |
32 bars (1 chorus) improvisation and theme, coda |
01/14/1959 |
Have You Met Miss Jones? |
Soprano Sax |
32 bars (1 chorus) |
01/14/1959 |
How About You? |
Soprano Sax |
32 bars (1 chorus) |
01/14/1959 |
How About You? |
Soprano Sax |
32 bars (last chorus) and cadenza |
01/14/1959 |
Midnight Sun |
Soprano Sax |
48 bars (1.5 choruses) last 16 bars starting from bridge) |
01/14/1959 |
Pennies from Heaven |
Tenor Sax |
64 bars (2 choruses) |
01/14/1959 |
Pennies from Heaven |
Tenor Sax |
32 bars (1 chorus) with tag ending |
01/14/1959 |
Solitude |
Tenor Sax |
32 bars (1 chorus) |
01/14/1959 |
Solitude |
Tenor Sax |
8 bars and cadenza |
01/14/1959 |
Soul Food |
Tenor Sax |
duet with M’Bow (others out) |
01/15/1959 |
Brother Bob |
Soprano Sax |
duet with M’Bow (others out) |
01/15/1959 |
O.W. |
Tenor Sax |
36 bars (3 choruses on minor blues form) |
01/15/1959 |
Tea for Two |
Tenor Sax |
32 bars (1 chorus) |
01/15/1959 |
Tea for Two |
Tenor Sax |
32 bars (1 chorus) |
01/15/1959 |
We’ll Be Together Again |
Tenor Sax |
32 bars (1 chorus) |
01/15/1959 |
We’ll Be Together Again |
Tenor Sax |
16 bars (0.5 chorus) starting at bridge and cadenza |
02/07/1959 |
Takin’ Care ‘o Business (Takin’ Care ‘n Business) |
Tenor Sax |
36 bars (3 choruses) |
02/07/1959 |
The World Awakes |
Soprano Sax |
intro 32 bars with Quersin and M’Bow |
02/07/1959 |
The World Awakes |
Soprano Sax |
48 bars (4 choruses) |
03/07/1959 |
Lover Man |
Tenor Sax |
32 bars (1 chorus) and cadenza |
03/12/1959 |
Body and Soul |
Tenor Sax |
64 bars (2 choruses) and cadenza |
03/12/1959 |
Don’t Blame Me |
Tenor Sax |
64 bars (2 choruses) and cadenza |
03/12/1959 |
Now’s the Time |
Tenor Sax |
36 bars (3 choruses) |
03/12/1959 |
Now’s the Time |
Tenor Sax |
12 bars (1 chorus) |
April 1959 |
Now’s the Time |
Tenor Sax |
72 bars (6 choruses) |
April 1959 |
Now’s the Time |
Tenor Sax |
24 bars (2 choruses) |
04/17/1959 |
Cherokee |
Tenor Sax |
128 bars (2 choruses) |
04/17/1959 |
Cherokee |
Tenor Sax |
112 bars (1.75 choruses) 8-bar exchanges with von Moisy |
04/17/1959 |
Jeannie |
Tenor Sax |
24 bars (2 choruses) |
04/17/1959 |
Lover Man |
Tenor Sax |
64 bars (2 choruses) and cadenza |
04/17/1959 |
Midnight Sun |
Soprano Sax |
48 bars (1.5 choruses) |
04/17/1959 |
Midnight Sun |
Soprano Sax |
8 bars and cadenza |
04/17/1959 |
The World Awakes |
Soprano Sax |
16-bar intro vamp |
04/17/1959 |
The World Awakes |
Soprano Sax |
48 bars (4 choruses) piano out on first two |
04/17/1959 |
Yesterdays |
Soprano Sax |
16 bars |
04/18/1959 |
Tricotism (Tricrotism, Tractatism) |
Tenor Sax |
64 bars (2 choruses) |
04/18/1959 |
Tricotism (Tricrotism, Tractatism) |
Tenor Sax |
64 bars (2 choruses) |
04/18/1959 |
The World Awakes |
Soprano Sax |
84 bars (7 choruses) |
04/18/1959 |
Yesterdays |
Soprano Sax |
16 bars |
04/18/1959 |
Yesterdays |
Soprano Sax |
16 bars and cadenza |
07/15/1959 |
Love for Sale |
Tenor Sax |
Thompson obbligato behind Zetterlund vocal over 32 bars (0.5 chorus) starting at bridge |
07/15/1959 |
Sophisticated Lady |
Soprano Sax |
32 bars (1 chorus) first 8 with only piano |
07/15/1959 |
Sophisticated Lady |
Soprano Sax |
8 bars bridge |
07/15/1959 |
Sophisticated Lady |
Soprano Sax |
cadenza |
07/15/1959 |
Stuffy |
Tenor Sax |
32 bars (1 chorus) piano out |
07/15/1959 |
Summertime |
Soprano Sax |
obbligato behind Zetterlund vocal over 32 bars |
07/15/1959 |
Summertime |
Soprano Sax |
16 bars |
07/15/1959 |
Summertime |
Soprano Sax |
obbligato behind Zetterlund vocal over 18 bars |
07/15/1959 |
Treffpunkt Blues |
Tenor Sax |
24 bars (2 choruses) |
07/15/1959 |
Treffpunkt Blues |
Tenor Sax |
24 bars (2 choruses) 4-bar exchanges with Bartz alternating with Gojkovic |
07/15/1959 |
What’s New |
Tenor Sax |
24 bars obbligato to Zetterlund vocal |
11/07/1959 |
Anthropology |
Tenor Sax |
96 bars (3 choruses) |
11/07/1959 |
Anthropology |
Tenor Sax |
64 bars (2 choruses) 4-bar exchanges with Clarke to cut off |
01/09/1960 |
Lover Man |
Soprano Sax |
32 bars (1 chorus) |
01/09/1960 |
Lover Man |
Soprano Sax |
16 bars (0.5 chorus) starting at bridge and cadenza |
01/09/1960 |
Strike up the Band |
Tenor Sax |
64 bars (2 choruses) piano out on first |
01/09/1960 |
Strike up the Band |
Tenor Sax |
48 bars 4-bar exchanges with Clarke |
02/13/1960 |
Deep Passion |
Tenor Sax |
8 bars bridge |
02/13/1960 |
Easy Going |
Tenor Sax |
32 bars (1 chorus) |
02/13/1960 |
Takin’ Care ‘o Business (Takin’ Care ‘n Business) |
Tenor Sax |
48 bars (4 choruses) |
02/13/1960 |
Thin Ice |
Tenor Sax |
64 bars (2 choruses) |
02/13/1960 |
Thin Ice |
Tenor Sax |
64 bars (2 choruses) 8- and 4-bar exchanges with Clarke |
02/13/1960 |
Thin Ice |
Tenor Sax |
8 bars first chorus bridge |
02/13/1960 |
Thin Ice |
Tenor Sax |
8 bars last bridge |
02/13/1960 |
The World Awakes |
Soprano Sax |
24 bars intro vamp |
02/13/1960 |
The World Awakes |
Soprano Sax |
48 bars (4 choruses) |
02/13/1960 |
Yard Bird’s Pet |
Tenor Sax |
128 bars (2 choruses) |
02/13/1960 |
Yesterdays |
Soprano Sax |
rubato intro |
02/13/1960 |
Yesterdays |
Soprano Sax |
48 bars |
04/22/1960 |
Au Privave |
Tenor Sax |
24 bars (2 choruses) |
04/22/1960 |
Brother Bob |
Soprano Sax |
72 bars (6 choruses) |
04/22/1960 |
Deep Passion |
Tenor Sax |
48 bars (1.5 choruses) |
04/22/1960 |
Good Luck (Glamour Game) |
Tenor Sax |
24 bars (2 choruses) |
04/22/1960 |
Lucky’s Workshop Theme |
Tenor Sax |
64 bars (2 choruses) to fade out |
04/22/1960 |
Star Eyes |
Soprano Sax |
36 bars (1 chorus) |
04/22/1960 |
Straight, No Chaser |
Tenor Sax |
24 bars (2 choruses) piano out |
04/22/1960 |
Summertime |
Soprano Sax |
48 bars |
04/22/1960 |
Thin Ice |
Tenor Sax |
64 bars (2 choruses) |
04/22/1960 |
Thin Ice |
Tenor Sax |
64 bars (2 choruses) 8- and 4-bar exchanges with von Moisy |
04/22/1960 |
What Is This Thing Called Love? |
Soprano Sax |
obbligato behind 32-bar (1 chorus) Merrill vocal |
04/22/1960 |
What Is This Thing Called Love? |
Soprano Sax |
32 bars (1 chorus) |
04/22/1960 |
What Is This Thing Called Love? |
Soprano Sax |
obbligato behind 36-bar (1 chorus + coda) Merrill vocal |
05/28/1960 |
Check out Time |
Tenor Sax |
36 bars (3 choruses) |
05/28/1960 |
Down the Stretch |
Tenor Sax |
32 bars (1 chorus) to cut off |
05/28/1960 |
Good Luck (Glamour Game) |
Tenor Sax |
48 bars (4 choruses) 4-bar exchanges with Clarke |
05/28/1960 |
Nothin’ but the Soul |
Tenor Sax |
24 bars (2 choruses) |
05/28/1960 |
One Last Goodbye |
Tenor Sax |
32 bars (1 chorus) |
05/28/1960 |
One Last Goodbye |
Tenor Sax |
8 bars |
05/28/1960 |
Why Weep? |
Tenor Sax |
48 bars (4 choruses) |
05/28/1960 |
Why Weep? |
Tenor Sax |
48 bars (4 choruses) 4-bar exchanges with Clarke |
05/28/1960 |
Yesterday’s Bottle |
Soprano Sax |
8-bar intro |
05/28/1960 |
Yesterday’s Bottle |
Soprano Sax |
12 bars |
10/14/1960 |
Lover Man |
Soprano Sax |
solo rubato intro |
10/14/1960 |
Lover Man |
Soprano Sax |
32 bars (1 chorus) |
10/14/1960 |
Lover Man |
Soprano Sax |
16 bars (0.5 chorus) starting at bridge and cadenza |
10/14/1960 |
Strike up the Band |
Tenor Sax |
160 bars (5 choruses) 8-bar exchanges with Humair |
10/14/1960 |
Strike up the Band |
Tenor Sax |
160 bars (5 choruses) |
10/14/1960 |
Strike up the Band |
Tenor Sax |
cadenza |
10/14/1960 |
The World Awakes |
Soprano Sax |
12-bar intro vamp |
10/14/1960 |
The World Awakes |
Soprano Sax |
36 bars (3 choruses) 4-bar exchanges with Trunk |
11/25/1960 |
Einsames Mädchen Am Meer |
Soprano Sax |
48 bars (1.5 choruses) |
11/25/1960 |
I Want to Be Happy |
Tenor Sax |
32 bars (1 chorus) |
11/25/1960 |
Mysterioso Mr. X |
Soprano Sax |
24 bars (2 choruses) |
11/25/1960 |
One Last Goodbye |
Tenor Sax |
rubato solo intro |
11/25/1960 |
One Last Goodbye |
Tenor Sax |
64 bars (2 choruses) and cadenza |
11/25/1960 |
Take the “A” Train |
Tenor Sax |
32 bars (1 chorus) |
11/25/1960 |
Take the “A” Train |
Tenor Sax |
32 bars (1 chorus) 4-bar exchanges among the four saxes |
11/25/1960 |
Why Weep? |
Tenor Sax |
48 bars (4 choruses) |
11/25/1960 |
Why Weep? |
Tenor Sax |
48 bars (4 choruses) 4-bar exchanges with Pronk |
04/01/1961 |
Beautiful Tuesday |
Soprano Sax |
72 bars (2 choruses) |
04/01/1961 |
I Remember When (Love and Respect) |
Soprano Sax |
48 bars (1.5 choruses) |
04/01/1961 |
I Remember When (Love and Respect) |
Soprano Sax |
last 8-bars of theme |
04/01/1961 |
Is the Long Road the Right Road? (Our Shared Blessings) |
Soprano Sax |
48 bars (4 choruses) piano out on first two |
04/01/1961 |
It’s Fantasy (Scratching the Surface) |
Tenor Sax |
48 bars (2 choruses) piano out on first two |
04/01/1961 |
Last Night I Met an Angel (Warm Inside) |
Tenor Sax |
48 bars (1.5 choruses) |
04/01/1961 |
Last Night I Met an Angel (Warm Inside) |
Tenor Sax |
last 8 bars of theme |
04/01/1961 |
Lord, Lord, Am I Ever Gonna Know? |
Tenor Sax |
48 bars (4 choruses on 12-bar blues form) piano out on first two |
04/01/1961 |
Sky High (Say That to Say This) |
Tenor Sax |
32 bars (1 chorus) piano out |
04/01/1961 |
Sky High (Say That to Say This) |
Tenor Sax |
32 bars (1 chorus) 4-bar exchanges with Clarke (piano out) |
04/01/1961 |
Two Steps Out (Choose Your Own, Two Stops Out) |
Soprano Sax |
8-bar intro |
04/01/1961 |
Two Steps Out (Choose Your Own, Two Stops Out) |
Soprano Sax |
72 bars (6 choruses) on 12-bar blues form |
04/01/1961 |
Two Steps Out (Choose Your Own, Two Stops Out) |
Soprano Sax |
8-bar interlude at slower tempo |
04/01/1961 |
Two Steps Out (Choose Your Own, Two Stops Out) |
Soprano Sax |
8-bar coda |
04/01/1961 |
Two Steps Out (Choose Your Own, Two Stops Out) |
Tenor Sax |
8-bar interlude at faster tempo |
04/01/1961 |
Two Steps Out (Choose Your Own, Two Stops Out) |
Tenor Sax |
132 bars (11 choruses) on 12-bar blues form |
04/28/1961 |
Another Whirl |
Tenor Sax |
46 bars |
04/28/1961 |
Another Whirl |
Tenor Sax |
62 bars |
04/28/1961 |
Check out Time |
Tenor Sax |
36 bars (3 choruses) piano out |
04/28/1961 |
Could I Meet You Later? |
Tenor Sax |
20 bars (4+12+4) |
04/28/1961 |
Down the Stretch |
Tenor Sax |
96 bars (3 choruses) piano out |
04/28/1961 |
The Fire Bug |
Tenor Sax |
24 bars (2 choruses) |
04/28/1961 |
From Day Till Dawn |
Soprano Sax |
32 bars |
04/28/1961 |
From Day Till Dawn |
Soprano Sax |
8 bars |
04/28/1961 |
From Day Till Dawn |
Soprano Sax |
8 bars |
04/28/1961 |
Hang Over Heaven |
Tenor Sax |
16 bar interlude |
04/28/1961 |
Hang Over Heaven |
Tenor Sax |
32 bars |
04/28/1961 |
I Remember When (Love and Respect) |
Soprano Sax |
4-bar intro with Diernhammer |
04/28/1961 |
I Remember When (Love and Respect) |
Soprano Sax |
48 bars (1.5 choruses) |
04/28/1961 |
I Remember When (Love and Respect) |
Soprano Sax |
8 bars |
04/28/1961 |
Is the Long Road the Right Road? (Our Shared Blessings) |
Soprano Sax |
36 bars (3 choruses) |
04/28/1961 |
It’s Fantasy (Scratching the Surface) |
Tenor Sax |
48 bars |
04/28/1961 |
It’s Thursday |
Tenor Sax |
16 bars |
04/28/1961 |
It’s Thursday |
Tenor Sax |
16 bars |
04/28/1961 |
Last Night I Met an Angel (Warm Inside) |
Tenor Sax |
48 bars (1.5 choruses) |
04/28/1961 |
Minuet in Blues |
Soprano Sax |
24 bars (2 choruses) |
04/28/1961 |
Mr. Care Free |
Soprano Sax |
26 bars (2-bar break + 2 choruses) |
04/28/1961 |
Notorious Love |
Soprano Sax |
30 bars |
04/28/1961 |
Old Reliable |
Tenor Sax |
24 bars (2 choruses) |
04/28/1961 |
Seeing Is Believing |
Tenor Sax |
48 bars (4 choruses) |
04/28/1961 |
Sky High (Say That to Say This) |
Tenor Sax |
70 bars |
04/28/1961 |
Sky High (Say That to Say This) |
Tenor Sax |
64 bars (2 choruses) 8- and 4-bar exchanges with Humair |
04/28/1961 |
Two Steps Out (Choose Your Own, Two Stops Out) |
Soprano Sax |
48 bars (4 choruses) first without accompaniment |
05/29/1961 |
Move |
Tenor Sax |
8 bars (4+4) |
05/29/1961 |
Move |
Tenor Sax |
8 bars (4+4) |
05/29/1961 |
Move |
Tenor Sax |
64 bars (2 choruses) |
05/29/1961 |
Move |
Tenor Sax |
64 bars (2 choruses) 8- and 4-bar exchanges with Byers |
05/29/1961 |
Move |
Tenor Sax |
4 bars |
05/29/1961 |
Steeplechase |
Tenor Sax |
8 bars first chorus bridge |
05/29/1961 |
Steeplechase |
Tenor Sax |
32 bars (1 chorus) |
05/29/1961 |
Steeplechase |
Tenor Sax |
32 bars (1 chorus) 4-bar exchanges with Byers |
05/29/1961 |
Unknown Title |
Tenor Sax |
24 bars (2 choruses) |
08/01/1961 |
Frosty Summer |
Soprano Sax |
32 bars (1 chorus) |
08/01/1961 |
Frosty Summer |
Soprano Sax |
8 bars (bridge) |
08/01/1961 |
On Easy Street |
Tenor Sax |
16-bar break |
08/01/1961 |
On Easy Street |
Tenor Sax |
32 bars (1 chorus) |
08/01/1961 |
On Easy Street |
Tenor Sax |
8 bars bridge |
02/25/1962 |
Cherokee |
Tenor Sax |
128 bars (2 choruses) piano out on first |
02/25/1962 |
Cherokee |
Tenor Sax |
128 bars (2 choruses) 8- and 4-bar exchanges with drummer |
02/25/1962 |
Cherokee |
Tenor Sax |
cadenza |
02/25/1962 |
Lover Man |
Soprano Sax |
40 bars |
02/25/1962 |
Lover Man |
Soprano Sax |
8 bars and cadenza |
02/25/1962 |
The World Awakes |
Soprano Sax |
28-bar intro vamp |
02/25/1962 |
The World Awakes |
Soprano Sax |
60 bars (5 choruses) |
02/25/1962 |
The World Awakes |
Soprano Sax |
24 bars (2 choruses) 4-bar exchanges with drummer |
02/25/1962 |
The World Awakes |
Soprano Sax |
20 bar coda vamp |
March 1962 |
Mean to Me |
Soprano Sax |
64 bars (2 choruses) piano out on first |
March 1962 |
The World Awakes |
Soprano Sax |
18 bars (intro vamp) |
March 1962 |
The World Awakes |
Soprano Sax |
96 bars (8 choruses) piano out on first 6 |
March 1962 |
The World Awakes |
Soprano Sax |
vamp to cut off |
March 1962 |
You Go to My Head |
Soprano Sax |
56 bars (1 chorus plus 16 bars of next) |
March 1962 |
You Go to My Head |
Soprano Sax |
16 bars and cadenza |
03/08/1962 |
Cherokee |
Soprano Sax |
14 bars intro vamp |
03/08/1962 |
Cherokee |
Tenor Sax |
128 bars (2 choruses) piano out on first |
03/08/1962 |
Cherokee |
Tenor Sax |
48 bars 8-bar exchanges with Schiøpffe |
03/08/1962 |
Everything Happens to Me |
Tenor Sax |
64 bars (2 choruses) |
03/08/1962 |
Everything Happens to Me |
Tenor Sax |
8 bars and cadenza |
03/08/1962 |
Star Eyes |
Soprano Sax |
8-bar intro vamp |
03/08/1962 |
Star Eyes |
Soprano Sax |
72 bars (2 choruses) piano out on first chorus |
03/08/1962 |
Star Eyes |
Soprano Sax |
36 bars (1 chorus) 4-bar exchanges with Schiöpffe |
03/08/1962 |
Star Eyes |
Soprano Sax |
8-bar coda vamp |
03/08/1962 |
The World Awakes |
Soprano Sax |
28 bars intro vamp |
03/08/1962 |
The World Awakes |
Soprano Sax |
60 bars (5 choruses) |
03/08/1962 |
The World Awakes |
Soprano Sax |
24 bars (2 choruses) 4-bar exchanges with Schiøpffe |
03/08/1962 |
The World Awakes |
Soprano Sax |
24 bars coda vamp |
03/08/1962 |
You Don’t Know What Love Is |
Soprano Sax |
64 bars (2 choruses) |
03/08/1962 |
You Don’t Know What Love Is |
Soprano Sax |
8 bars and cadenza |
05/31/1962 |
The Birth of Sunday |
Soprano Sax |
28 bars |
05/31/1962 |
The Birth of Sunday |
Soprano Sax |
11 bars |
05/31/1962 |
The Birth of Sunday |
Soprano Sax |
8 bars |
05/31/1962 |
The Green Man |
Tenor Sax |
58 bars (2+16+24+8+8) |
05/31/1962 |
Racy |
Tenor Sax |
24 bars (2 choruses) |
05/31/1962 |
Racy |
Tenor Sax |
12 bars (1 chorus) saxes simultaneous improvisation |
05/31/1962 |
Racy |
Tenor Sax |
24 bars (2 choruses) saxes take 2-bar stop time breaks |
05/31/1962 |
Seven |
Tenor Sax |
144 bars (12 choruses) – all saxes engage in 4-bar and longer exchanges |
05/31/1962 |
Snooky |
Tenor Sax |
12 bars (1 chorus) |
05/31/1962 |
Taps Miller |
Tenor Sax |
32 bars (1 chorus) |
05/31/1962 |
Taps Miller |
Tenor Sax |
32 bars (1 chorus) 4-bar exchanges among saxes |
05/31/1962 |
‘Twas Yesterdays (It Was Yesterdays) |
Tenor Sax |
48 bars (1.5 choruses) |
05/31/1962 |
‘Twas Yesterdays (It Was Yesterdays) |
Tenor Sax |
8 bars and cadenza |
08/02/1962 |
I Got It Bad and That Ain’t Good |
Soprano Sax |
42 bars and cadenza (begins in progess on bridge under announcer) |
08/02/1962 |
Lester Leaps In |
Tenor Sax |
128 bars (4 choruses) piano out on first two |
08/02/1962 |
Lester Leaps In |
Tenor Sax |
8 bars bridge |
08/02/1962 |
Speak Low |
Soprano Sax |
56 bars (1 chorus) |
08/02/1962 |
Speak Low |
Soprano Sax |
28-bar intro vamp |
08/02/1962 |
Speak Low |
Soprano Sax |
32 bars |
03/08/1963 |
Dearly Beloved |
Soprano Sax |
32 bars (1 chorus) |
03/08/1963 |
Long Ago and Far Away |
Tenor Sax |
32 bars (1 chorus) |
03/08/1963 |
Long Ago and Far Away |
Tenor Sax |
16 bars (0.5 chorus) |
03/08/1963 |
Look For the Silver Lining |
Soprano Sax |
32 bars (1 chorus) |
03/08/1963 |
Look For the Silver Lining |
Soprano Sax |
16 bars (0.5 chorus) 4-bar exchanges with Bailey |
03/08/1963 |
Lovely to Look At |
Soprano Sax |
32 bars (1 chorus) |
03/08/1963 |
No More |
Tenor Sax |
16 bars (0.5 chorus) |
03/08/1963 |
They Didn’t Believe Me |
Tenor Sax |
32 bars (1 chorus) |
03/08/1963 |
They Didn’t Believe Me |
Tenor Sax |
16 bars (0.5 chorus) |
03/08/1963 |
Who? |
Tenor Sax |
64 bars (2 choruses) one without piano |
03/08/1963 |
Who? |
Tenor Sax |
32 bars (1 chorus) 4 bar exchanges with Bailey |
03/08/1963 |
Why Do I Love You? |
Tenor Sax |
32 bars (1 chorus) |
03/08/1963 |
Why Was I Born? |
Soprano Sax |
32 bars (1 chorus) |
02/28/1964 |
The Fire Bug |
Tenor Sax |
168 bars (14 choruses) |
02/28/1964 |
Minuet in Blues |
Soprano Sax |
24 bars (2 choruses) |
02/28/1964 |
‘Twas Yesterdays (It Was Yesterdays) |
Tenor Sax |
8 bars |
02/28/1964 |
‘Twas Yesterdays (It Was Yesterdays) |
Tenor Sax |
48 bars (1.5 choruses) |
02/28/1964 |
The World Awakes |
Soprano Sax |
32-bar intro vamp |
02/28/1964 |
The World Awakes |
Soprano Sax |
48 bars (4 choruses) exchanges with Dreares (4 ss/8 d) |
02/28/1964 |
The World Awakes |
Soprano Sax |
84 bars (7 choruses) |
02/28/1964 |
The World Awakes |
Soprano Sax |
24 bars coda vamp |
09/15/1964 |
Fly with the Wind |
Tenor Sax |
64 bars (2 choruses) first with piano out |
09/15/1964 |
Fly with the Wind |
Tenor Sax |
64 bars (2 choruses) 8- and 4-bar exchanges with Kay |
09/15/1964 |
I Forgot to Remember |
Tenor Sax |
16 bars |
09/15/1964 |
In a Sentimental Mood |
Soprano Sax |
32 bars (1 chorus) |
09/15/1964 |
In a Sentimental Mood |
Soprano Sax |
16 bars (0.5 chorus) and cadenza |
09/15/1964 |
Invitation |
Tenor Sax |
8 bar interlude and break |
09/15/1964 |
Invitation |
Tenor Sax |
52 bars |
09/15/1964 |
Mid Nite Oil |
Soprano Sax |
96 bars in 3/4 |
09/15/1964 |
Mumba Neua |
Soprano Sax |
88 bars |
09/15/1964 |
Prey Loot |
Soprano Sax |
48 bars (4 choruses) |
09/15/1964 |
Reminiscent |
Tenor Sax |
32 bars (1 chorus) piano out first 16 |
10/09/1964 |
Gemini |
Tenor Sax |
64 bars |
10/09/1964 |
Gemini |
Tenor Sax |
64 bars |
01/01/1965 |
Anthropology |
Soprano Sax |
64 bars (2 choruses) |
01/01/1965 |
Anthropology |
Soprano Sax |
16 bars (0.5 chorus) |
01/01/1965 |
Caressable |
Tenor Sax |
36 bars (1 chorus) including last 16 of theme |
01/01/1965 |
Evil Eva |
Soprano Sax |
36 bars (3 choruses) |
01/01/1965 |
I’ll Be Around |
Tenor Sax |
32 bars (1 chorus) |
01/01/1965 |
I’ll Be Around |
Tenor Sax |
8 bars (0.25 chorus) |
01/01/1965 |
Kinfolk’s Corner |
Tenor Sax |
12 bars (1 chorus) |
01/01/1965 |
Kinfolk’s Corner |
Tenor Sax |
36 bars (3 choruses) |
01/01/1965 |
Kinfolk’s Corner |
Tenor Sax |
24 bars (2 choruses) |
01/01/1965 |
Love |
Tenor Sax |
68 bars (1 chorus) |
01/01/1965 |
Love |
Tenor Sax |
coda to fade out |
01/01/1965 |
My Old Flame |
Soprano Sax |
64 bars (1 chorus) long meter |
01/01/1965 |
On Tippy Top |
Tenor Sax |
72 bars (3 choruses) |
01/01/1965 |
Open Haus |
Soprano Sax |
24 bars (2 choruses) on 12-bar blues form – song form appears to be 40 bars |
01/01/1965 |
Open Haus |
Soprano Sax |
extended vamp to fade out |
01/01/1965 |
Passionately Yours |
Tenor Sax |
16 bars (0.5 chorus) |
01/01/1965 |
Poor Butterfly |
Tenor Sax |
32 bars (1 chorus) |
01/01/1965 |
Poor Butterfly |
Tenor Sax |
8 bars plus extended coda |
01/01/1965 |
Slow Dough |
Soprano Sax |
96 bars (4 24-bar choruses) in 3/4 |
01/01/1965 |
Slow Dough |
Soprano Sax |
24 bars (1 chorus) in 3/4 |
01/01/1965 |
Slow Dough |
Soprano Sax |
coda to fade out |
01/01/1965 |
Star Eyes |
Soprano Sax |
36 bars (1 chorus) |
01/01/1965 |
Who Can I Turn To? |
Tenor Sax |
32 bars (1 chorus) |
01/01/1965 |
Who Can I Turn To? |
Tenor Sax |
8 bars |
01/01/1965 |
Willow Weep for Me |
Soprano Sax |
64 bars (2 choruses) |
01/01/1965 |
Willow Weep for Me |
Soprano Sax |
16 bars (0.5 chorus) starting from bridge |
01/01/1965 |
Willow Weep for Me |
Soprano Sax |
coda to fade out |
01/01/1965 |
You Stepped out of a Dream |
Soprano Sax |
16 bars (0.5 chorus) |
02/16/1965 |
As Time Goes By |
Soprano Sax |
64 bars (1 chorus) long meter |
02/16/1965 |
Cry Me a River |
Tenor Sax |
64 bars (1 chorus) long meter |
02/16/1965 |
Cry Me a River |
Tenor Sax |
vamp to fade out |
02/16/1965 |
Happy Days Are Here Again |
Tenor Sax |
112 bars (2 choruses) 8-bar exchanges with Perkins |
02/16/1965 |
Happy Days Are Here Again |
Tenor Sax |
112 bars (2 choruses) |
02/16/1965 |
People |
Tenor Sax |
46 bars (1 chorus) |
02/16/1965 |
Safari |
Soprano Sax |
64 bars (2 choruses) |
02/16/1965 |
You Don’t Know What Love Is |
Soprano Sax |
48 bars (1.5 choruses) accompanied only by harp at first |
02/16/1965 |
You Don’t Know What Love Is |
Soprano Sax |
8 bars |
02/19/1965 |
Lady Bird |
Tenor Sax |
96 bars (6 choruses) 4-bar exchanges with Jackson |
02/19/1965 |
Lady Bird |
Tenor Sax |
256 bars (16 choruses) at first without piano |
02/19/1965 |
Strike up the Band |
Tenor Sax |
224 bars (7 choruses) 8-bar exchanges with Jackson |
02/19/1965 |
Strike up the Band |
Tenor Sax |
192 bars (6 choruses) first 3 without piano |
02/19/1965 |
Strike up the Band |
Tenor Sax |
256 bars (8 choruses) to fade out |
02/19/1965 |
What’s New? |
Soprano Sax |
32 bars (1 chorus) |
02/19/1965 |
What’s New? |
Soprano Sax |
16 bars (0.5 chorus) starting at bridge and cadenza) |
02/19/1965 |
The World Awakes |
Soprano Sax |
72 bars (6 choruses) exchanges with Jackson (ts 4/d 8) |
02/19/1965 |
The World Awakes |
Soprano Sax |
48 bars (intro vamp) |
02/19/1965 |
The World Awakes |
Soprano Sax |
132 Bars (11 choruses) first 5 with piano out |
02/19/1965 |
The World Awakes |
Soprano Sax |
12 bars (1 chorus) |
02/19/1965 |
The World Awakes |
Soprano Sax |
vamp coda |
04/15/1965 |
As Long as We’re Here |
Soprano Sax |
36 bars (1 chorus) |
04/15/1965 |
Stardust |
Soprano Sax |
16 bars (0.5 chorus) edited – last half of form! |
04/21/1965 |
Spot Session |
Soprano Sax |
48 bars (4 choruses) first 2 without piano |
04/21/1965 |
Spot Session |
Soprano Sax |
24 bars (2 choruses) |
07/05/1968 |
Cherokee |
Tenor Sax |
384 bars (6 choruses) first 2 without piano |
08/10/1968 |
Strike up the Band |
Tenor Sax |
176 bars (5.5 choruses) 8-bar exchanges with Heath |
08/10/1968 |
Strike up the Band |
Tenor Sax |
128 bars (4 choruses) |
08/10/1968 |
The World Awakes |
Soprano Sax |
48 bars (4 choruses) exchanges with Heath (ss 4, d 8) |
08/10/1968 |
The World Awakes |
Soprano Sax |
108 bars (9 choruses) with and without piano |
08/10/1968 |
The World Awakes |
Soprano Sax |
24 bars (2 choruses) |
09/11/1968 |
One O’Clock Jump |
Soprano Sax |
180 bars (15 choruses) |
09/11/1968 |
Satin Doll |
Soprano Sax |
32 bars (1 chorus) 4-bar exchanges with Bishop |
09/11/1968 |
Satin Doll |
Soprano Sax |
96 bars (3 choruses) |
09/11/1968 |
Yesterdays |
Soprano Sax |
32 bars (1 choruse) |
09/11/1968 |
Yesterdays |
Soprano Sax |
32 bars (1 chorus) and cadenza |
11/22/1968 |
Cherokee |
Tenor Sax |
192 bars (3 choruses) 8-bar exchanges with Ineke |
11/22/1968 |
Cherokee |
Tenor Sax |
256 bars (4 choruses) piano out on first |
11/22/1968 |
In a Sentimental Mood |
Soprano Sax |
32 bars (1 chorus) |
11/22/1968 |
In a Sentimental Mood |
Soprano Sax |
16 bars (0.5 chorus) starting at bridge and cadenza |
11/22/1968 |
Lady Bird |
Tenor Sax |
64 bars (4 choruses) 4-bar exchanges with Ineke |
11/22/1968 |
Lady Bird |
Tenor Sax |
112 bars (7 choruses) piano out on first two |
11/22/1968 |
On Green Dolphin Street |
Soprano Sax |
32 bars (1 chorus) 8-bar exchanges with Ineke |
11/22/1968 |
On Green Dolphin Street |
Soprano Sax |
96 bars (3 choruses) |
11/22/1968 |
Street of Dreams |
Soprano Sax |
32 bars (2 choruses) |
11/22/1968 |
Street of Dreams |
Soprano Sax |
16 bars (1 chorus) and cadenza |
11/22/1968 |
Strike up the Band |
Tenor Sax |
64 bars (2 choruses) 8-bar exchanges with Ineke |
11/22/1968 |
Strike up the Band |
Tenor Sax |
128 bars (4 choruses) piano out on first |
11/22/1968 |
Strike up the Band |
Tenor Sax |
16 bars (0.5 chorus) |
11/22/1968 |
Tricotism (Tricrotism, Tractatism) |
Soprano Sax |
56 bars (1.75 choruses) 4-bar exchanges with Ineke |
11/22/1968 |
Tricotism (Tricrotism, Tractatism) |
Soprano Sax |
96 bars (3 choruses) piano out on first |
11/22/1968 |
Unknown Title |
Soprano Sax |
24 bars (2 choruses) 4-bar exchanges with Ineke alternating with Madna |
11/22/1968 |
Unknown Title |
Soprano Sax |
72 bars (6 choruses) piano out on first two |
11/22/1968 |
The World Awakes |
Soprano Sax |
36 bars (3 choruses) exchanges with Ineke (ss 4/ d 8) |
11/22/1968 |
The World Awakes |
Soprano Sax |
96 bars (8 choruses) |
11/22/1968 |
The World Awakes |
Soprano Sax |
72 bars (6 choruses) |
11/22/1968 |
The World Awakes |
Soprano Sax |
intro vamp |
02/28/1969 |
Cherokee |
Tenor Sax |
176 bars (2.75 choruses) 8-bar exchanges with Saudrais |
02/28/1969 |
Cherokee |
Tenor Sax |
256 bars (4 choruses) |
02/28/1969 |
Have You Met Miss Jones? |
Soprano Sax |
120 bars (3.75 choruses) 4-bar exchanges with Saudrais |
02/28/1969 |
Have You Met Miss Jones? |
Soprano Sax |
128 bars (4 choruses) |
02/28/1969 |
Have You Met Miss Jones? |
Soprano Sax |
112 bars tag ending |
02/28/1969 |
Street of Dreams |
Soprano Sax |
32 bars (2 choruses) |
02/28/1969 |
Street of Dreams |
Soprano Sax |
32 bars (2 choruses) and cadenza |
02/28/1969 |
Unknown Title |
Tenor Sax |
132 bars (11 choruses) piano out on first three |
02/28/1969 |
Why Weep? |
Tenor Sax |
276 bars (23 choruses) |
02/28/1969 |
Why Weep? |
Tenor Sax |
360 bars (30 choruses) |
02/28/1969 |
The World Awakes |
Soprano Sax |
84 bars (7 choruses) exchanges with Saudrais (ss 4/d 8) |
02/28/1969 |
The World Awakes |
Soprano Sax |
intro vamp (48 bars) |
02/28/1969 |
The World Awakes |
Soprano Sax |
120 bars (10 choruses) piano out on first four |
03/13/1969 |
Centre Ville |
Tenor Sax |
48 Bars (2 choruses on 24-bar blues form) |
03/13/1969 |
Centre Ville |
Tenor Sax |
48+ bars to fade out |
03/13/1969 |
Easy Living |
Soprano Sax |
4-bar intro |
03/13/1969 |
Easy Living |
Soprano Sax |
32 bars (0.5 chorus – long meter) |
03/13/1969 |
Easy Living |
Soprano Sax |
16 bars (0.25 chorus – long meter) |
03/13/1969 |
I Came from Sunday |
Tenor Sax |
54 bars (1.5 choruses) |
03/13/1969 |
Lady Gail |
Soprano Sax |
44 bars |
03/13/1969 |
Sauvabelin |
Tenor Sax |
72 bars (3 choruses on 24-bar blues form) |
03/13/1969 |
Sauvabelin |
Tenor Sax |
170+ bars to fade out |
03/13/1969 |
Soul City |
Soprano Sax |
48 bars (2 choruses) in 3/4 |
03/13/1969 |
Soul City |
Soprano Sax |
48+ bars to fade out in 3/4 |
03/13/1969 |
Street of Dreams |
Soprano Sax |
16 bars (1 chorus) |
03/13/1969 |
Street of Dreams |
Soprano Sax |
8 bars (0.5 chorus) and cadenza |
04/24/1969 |
Lucky’s Blues |
Soprano Sax |
48 bars (4 choruses) |
04/24/1969 |
Lucky’s Blues |
Soprano Sax |
46 bars to fade out |
04/24/1969 |
Perdido |
Tenor Sax |
8 bars first chorus bridge |
04/24/1969 |
Perdido |
Tenor Sax |
64 bars (2 choruses) |
04/24/1969 |
Perdido |
Tenor Sax |
8 bars last chorus bridge |
09/12/1969 |
Cherokee |
Tenor Sax |
192 bars (3 choruses) 8-bar exchanges with Combe |
09/12/1969 |
Cherokee |
Tenor Sax |
192 bars (3 choruses) |
09/12/1969 |
Strike up the Band |
Tenor Sax |
144 bars (4.5 choruses) 8-bar exchanges with Combe |
09/12/1969 |
Strike up the Band |
Tenor Sax |
256 bars (8 choruses) |
10/01/1969 |
Body and Soul |
Soprano Sax |
64 bars (2 choruses) |
10/01/1969 |
Body and Soul |
Soprano Sax |
8 bars and cadenza |
10/01/1969 |
Cherokee |
Tenor Sax |
176 bars (2.75 choruses) 8-bar exchanges with Dabrowski |
10/01/1969 |
Cherokee |
Tenor Sax |
320 bars (5 choruses) fourth unaccompanied |
10/01/1969 |
Now’s the Time |
Tenor Sax |
48 bars (4 choruses) exchanges with Dabrowski (ts 4/ d 8) |
10/01/1969 |
Now’s the Time |
Tenor Sax |
84 bars (7 choruses) |
10/01/1969 |
The World Awakes |
Soprano Sax |
84 bars (7 choruses) exchanges with Dabrowski (ss 4/d 8) |
10/01/1969 |
The World Awakes |
Soprano Sax |
26-bar intro vamp |
10/01/1969 |
The World Awakes |
Soprano Sax |
132 bars (11 choruses) |
10/16/1969 |
Body and Soul |
Soprano Sax |
32 bars (1 chorus) |
10/16/1969 |
Body and Soul |
Soprano Sax |
16 bars (0.5 chorus at bridge) and cadenza |
04/25/1970 |
Sea Esther |
Soprano Sax |
44 bars and cadenza |
05/01/1970 |
Blue ‘n’ Boogie |
Tenor Sax |
84 bars (7 choruses) piano out on first three |
05/01/1970 |
Blue ‘n’ Boogie |
Tenor Sax |
48 bars (4 choruses) piano out on first two |
05/01/1970 |
Body and Soul |
Soprano Sax |
16 bars (0.5 chorus) |
05/01/1970 |
Body and Soul |
Soprano Sax |
16 bars (0.5 chorus) starting at bridge and cadenza |
05/01/1970 |
I Got It Bad and That Ain’t Good |
Tenor Sax |
32 bars (1 chorus) |
05/01/1970 |
I Got It Bad and That Ain’t Good |
Tenor Sax |
16 bars (0.5 chorus) starting at bridge and cadenza |
05/01/1970 |
Soul Carnival |
Tenor Sax |
72 bars (3 choruses on 24-bar blues form) piano out on first two |
05/01/1970 |
Soul Carnival |
Tenor Sax |
48+ bars to fade out |
05/01/1970 |
Soul’s Nite Out |
Tenor Sax |
48 bars (4 choruses on 12-bar blues form) piano out on first two |
05/01/1970 |
Spanish Rails |
Soprano Sax |
46 bars (3 16-bar choruses minus 2-bar p break) |
05/01/1970 |
Spanish Rails |
Soprano Sax |
48+ bars to fade out |
05/01/1970 |
Spanyola |
Soprano Sax |
32 bars (1 chorus) |
05/01/1970 |
What’s New? |
Soprano Sax |
32 bars (1 chorus) |
05/01/1970 |
What’s New? |
Soprano Sax |
16 bars (0.5 chorus) starting at bridge and cadenza |
05/01/1970 |
When Sunny Gets Blue |
Soprano Sax |
32 bars (0.5 chorus – long meter) piano out |
05/01/1970 |
When Sunny Gets Blue |
Soprano Sax |
16+ bars starting at bridge to fade out |
05/01/1970 |
The World Awakes |
Soprano Sax |
16-bar intro vamp |
05/01/1970 |
The World Awakes |
Soprano Sax |
48 bars (4 choruses) piano out on first two |
05/01/1970 |
The World Awakes |
Soprano Sax |
24+ bars to fade out |
07/28/1970 |
Blue Monday |
Soprano Sax |
56 bars |
07/28/1970 |
Body and Soul |
Soprano Sax |
32 bars (1 chorus) |
07/28/1970 |
Body and Soul |
Soprano Sax |
32 bars (1 chorus) and cadenza |
07/28/1970 |
Deserted Flower |
Soprano Sax |
48 bars |
07/28/1970 |
Soul Carnival |
Tenor Sax |
168 bars (7 choruses on 24-bar blues form) |
07/28/1970 |
Soul Carnival |
Tenor Sax |
240 bars (10 choruses) exchanges with Johansen |
07/28/1970 |
Soul-lite |
Tenor Sax |
48 bars (4 choruses on 12-bar blues form) |
07/28/1970 |
Unknown Title |
Soprano Sax |
96 bars (8 choruses) |
07/28/1970 |
Unknown Title |
Soprano Sax |
72 bars (6 choruses) exchanges with Martinez and Johansen (ts 4/per 8) |
07/28/1970 |
The World Awakes |
Soprano Sax |
72 bars (6 choruses) |
07/28/1970 |
The World Awakes |
Soprano Sax |
72 bars (6 choruses) exchanges with Martinez (ss 4/bgo 8) |
12/15/1971 |
Blue ‘n’ Boogie |
Tenor Sax |
24 bars (2 choruses) exchanges with Gant (ts 4, d 8) |
12/15/1971 |
Blue ‘n’ Boogie |
Tenor Sax |
48 bars (4 choruses) piano out on first two |
12/15/1971 |
Lover Man |
Soprano Sax |
16 bars (0.5 chorus) |
12/15/1971 |
Lover Man |
Soprano Sax |
16 bars (0.5 chorus) starting at bridge and cadenza |
12/15/1971 |
On Green Dolphin Street |
Soprano Sax |
16 bars (0.5 chorus) 4-bar exchanges with Gant |
12/15/1971 |
On Green Dolphin Street |
Soprano Sax |
32 bars (1 chorus) |
01/01/1972 |
Back to the World |
Tenor Sax |
120+ bars to fade out |
01/01/1972 |
Fillet of Soul |
Tenor Sax |
64 bars |
01/01/1972 |
Fillet of Soul |
Tenor Sax |
64+ bars to fade out |
01/01/1972 |
Home Come’N |
Tenor Sax |
88 bars (2 choruses of 12+12+8+12 blues with bridge form) |
01/01/1972 |
Home Come’N |
Tenor Sax |
44 bars (1 chorus of 12+12+8+12 blues with bridge form) |
01/01/1972 |
Lazy Day |
Tenor Sax |
48 bars (1.5 choruses) last 16 bars starting at bridge) |
01/01/1972 |
Soul Lullaby |
Tenor Sax |
8 bar intro |
01/01/1972 |
Soul Lullaby |
Tenor Sax |
46 bars in 3/4 |
01/01/1972 |
Tea Time |
Soprano Sax |
32 bars (1 chorus) |
01/01/1972 |
Tea Time |
Soprano Sax |
28 bar vamp |
01/01/1972 |
Then Soul Walked In |
Soprano Sax |
48 bars (2 choruses of 24-bar blues in 3/4) piano out on first |
01/01/1972 |
Then Soul Walked In |
Soprano Sax |
48+ bars to fade out |
10/13/1972 |
Cherokee |
Soprano Sax |
8-bar intro |
10/13/1972 |
Cherokee |
Soprano Sax |
64 bars (1 chorus) |
10/13/1972 |
Cherokee |
Soprano Sax |
128+ bars to cut off |
10/13/1972 |
Everything Happens to Me |
Soprano Sax |
32 bars (1 chorus) |
10/13/1972 |
Everything Happens to Me |
Soprano Sax |
16 bars (0.5 chorus) starting at bridge and cadenza |
10/13/1972 |
On Green Dolphin Street |
Soprano Sax |
96 bars (3 choruses) elp out on first) |
10/13/1972 |
On Green Dolphin Street |
Soprano Sax |
48 bars (1.5 choruses) |
01/01/1973 |
Aliyah |
Soprano Sax |
74 bars |
01/01/1973 |
Back Home from Yesterday |
Soprano Sax |
32 bars |
01/01/1973 |
Back Home from Yesterday |
Soprano Sax |
16+ bars to fade out |
01/01/1973 |
Cherokee |
Tenor Sax |
8 bar intro |
01/01/1973 |
Cherokee |
Tenor Sax |
64 bars (1 chorus) |
01/01/1973 |
Cherokee |
Tenor Sax |
156+ bars to fade out |
01/01/1973 |
The Moment of Truth |
Soprano Sax |
68 bars (1 chorus) |
01/01/1973 |
The Moment of Truth |
Soprano Sax |
62+ bars to fade out |
01/01/1973 |
Munsoon |
Tenor Sax |
120+ bars to fade out (piano out on first 40 bars) |
01/01/1973 |
Sun Out |
Soprano Sax |
48 bars |
01/01/1973 |
Sun Out |
Soprano Sax |
36+ bars to fade out |
01/01/1973 |
Yesterday’s Child |
Tenor Sax |
40 bars |